Showing posts with label prohibition. Show all posts
Showing posts with label prohibition. Show all posts

Saturday, June 27, 2026

The Recycling Bin of History

Every once in a while, I come across editorial cartoons for these Graphical History Tours that I like, but which don't make the cut for one reason or another.

Which is just to say that there ain't much by way of an overall theme to today's post. And here we go!

"The Grist of War" by Winsor McCay in New York Herald, ca. June 18, 1926

I was all set to include this Winsor McCay cartoon in a recent post about Abd El-Krim's surrender to  colonial French and Spain troops in Morocco, but something just seemed off about it.

Given the timing of its publication, it seems that the cartoon ought to be about the Rif War, but it's curious why the "Militarist" character is drawn with ridiculously exaggerated white lips, in the manner that White cartoonists and minstrel shows of the day portrayed Black people.

German cartoonists in the aftermath of World War I frequently drew African soldiers carrying out French military actions as a way of highlighting African soldiers' presence in France's occupation of the Ruhr region; the cartooning practice was meant to inflame German resentment at being policed by untermenschen.

Was McCay echoing that same racist propaganda here? If so, the cartoon was more likely about French policy against Germany, not France's adventures in Morocco.

"Well, Anyway, a Good Time Was Had By All" by James North in Washington Post, June 4, 1926

Meanwhile, a much-ballyhooed disarmament conference was underway. The French poppinjay in the foreground of James North's cartoon is more representative of how U.S. cartoonists represented France: stiffly waxed goatee and upturned mustache.

"But Isn't It Kind of Dangerous" by Jay N. "Ding" Darling in Des Moines Register, June 1, 1926

Here’s a “Ding” Darling cartoon I liked about New York Governor Al Smith’s position on Prohibition. It didn’t quite fit in with my post on spring primary results — Smith was not in a reelection race — and I already had two other Darling cartoons having to do with Iowa’s GOP Senate primary.

I do like to keep an eye out for cartoons featuring the men who were destined to run for president and vice president later on. I shouldn’t need to warn of a spoiler alert when I explain that Smith would be the Democratic presidential nominee in 1928, and it’s not as if the "Happy Warrior" were an obscure pol in 1926. Nor is he largely forgotten today.

Unlike his 1928 running mate.

By the way, I came across this campaign button at a resale store recently. I wonder whether whoever wrote the price sticker was unaware that Franklin Roosevelt was not at the top of the ticket, but was the vice presidential nominee in that 1920 campaign.

"Kompromissflaggen" by Oskar Garvens in Kladderadatsch, Berlin, June 6, 1926

This cartoon suggesting designs various German political parties and interests might have had for the Weimar Republic's flag didn't fit in with recent posts on European affairs. This is an unretouched image from the Heidelberg's on-line archive; besides adding English translations, I would have tried to eliminate the yellowing of the page and to emphasize the black lines.

Perhaps Herr Garvens would have appreciated my coloring in some red on his flags, too, assuming I would be coloring the correct rectangles. My guess is that the red isn't missing because it has faded over time, but rather that it was never there — because Kladderadatsch could only afford black and yellow ink for the cartoons on its inside pages that week.

Finally, it would have been timely, in this week when the Supreme Court floods the zone with a blizzard of rulings like a college student cranking out all his term papers at once, to have put together a post about historic Supreme Court decisions. Sadly, editorial cartoons about the Court are somewhat rare in the 1920's.

"Memories of Dred Scott" by Wilbert Holloway in Pittsburgh Courier, June 5, 1926

Cartoons about the Court do show up in newspapers appealing to a Black audience, however. This Wilbert Holloway cartoon concerns the Supreme Court's decision that it had no jurisdiction to rule in Curtis & Corrigan v. Buckley et al., a case contesting the legality of private contracts restricting the sale of homes to Black persons.

The case made by the bill is this: the parties are citizens of the United States, residing in the District [of Columbia]. The plaintiff and the defendant Corrigan are white persons, and the defendant Curtis is a person of the negro race. In 1921, thirty white persons, including the plaintiff and the defendant Corrigan, owning twenty-five parcels of land, improved by dwelling houses, situated on S Street, between 18th and New Hampshire Avenue, in the City of Washington, executed an indenture, duly recorded, in which they recited that, for their mutual benefit and the best interests of the neighborhood comprising these properties, they mutually covenanted and agreed that no part of these properties should ever be used or occupied by, or sold, leased or given to, any person of the negro race or blood, and that this covenant should run with the land and bind their respective heirs and assigns for twenty-one years from and after its date.

Justice Edward T. Sanford delivered the Court's decision that the 5th, 13th, and 14th Amendments to the Constitution did not apply to private contracts. Sanford, a Harding appointee from Tennessee, was a friend and protegé of Chief Justice William Howard Taft. Like Taft a conservative jurist, his earlier majority opinion in Gitlow v. New York ironically established precedent for the liberal Warren Court's decisions expanding civil rights. 

Saturday, May 16, 2026

Ice Cream, Ice Cream Everywhere, Nor Any Drop to Drink

"The Navy's First Lord Passes the Grog" by Edmund Duffy in Sun, Baltimore, May 31, 1926

I enjoyed the characterizations of a seaman and Navy Secretary Curtis Wilbur in Edmund Duffy's cartoon, so it gets to lead off today's Graphical History Tour. 

The U.S. didn't have army bases all over Europe during Prohibition, but recruits in the U.S. Navy got to take shore leave in ports where beer, wine, and liquor were sold like, well, beer, wine, and liquor.  

To combat naval inebriation, Wilbur authorized the sale aboardship of chewing gum and the like as something to replace the sailors' appetite for booze. In Duffy's cartoon, Wilbur is mollifying a tar with the offer of an ice cream cone —vanilla, of course — just the thing for a tar's night on the town.

"The Circus" by T.E. Powers in New York Evening Journal, ca. May 7, 1926

T.E. Powers correctly pointed out that the Republican Party platforms of 1920 and 1924 were solidly in favor of Prohibition. He overlooked, however, that there was still significant support of Prohibition within the Democratic Party, particularly in the deep South and the West.

"Something Bound to Happen" by Harold Talburt for Newspaper Enterprise Assn. ca. May 23, 1926

A bipartisan proposal to allow the manufacture and sale of less intoxicating beverages such as beer and wine had support among Americans who were not so devoted to complete and total abstinence. Liquor would have remained illegal under most versions of modification, with acceptable levels of Alcohol By Volume (ABV) in legalized libations set by the government.

A primary election in Pennsylvania may have been a bellwether of actual public sentiment on the Prohibition issue.

"A Soaking" by Ed LeCocq in Des Moines Evening Tribune, May 20, 1926

Philadelphia Congressman William Scott Vare won the three-way Republican primary race for Senator over Dry candidates Governor Gifford Pinchot and incumbent Senator George W. Pepper on May 18. Vare ran on an anti-Prohibition platform, charging that the Volstead Act was resulting in a police state, and blaming Prohibition for a 300% rise in alcohol-related crimes in Philadelphia.

"The Ship of the Desert" by Nelson Harding in Brooklyn Daily Eagle, May 20, 1926

The Philadelphia Inquirer dismissed Vare's calls for relaxing, if not repealing Prohibition as a distraction from his well-earned reputation as a machine politician. Nicknamed the "Duke of South Philadelphia," Vare was cozy with gangsters Waxey Gordon and "Lucky" Luciano. The cartoons of its editorial cartoonist, William Hanny, while highly critical of Vare, were mostly predictions that voters would send him down to defeat. 

"And That's What Little Candidates Are Made Of" by J.N. "Ding" Darling in Des Moines Register, May 28, 1926

National cartoonists conveniently overlooked the other major race in Pennsylvania, to succeed Pinchot as Governor. John S. Fisher narrowly edged out former Lt. Governor Edward E. Beidelman, who, in his legal practice, was more closely associated with the Wet cause than Vare.

"The New Band Wagon" by Wm. Sykes in Life, May 27, 1926

Even at least one international cartoonist (albeit a half-American one) also took gleeful note of Pennsylvania's Republican Senate primary, and his cartoon graced the front page of one of Germany's leading satirical weeklies.

"Der Sieg de Nassen in Pennsylvanien" by Arthur Johnson in Kladderadatsch, Berlin, June 13, 1926

(Note: I've attempted to recolor some of Arthur Johnson's cartoon.)

There is a good chance that we shall return to Pennsylvania's Senate campaign in future Graphical History Tours, so let's not get ahead of ourselves there. Suffice it to say for today's purposes that Vare's plurality win encouraged a number of politicians elsewhere to voice their reservations against the Noble Experiment.

"Page Moses" by Gustavo Bronstrup in San Francisco Chronicle, May 29, 1926

But repealing — or modifying — a Constitutional Amendment was never intended to be an easy task. Any celebratory champagne toast would have to wait.

Chewing gum, anyone?

🍸

And so ends Graphical History Tour for another day. Be sure to check in again tomorrow for a much more recent editorial cartoon from your humble scribbler!

Saturday, April 25, 2026

Darling Catches Up

Graphical History Tour Inc. couldn't let April get away without celebrating the centennial of J.N. "Ding" Darling's return to the drawing board after a year battling peritonitis.

Jay N. Darling, "Ding," returns to the Register's front page this morning with the first cartoon he has drawn after more than a year's absence. Mr. Darling has completely recovered his health, following the serious illness with peritonitis with which he was stricken March 19, 1925. Ed LeCocq, the young cartoonist who substituted for Mr. Darling, will draw cartoons for the Evening Tribune.

"If You Don't Think the World Moves..." by J.N. "Ding" Darling in Des Moines Register, April 5, 1926

In Ding's first cartoon upon return, he appears undaunted by the challenge of catching up with the whirlwind of world events since his pen fell silent.

"Things Seem Just About Where We Left Them a Year Ago" by J.N. "Ding" Darling in Des Moines Register, Apr. 6, 1926

But one day later, he realized that it was still the 1920's after all. Prohibition was still the law of the land, if not universally observed; the Democratic Party was still out of power and searching for some winning issue; Congress was still promising aid to farmers but not delivering; isolationists were still thwarting Uncle Sam trying to fetch peace off the shelf; and, apparently, President Coolidge was hard at work sawing logs.

Darling approved of Calvin Coolidge, which is why he is the only figure not beset by cobwebs in the cartoon.

"Looks As Though He'd Adopted Something" by J.N. "Ding" Darling in Des Moines Register, Apr. 13, 1926

Darling returned to his drawing board just in time for the culmination of Iowa Democrat Daniel Steck's challenge to overturn Republican Senator Smith Brookhart's 1924 election victory.

Brookhart was elected to the Senate in 1922 to fill out the term of William S. Kenyon, and immediately challenged Senate norms, preferring cowhide shoes and overalls to suits and ties. A progressive "radical," he publicly backed Robert La Follette's 1924 presidential campaign over Coolidge's reelection while running for a full Senate term of his own. Republican party leaders withdrew their support over this unforgiveable defection from party loyalty.

Election night returns appeared to indicate that Steck would be the first Democrat elected to the Senate by Iowans since the Civil War; but late results from rural counties gave Brookhart a 754-vote margin of victory. Brookhart was sworn into office on March 4, 1925. 

Steck, backed by the Iowa Republican Party, filed an official challenge with the Senate Committee on Elections and Privileges. On April 12, 1926, 16 Senate Republicans figured they would rather have another Democrat in the minority than Brookhart within their caucus, and joined their 29 Democratic colleagues voting to recognize Steck as the winner of the 1924 election.

Brookhart promptly announced that he would challenge Iowa's Senior Senator, Albert Cummins, in 1928. He did so, successfully.

"First Blood" by Ed LeCocq in Des Moines Evening Tribune, Apr. 13, 1926

Since "young cartoonist" Ed LeCocq has graced our pixels repeatedly over the past year, I thought it only fair to let him comment on Brookhart's ouster here. I wonder if he had been prepared to draw a glum Miss Democracy in case the Senate vote had gone the other way. His GOP Elephant could have remained disappointed in either event.

LeCocq's editors at the Evening Tribune seemed to view Steck's victory as a portent of Democratic victories yet to come. It wasn't; even the Great Depression couldn't get Steck reelected in 1930.

"To Retrieve the Family Fortunes" by J.N. "Ding" Darling in Des Moines Register, Apr. 7, 1926

Getting back to those Things Where We Left Them a Year Ago, the Democratic Governor of New York, Al Smith, was a champion of the "Wets," pushing for loosening, if not repeal, of Prohibition. In the spring of 1926, the Wets proposed decriminalizing beer and "light wines" (5.5-10% Alcohol By Volume), while leaving hard liquor fully illegal.

"Important If True" by J.N. "Ding" Darling in Des Moines Register, Apr. 20, 1926

One argument in favor of loosening Prohibition laws was that organized crime was trafficking profitably — and violently — in contraband hooch. It was well known that powerful crime bosses had help from corrupt elected officials, law enforcers, and judges, not to mention otherwise upstanding citizens.

"The Voice of Authority" by J.N. "Ding" Darling in Des Moines Register, Apr. 25, 1926

This Darling cartoon points out a powerful force within the "Dry" constituency: the Women's Vote.

Prohibition became law because of a coalition of Progressive social reformers, religious conservatives, Southern Democrats, and wives tired of their husbands coming home drunk all the time.

Moving on to foreign affairs...

"The Audience Will Kindly Refrain from Applause Until the Act Is Over" by J.N. "Ding" Darling in Des Moines Register, Apr. 9, 1926

"All There Was" by J.N. "Ding" Darling in Des Moines Register, Apr. 10, 1926

The Coolidge administration reached agreements with World War I allies France and Italy for their repayment of war debts to the U.S. Both countries were left heavily damaged after the war, yet many editorial cartoonists and their publishers demanded prompt repayment in full and would settle for nothing less. Darling took a more nuanced view of things.

I really like how, in his cartoon about settling the debt from France, he draws your eye from the oversized trapeze artiste, to the gentleman reaching to catch her, to the Master of Ceremonies on the ground, and finally to the expectant crowd.

"No Wonder the Neighbors Are Beginning to Talk" by J.N. "Ding" Darling in Des Moines Register, Apr. 23, 1926
Darling stood apart from many of his fellow Republicans in consistently advocating for international cooperation, the Wilson-inspired League of Nations, and the International Court. Resistance to these efforts was especially effective in the U.S. Congress under Republican domination, even when the Coolidge administration was open to them.

By the way, it was another month before Darling resumed drawing cartoons for Collier's. He tweaked one of the above cartoons for this last one.

"Putting It Up to Papa" by J.N. "Ding" Darling in Collier's, May 29, 1926

Saturday, April 11, 2026

The World According to the Daily Worker

Today's Graphical History Tours journeys 100 Aprils into the past, with an eye to some of the leftmost cartoonists in print in the U.S.

Daily Worker was published in Chicago from 1924 to 1958, giving voice to the communists and leftist socialists of the American labor movement. Editorial cartoons and illustrations appeared throughout the newspaper, particularly in the Saturday feature section edited in 1926 by Robert Minor.

Xenophobia is nothing new in U.S. history. Congress was considering a series of bills requiring that all foreign-born workers annually register their fingerprints with the government, report to authorities any time they moved or traveled from one locality to another, and carry a certificate of identification to be shown on demand.

"Thumbs Down" by Maurice Becker in Daily Worker, Apr. 10, 1926

Looking down from the sidelines in Maurice Becker's cartoon are: Fake Labor Leader, Militarist, the Courts, Calvin Coolidge, Andrew Mellon, the KKK, Election Crook, Kept Press, and Rotarian. "Fake Labor Leader" may have been a Daily Worker reference to the American Federation of Labor, which it frequently criticized for not being radical enough; but the AFL was publicly opposed to the alien registry legislation.

Labor unions such as the Machinist Locals 84 and 337 protested that "the majority of workers in the basic industries of this country are of foreign birth, and the proposed bills are clearly aimed at the working class as a whole. ... The intent of the proposed bills is clearly to intimidate the foreign-born workers; to prevent them from joining unions; to prevent them from participating in strikes, and to compel them to accept a status of subjection, forced to do scab labor during times of conflict with employers."

Unions for the Pullmans, painters, decorators, seamstresses, steamfitters, and more from Boston to San Francisco organized "Councils for Protection of the Foreign-Born" to advocate against the proposed legislation.

"The Boycott" by Rollin Kirby (?) in New York Evening World, ca. Apr. 14, 1926

The Daily Worker didn't credit the cartoonist, whom I presume was Rollin Kirby. It also seems to me that the caption doesn't fit the cartoon. I couldn't find anything in the Daily Worker reporting boycotts related to the alien registry bills; I also haven't found this cartoon printed elsewhere. [Update: see D.D. Degg's comment below.]

I did find that the U.S. had deported 55,110 resident aliens between September, 1925 and April, 1926.

"Reviving a Dead One" by William Gropper in Daily World, Apr. 9, 1926

The Democrat-sponsored alien registry bills did not make it to President Coolidge's desk, or to the drawing boards of certain mainstream cartoonists I expected would have opinions about them. Many mainstream cartoonists were more interested in proposals to create exceptions to Prohibition — one of many distractions, according to the communist press, "to get the workers' mind off the real issues."

"So That's What's in the Prohibition Barrel" by William Gropper in Daily Worker, April 25, 1926

Would you have preferred your distraction from the real issues neat or on the rocks?

"Sidetracked" by Fred B. Watson in Baltimore Afro-American, Mar. 20, 1926

The Daily Worker included this Fred Watson cartoon in its April 22 edition with an unnecessarily longer title. The cartoon answers my question of two months ago whether Watson opposed U.S. participation in the World Court, and the Worker's cut line explains that the communist leadership at the newspaper viewed the World Court as a tool of J.P. Morgan and Wall Street bankers.

The Black vote, where it could make its way into the polling place, had been reliably Republican since the end of the Civil War. Although the Anti-Lynching Bill was authored and promoted by a Republican, the repeated inaction on the bill when Republicans held all the reins of power was a sign that the party took Black loyalty for granted.

"America Protects Germany from Sin" by William Gropper in Daily Worker, Apr. 28, 1926

I had serious qualms about including this cartoon because of objections to the Daily Worker editor's decision to mess with it. For some reason, the editor saw fit to remove whatever dialogue Gropper had President Coolidge saying (and possibly also text or symbolism that might have been on the paper in Mr. Businessman's hand), substituting instead the editor's own text as a cut line.

Unless an editor is providing translation of a foreign-language cartoon, that's simply not cool. 

But I did want to include a caricature of Calvin Coolidge besides that barely recognizable one by Maurice Becker above. 

And speaking of Gropper caricatures:

"Mussolini Thumbs the Stub of His Nose" by William Gropper in Daily World, Apr. 24, 1926

On April 7, Violet Gibson, the 50-year-old daughter of the Lord Chancellor of Ireland, attempted to assassinate Benito Mussolini. Her bullet nicked il Duce's nose; her gun jammed as she tried a second shot.

Police stopped the crowd from killing her then and there. She probably would have been executed like Mussolini's other three failed assassins but for the British government interceding on her behalf. Gibson was allegedly mentally unstable (she had attempted suicide in Rome the previous year), so Italy deported her to England, where she spent the rest of her days in a mental asylum.

But speaking of womenfolk and guns...

"The Lady Might Get Hurt" by William Gropper in Daily Worker, April 1, 1926

The Daily Worker was highly skeptical of international agreements, such as the Locarno Pact, that did not originate in Moscow.

Have we another example of the Daily Worker editor editing a cartoon? Why would Gropper attach a label to the gun if not to identify what it is supposed to represent? Could this cartoon have been drawn about a completely different topic?

"No Team Work" by Maurice Becker in Daily Worker, Apr. 3, 1926

No such question about Maurice Becker's cartoon here. It does reminds me a lot of the Arthur Racey cartoon that led last week's Graphical History Tour. It is possible, I suppose, that Becker could have seen the March issue of Macleans; I think, however, that this was simply a case of two cartoonists reaching for a common image to illustrate a similar situation.

What does puzzle me is why Becker thought it necessary to label which country in the rowboat was which. I mean, shouldn't a reader just assume that the characters are a bunch of different national leaders? How does knowing who's who matter?

"The Spirit of Locarno" by Viktor "Deni" Denisov in Pravda, ca. Apr. 13, 1926

Soviet cartoonist Deni uses caricature to indicate the nationality of some of the League members in this cartoon: the gentleman sprawled on the floor at left resembles Germany's Hans Luther, and the mustachioed fellow at top right looks like French Prime Minister Aristide Briand. Below Briand are a probable Briton and a likely Japanese, but it hardly matters to whom each butt belongs.

"Glorious Garbage" by Marvin P. "Hay" Bales in Daily World, Apr. 24, 1926

I explain these cartoons because they're 100 years old and make references that have grown obscure over time. The editors of Daily Worker explained this cartoon because they didn't trust readers to catch the subtle clues left by the cartoonist that the skull labeled "The League" is dead and that "Geneva Garbage Co." is a trash can.

At least they left the rather clever "Loco Peace Pact" nickname to stand on its own.

"With Rubber a Dollar a Pound" by Maurice Becker in Daily Worker, Apr. 17, 1926

Every once in a while, U.S. presidents would look into the possibility of granting demands for independence by the Philippines, a U.S. possession taken as spoils of the Spanish-American War at the close of the 19th Century. The Coolidge administration had recently appointed Col. Carmi A. Thompson, commander in chief of the United Spanish War Veterans, to conduct just such an investigation.

Members of Congress raised their objection to Philippine independence on a number of grounds, one being the high price of rubber from the British East India Company. U.S. firms were working to establish rubber plantations in the Philippines to rival the British monopoly.

Philippine independence would come only after World War II. 

"The Imperialist Policy in China," uncredited, in Daily Worker, Apr. 17, 1926

China's future was up in the air after the death of Premier Sun Yat Sen in March, 1925. Various warlords sought to establish their own local fiefdoms. Against the warlords, the Chinese Communist Party and  Nationalist government cooperated in the First United Front, with Soviet backing, until the Canton Coup on March 20, 1926.

The communist captain of the S.S. Zhongshan, with a Soviet naval adviser on board, moved to support a leftist uprising in Guangzhou. Chiang Kai-Shek, then the commander of the National Revolutionary Army, declared martial law in Guangzhou and arrested communists in China's armed services and their Soviet advisers.

"The Helper of Imperialist Thieves" by O.R. "Zim" Zimmerman in Daily Worker, Apr. 10, 1926

The Daily Worker promoted a rather different narrative to the purge of communists from China's National Revolutionary Army; Christian missionaries were hardly a factor in the Canton Coup.

Only from an atheist communist would you expect a Jesus Christ drawn as a Jewish stereotype 100 years ago. (Robert Minor drew the Christ with an even longer hooked nose than in this Zimmerman toon — see page 48 here.) It would be a welcome departure from the auburn-haired northern European Jesus found elsewhere but for the undercurrent of antisemitism tapped into by these cartoons.

"My Gawd, How the Money Rolls In" by William Gropper in Daily Worker, Apr. 5, 1926

And thus with yet one more William Gropper cartoon, we must leave 1926 behind for another week or two, returning to the present day secure in the knowledge that we have come so far since those bad old days.

Monday, April 6, 2026

This Week's Sneak Peek

Tune in later this week for a completely serious cartoon about a totally serious topic for sober, reasoned discussion.

Meanwhile, here's something not to tell your Republican uncle who gets all worked up about imaginary aliens voting in U.S. elections: while searching through Canadian newspaper articles about the West Middlesex special election, I came across UFO vote totals. 

The first references I found assumed that the paper's readership knew what the UFO was; I had to do a little searching to come up with the answer.

The United Farmers of Ontario Party (founded 1914, dissolved 1944) actually won enough seats in the Ontario Legislative Assembly to form a coalition government with the Independent Labour Party from 1919 to 1923. According to Wikipedia, "The UFO platform called for the abolition of political patronage, better educational opportunities in rural areas, cheap electric power, conservation of forests, proportional representation and "direct legislation". The UFO also favoured prohibition [passing it into Ontario law in 1919; prohibition was repealed in 1927] and budgetary restraint."

Its last member in the Ontario Legislative Assembly joined the Liberal Party in 1940, well after the UFO had become a spent political force.

Saturday, March 14, 2026

Nor Any Drop to Drink

"He's Off Again" by Dorman H. Smith for Newspaper Enterprise Assn., ca. Mar. 8, 1926

When you think of the 1920's, what comes to mind? A booming stock market? 

Attracting far too many to invest "on margin," the markets were inflated by investors borrowing against future profits. A sharp downturn in March of 1926 should have served as a warning of what was soon to come.

"His Nest Egg Hatches" by J.P. Alley in Memphis Commercial Appeal, Mar. 20, 1926

The market suddenly lost billions of dollars — 1926 dollars, mind you — wiping out the savings of small investors like the one in Alley's cartoon. 

But Treasury Secretary Andrew Mellon counseled calm. "The break does not touch fundamental conditions. It was the result of excessive speculation. I would have happened whatever business conditions were at the time. The effect is really wholesome. It provides a sort of 'evening up.'"

"Too Sound to Be Uprooted" by Nelson Harding in Brooklyn Daily Eagle, March 4, 1926

Nelson Harding accepted the advice of Secretary Mellon, who continued, "If the market goes to far, it will get back again. All such movements go further than they should, until there is a reaction. There is action and reaction until they strike normal."

Harding's choice of a visual metaphor just goes to show how well Mr. Harding understood avalanches.

"Not Shaking the Mountain" by Ted Brown in Chicago Daily News, ca. Mar. 11, 1926

The lessons against stock speculation are much easier to learn in hindsight. I can't claim any stock market expertise, either, so I don't charge these cartoons against Harding and Brown. 

But I can't figure out why Brown chose to label his Bulls and Bears, rather than to give them animal heads like any other cartoonist of the 20th Century would have.

"Dangit" by Ed LeCocq in Des Moines Register, March 13, 1926

Perhaps it's Prohibition that comes to your mind when you think of the 1920's.

Prohibition was a social reform movement that never quite took hold in the places where the social reformers saw the greatest need for social reform.

"Temptations" by Dean O'Dell in Dayton Daily News, March 18, 1926

Wets, as opponents of the Volstead Act were called, proposed in 1926 exempting beer and wine from Prohibition laws, reasoning that the cold turkey approach simply wasn't working. They also argued that the absence of legal liquor unintentionally benefited organized crime as it stepped in to fill the void.

"Now That's an Embarrassing Question" by Billy Ireland in Columbus Dispatch, ca. Mar. 12, 1926

Which brings us to Chicago gangsters.

As Billy Ireland suggested, Chicago's crime syndicates were taking advantage of a market for booze by Americans seeking to escape the enforced sobriety of the Volstead Act.

"Where There's a Will There's a Way" by James North in Washington [DC] Post, March 5, 1926

James North referred in this cartoon to the Chicago city motto, "I Will," adopted after its 1871 fire. His example of California vigilantism as a way to fight back against "lawlessness" seems counterproductive, if you ask me.

"There Was a Young Lady from Niger..." by Carey Orr in Chicago Tribune, March 4, 1926

The limerick Carey Orr cites as the parallel for how Chicago city hall had succumbed to organized crime has fallen out of favor among cartoonists. The suggestion of racism wasn't much of a factor; cartoonists tended to draw the young lady as a white person. Nor was it because nowadays Niger and Tiger don't rhyme; they didn't rhyme in 1926, either.

Nope, it's just one of those tropes that are too cliché.

Speaking of Chicago...

"Baiting Her Hooks for Her" by Carey Orr in Chicago Tribune, March 11, 1926

"I Will" is on Miss Chicago's blouse in this Carey Orr cartoon commending Commerce Secretary Herbert Hoover's endorsement of a plan for a nine-foot channel from Chicago to the Mississippi River to the Gulf of Mexico. According to Mr. Hoover, the project would make every city on the Great Lakes a seaport.

"A Cheeky Theft" by Sam Hunter in Toronto Star, March 27, 1926

The Graphical History Tour has covered the Chicago waterway controversy before (see here). The project was strongly opposed by communities downstream, especially in Canada, where one rarely found Sam Hunter and Arthur Racey on the same side of an issue.

"Excellent Example" by A.G. Racey in Montreal Star, March 29, 1926

Hoover dismissed concern that diversion of Lake Michigan water south through Chicago would lower water levels in the natural flow of the lake's water to the St. Lawrence Seaway, claiming that five-sixths of the reduction already being experienced was due to a fluctuation in climate. The best way to settle the international lake level dispute, he told a Republican group in Chicago, would be to spend money on concrete and steel to regulate the water passing through Niagara Falls "instead of squandering it on lawyers."

•••

Well, folks, I hadn’t meant to end things right here, but a wind storm has apparently knocked out my internet service provider where I live, going on seven-plus hours as I write this, so I can’t upload any more graphic files to help wrap this up.

So have a pleasant respite between Friday the thirteenth and the Ides of March. Have some pi. See you when this all blows over.