Q Toon: Chaos at Kennedy Center

I introduced Max's mother into the Leo and Max series last winter as working in some undefined capacity at the John F. Kennedy Memorial Center for the Performing Arts. Leo and Max are avatars for the divisions in the Ostensibly United States of America in general; Karen is just my opening for addressing a specific topic.

Open homocon Ric Grenell could have served as my excuse to draw cartoons about the JFK Center; I had drawn a few cartoons about him before Trump named him as his Trump’s chief lieutenant there. But he didn't last very long in that position; his career is in foreign policy after all, not performing arts.

So it turns out that having a recurring character remaining behind among Trump’s lickspittle Board of Misdirectors comes in handy. Leo, the liberal, seems to enjoy needling Karen about Donald Diva Trump’s mission of recreating it as a memorial to himself or razing it to the ground.

I took a risk in drawing this cartoon that the JFK Center would still be standing by the time my cartoon saw print. Trump's modus operandi has been to tear things down before anyone has a chance to stop him (e.g, the East Wing, trees of the East Potomac Golf Links, ethical standards, constitutional norms, and he's still just getting started).

Is it telling that the JFK Center board named a new Artistic Director, but as a contractor, not a hire? No, it's not Kimberly Guilfoyle; it's Rick Canny, who, I hear, has worked with ZZ Top and Tommy Lee, so at least he's not some random Trumpster. Since performers have cancelled in droves, and Executive Director Matthew Floca closed the Center's main building months ago on account of supposed life-safety concerns, however, I'm not clear on what art Mr. Canny has to direct.

The Center's current regime put an end to those rainbow ribbons that came with JFK Center awards, so perhaps Mr. Canny can work on a more Trumpy design for when Trump celebrates giving all the awards to himself. A Confederate flag motif, perhaps.

You can guess whose scowling face will be on the gold-plated marble award medal.

Well, if I keep this up, I'm gonna spoil any possibility of bringing Karen back in a future cartoon, so enough is enough. 

Unless she ends up working along with everybody else from the JFK Center at the Donald Commodius Trump Presidential White House Memorial Ballroom and Bunker for the Performing Arts.

Toon: Meet Mitchell Berman

I thought I'd try caricaturing the Democrat running for Congress in my home district this year, and here's what I came up with. 

Mitchell Berman is an emergency room nurse who won a three-way race for the Democratic nomination in August. The national Democratic Party sees potential for him to oust four-term Republican incumbent Bryan Steil, so Berman has gotten the benefit of some television advertising, unlike most Democratic candidates for Wisconsin's 1st Congressional District in this century.

If Berman were to win election this November, he would be the first Democrat to represent this district since Rep. Peter Barca was defeated in the Red Wave of 1994. (Barca ran again and lost thirty years later.)

Berman's first TV ad showed him fishing from the banks of a small river somewhere with his dog, offering his bone fides as a regular guy. He wasn't wearing his nurse uniform in that ad; he was, however, wearing a holstered gun on his side — a quiet nod to the sportsmen hereabouts. In a subsequent social media video, he explained that he sometimes goes fishing in areas where one might encounter a bear or wolf. Hence the side arm.

In a preliminary sketch for this caricature, I had a holstered gun at Berman's side. I had to scratch that idea when I switched which hand his fishing rod was held in. 

Most of the mail pieces from Berman's campaign show him in his nurse's scrubs and flag-themed do-rag. His latest TV ad depicts him on the job, talking about health care reform.

Steil, and outside organizations supporting him, are attacking Berman with the same charges of being a radical activist that Republicans are flinging willy-nilly at every Democrat. Steil's ads tout his "Stop Insider Trading Act," prohibiting members of Congress (but not Supreme Court justices, Presidents, or their families) from trading stocks while in office. The bill passed the House with a rider requiring voters to show photo identification before voting, but has not passed the Senate.

Steil's bill has "more holes in it than Swiss cheese," according to Berman, because congressional representatives are not required to divest stocks they already own.

Steil is way ahead of Berman in campaign fund raising: the incumbent's war chest is over $5 million, while Berman's was only $713,000 as of mid-September. Outside interest group advertising is similarly lop-sided in Steil's favor.

This Week's Retro Peek

I'm reposting this panel from a Leo & Max cartoon back in January just as a reminder of Max's mother, Karen, and where she works. 

Leo's family background may get treatment someday. Somehow, they never showed up while Leo was abducted by ICE agents and flown to some s-hole country's civil war, so perhaps they're just not very close. 

Or maybe we just haven't seen them because they're terribly shy.

Dispatches from the Workers Paradise

Today's Graphical History Tour brings us to October of 1926.

Detail from "A Week in Cartoons" by Marvin P. "Hay" Bales in Daily World, Chicago, Oct. 9, 1926

We have a couple stops in this week's Tour, starting back in the U.S.S.R. 

Last week's post closed with an overly optimistic cartoon by A.G. Racey on the promise of lasting peace (a view shared, to be fair, with several other cartoonists). Marvin Bales's cartoon reminds us that there was no cessation of international rivalries in Europe, nor any shortage of bilateral pacts in defense against them. 

"The Cause of the Pause in Disarmament" by James North in Washington (DC) Post, Oct. 3, 1926

Fears of Russian expansionism, however, united governments in Europe and the United States. James North depicted the League of Nations' Disarmament Conference interrupted by the Russian bear reaching to grab Poland, the Baltic states, and China.

It's interesting that North included Turkey as also threatened by Russian domination. The countries actively discussing taking over and dismembering Kemal Attaturk's Turkey at the time were Italy and Greece.

"These Must Be Heard" by A. Jerger in Daily Worker, Chicago, Oct. 2, 1926

Meanwhile, the American Federation of Labor (AFL) held its annual convention in Detroit, in an atmosphere of  alarm over Soviet influence in the worldwide labor movement. Anti-communist prosecution had largely hobbled the "Wobblies" of the International Workers of the World union; the AFL, on the other hand, shunned communist involvement.

"Not the Sort of Recognition I'm After" by Clifford Berryman in Evening Star, Washington DC, Oct. 14, 1926

The 1926 convention unanimously passed a resolution denouncing "the Soviet regime of Russia as the most unscrupulous, most anti-social, most menacing institution in the world today. Between it and our form of political and social organization there can be no compromise of any kind." 

"Through the Red Internationale, which is controlled by the Communist Party of Russia, the Soviet regime has continued its efforts to undermine and destroy the Democratic-Labor movement of the United States. Its lack of any progress in that direction is due, not to any lack of determination on its part, but to the strength and deep determination of the membership of the American trade union movement." 

A competing resolution urging U.S. recognition of the Russian government was not brought to a vote.

"Putting on the Lid" by Fred Seibel in Richmond Times-Dispatch, Oct. 20, 1926

A similar resolution against the fascist regime in Italy received less attention from American editorial cartoonists. It read in part, "In fascism we find only another form of dictatorship and autocracy, a principle of government that can never find anything but opposition in the minds of free people."

"The Big Parade" by Dorman H. Smith for Newspaper Enterprise Assn. ca. Oct. 11, 1926

A more controversial stand taken at the AFL convention was advocating for a five-day work week. At the time, most workers were expected to be on the job six, even seven days a week, for ten or more hours each day. Workers rights organizations had been calling for shorter hours for years; AFL President William Green noted that the five-day work week had already been adopted in some branches of the printing and building trades, and during the summer in some department stores.

The most prominent convert to the five-day work week in 1926 was a big name in the automotive industry.

"Can He Make the Grade" by Dean O'Dell in Dayton Daily News, Oct. 9, 1925

Henry Ford instituted the five-day, 40-hour work week at his automobile plant on May 1, 1926, believing that it would benefit both the company and its workforce — and not incidentally, dampen any enthusiasm among employees for joining a union. His public explanation was that “Every man needs more than one day a week for rest and recreation.”

"The New Commandment" by J.N. "Ding" Darling in Des Moines Register, Oct. 6, 1926

"Ding" Darling cited the biblical command to labor six days out of every seven. I would note that by phrasing its caption as a question and drawing a car in danger of overheating, Dean O'Dell's cartoon casts a shade of doubt upon the success of Ford's five-day work week.

"Out of Order" by Jesse Cargill for Central Press Assn., ca. Oct. 13, 1926

A feature story by L.L. Stevenson for Detroit News marking the 80th birthday of Elbert "Judge" Gary, Chairman of United States Steel, summed up his opinion on the five-day workweek and other labor issues:

For the steel industry, he holds that such a week would be utterly impractical since so many of the operations are continuous. He does not think much of the proposal to unionize the automotive industry. Labor unions when they attempt to dictate when and where a man shall work are in the wrong. English labor unions have become too radical.  Prohibition has increased the efficiency of the American workingman.

"I don't absolve the bad features," he continued. "You must average up things. On the whole, the workingman is better off. If I had been writing the law, I would have excluded beer and light wines, though in my opinion, neither benefits the workingman in any way."

And yet, the five-day work week soon became the norm in much of the industrialized world. For younger generations, it was all they knew since childhood.

"A Popular Movement" by Harold Talburt for United Feature Syndicate, ca. Oct. 9, 1926

Q Toon: Tuberville at 20,000 Feet

I loathe headlines that give away the punch line, but I wonder how many people half my age would catch the reference in the first place.

Ah, well. If you didn't catch the reference in the headline, you didn't catch the reference in the cartoon, either. Ask a Boomer.

And if you didn’t get the reference to Senator Tommy Bubbaville (R-AL) and his goofy speech decrying the Federal Aviation Administration’s lax attitude toward furry airline employees, well, what are you doing here? 

I mean, it was in all the topical late-night shows and cable news programs desperate for a break from war, inflation, and a reckless regime running roughshod over democracy. There's an election coming up, and it's high time to do your homework for it.

When this idea first came to me, I didn’t remember that the gremlin on the wing of William Shatner’s airplane was itself quite furry. Somehow, I had something more Salt Vampire-like in my memory. Checking images from the original Twilight Zone episode meant having to tweak the dialogue slightly; I think it still works, though.

This Week's Sneak Peek

I was almost completely finished touching up this cartoon in PhotoShop when I realized that this fellow had no hands.

It might be reasonable for one of his hands to be hidden, but not both (unless he was sitting on them), so I tried adding his right hand in PhotoShop. Not having broken down to buy something with a drawing stylus, that meant trying to draw a hand with a mouse.

Which is like trying to tie a necktie while wearing catcher's mitts.

I'm afraid that the result is even worse than the hand-drawn hand partly showing in this week's sneak peek. And that's why I didn't try adding in this guy's left hand.

Catching Up, International Edition

By rights, today's Graphical History Tour ought to take us into cartoons from October of 1926. But we still have a couple of international stories to take care of from that September.

We start with the federal election in Canada.

"Definitions" by Douglas H.N. Russell in Vancouver Daily Province, Sept. 11, 1926

We've been following the 1926 campaign, but Douglas Russell kindly reintroduces us to the major parties contesting for power in the above cartoon. 

Arthur Meighen's Conservatives were nominally the incumbent party, but never had a coalition partner to achieve a working majority in Parliament in the three days they were in power. The coalition of William Mackenzie King's Liberals and Robert Forke's Progressives had lost their majority in November, 1925. Labour and other minor parties had more in common with the Liberals or Progressives than with the Conservatives.

"The Liberal Champion Still in the Lead" by Sam Hunter in Toronto Daily Star, Sept. 10, 1926

Most of the partisan cartoons leading up to the vote predicted victory for their favored candidate and defeat for the other side. As election day neared, even the partisan cartoonists had to acknowledge that the vote could tip either way.

"Waiting for the Verdict" by George Shields in Evening Telegram, Toronto, Sept. 14, 1926

Sam Hunter was a committed Liberal, and George Shields was an unyielding Tory. Accordingly, whereas Shields depicts Meighen waiting confidently with John Bull at his shoulder (you surely recall that Canada was a part of the United Kingdom at this time), King sweats nervously, backed by his alleged patron, a scowling Uncle Sam.

"Class Selfishness Versus Canadian Progress" by Arthur G. Racey in Montreal Daily Star, Sept. 11, 1926

Arthur Racey was another dyed-in-the-wool Tory, but I find hardly any cartoons of his boosting Meighen. Instead, Racey put out an occasional cartoon critical of Progressive leader Robert Forke. This one attempts to say too much, yet artlessly and without wit, as if it were one of those godawful imitation editorial cartoons extruded by ai.

Where were we? Oh, yes…

The Progressives, with their constituency in the sparsely populated, agrarian plains provinces, ran a consistently distant third to the Liberals and Conservatives, but were indispensable to any Liberal government.

Forke had resigned as leader of the Progressives at the end of June, running instead as a Liberal-Progressive. A number of Albertan Progressives in Parliament also quit the party, switching to the United Farmers of Alberta (UFA) Party.

"The Come-Back" by George Shields in Evening Telegram, Toronto, Sept. 17, 1926

Election Day was September 14. When votes in all the ridings were tallied, Meighen's Conservatives lost 24 seats. Concentrating their efforts on ridings where they stood the best chance of winning, King's Liberals gained 16 seats, despite earning fewer votes overall than the Tories.

Meanwhile, although the leaderless Progressives lost 11 seats, Forke and his Liberal-Progressives picked up eight and the UFA gained nine. Their gains were enough for the Liberals to forge a governmental majority, and King returned as Prime Minister, to the disappointment consternation of the Telegram and its cartoonist.

"Foolish Gosling" by Fred O. Seibel in Richmond Times-Dispatch, Sept. 13, 1926

Moving right along: Coming in too late to be in our August visit there, Fred Seibel came up with one more paternalistic metaphor to explain why the Philippines should remain a colony of the United States. 

A proposal by rubber industry magnates to grant independence to the largely Catholic north of the archipelago while retaining the more Moslem southern islands as an American fiefdom ultimately went nowhere.

"A Noble Ambition" by Fred Seibel in Richmond Times Dispatch, Sept. 12, 1926

Fred Seibel drew this complimentary cartoon about Nancy Astor, Viscountess Astor, a fellow Virginian who was elected to the British Parliament upon the death of her husband, Waldorf Astor. 

Lady Astor was an outspoken suffragist and advocate for education reform, temperance, and recruiting women into civil service. On the other hand, she was an anti-Catholic Nazi sympathizer, so her career  did not survive World War II. For the time being, however, she was quite popular in her riding and back in the Commonwealth of Virginia.

"Everything Bows to His Dominating Will" by Dorman H. Smith for Newspaper Enterprise Assn., ca. Sept. 21, 1926

Italian Fascist leader Benito Mussolini survived a second assassination attempt in September. 

Anarchist Gino Lucetti had been hiding out in Marseille after shooting Fascist Alessandro Perfetti during an argument the year before, and getting shot himself . Having crossed the border back into Italy under an assumed name, Lucetti threw a bomb at Mussolini's car in front of the Porta Pia in Rome on the very day Lucetti's trial for the Perfetti shooting was to start.

Mussolini was unscathed, although eight bystanders sustained minor injuries, and Lucetti was quickly captured. Mussolini's response to the incident included a veiled warning to France: "We must put an end to the gentle tolerance of parties capable of such matters. It would be well for responsible governments to take note of this, because otherwise their friendship with the Italian people may be fatally compromised, and we are ready to apply suitable methods for this purpose."

"Hands Across the Mediterranean" by William C. Morris for George Matthew Adams Service, ca. Sept. 13, 1926

Mussolini forged alliances with his fellow fascist dictator, Miguel Primo de Rivera. De Rivera had overthrown Spain's elected republic in 1923, receiving the support of King Alfonso XIII after the fact.

Morris's cartoon portrays not only the friendship of the two dictators, but also the relationship between them and their respective royals, the diminutive figures peering out between de Rivera's and Mussolini's legs.

But let's close the book on that September with some cheery news: 

"Germany's Admission to the League" by Arthur Racey in Montreal Evening Star, Sept. 16, 1926

Germany and France have promised never to go to war again! Hoorah!