Hoosier Who in the KKK

Today's Graphical History Tour takes us back to Indiana in 1926, when a Senate investigation exposed the extensive influence of the Ku Klux Klan — the MAGA movement of its day — in that state's Republican Party.

“These were the people who held their communities together. They were not the criminal element, they were not the psychopaths, sickos and all that. These were average white people that took an oath to forever support white supremacy.” — Timothy Egan:  A Fever in the Heartland: The Ku Klux Klan’s Plot to Take Over America, and the Woman Who Stopped Them

"Knosternation in Indiana" by Daniel Fitzpatrick in St. Louis Post-Dispatch, Oct. 7, 1926

In the fall of 1926, Senator James Reed (D-MO) was in Chicago conducting hearings into the exorbitant sums of money that had poured into Senate campaigns in Pennsylvania and Illinois, and Indiana politics got tangled up in the allegations made in those hearings. Klan influence in the state's GOP was already well known; it was the influence of Klan money that made it an issue for Reed's investigation.

"Feet of Clay" by Dorman H. Smith for Newspaper Enterprise Assn., ca. Oct. 9, 1926

Thomas Adams, editor and publisher of the Vincennes Commercial, printed allegations by former Grand Dragon of the KKK David Curtis Stephenson, who was serving time for rape and murder, of political graft and intrigue. Just two years earlier, Stephenson had bragged that his Klan controlled 85% of the delegates at the Indiana Republican convention (we mentioned that here). Now, Stephenson was upset at not having received a pardon or commutation of his prison sentence from Republican Governor Ed Jackson.

In a letter Adams smuggled out of the Indiana state penitentiary in Michigan City, Stephenson claimed that "a prominent Indiana politician" owed him $825,000 as part of a deal for a campaign contribution. He also named 40 other Indiana politicians, including three mayors, as owing him favors.

"Editors Keep Out" by Bob White in Indianapolis Times, Oct. 6, 1926

Governor Jackson refused demands from Adams, the Indianapolis Times, other members of the Indiana Republican Editorial Association, as well as from the Chicago Tribune and Chicago American, to interview D.C. Stephenson in prison. Instead of quashing the story, however, it was spread across the top of several Indiana newspapers' front pages (yet subordinate to the World Series in others). 

The Times did not have a regular editorial cartoonist on staff in those days, and ran only light humor cartoons on its editorial page; but it found room on its front page for Bob White's cartoon of Stephenson above.

"Dirty Linen" by Grover Page in Courier Journal, Louisville KY, Oct. 18, 1926

By the way, there was nothing unusual about an openly partisan media organization like the Indiana Republican Editorial Association. Many cities had a Republican newspaper and a Democratic newspaper, and everyone knew which was which.

The Republican Party Central Committee of Knox County, Indiana, responded to Mr. Adams's role in this scandal to drum the publisher out of their membership:

"Thomas H. Adams is not a Republican; that his newspaper, the Vincennes Commercial, is not the Republican Party organ for Knox County; and when he speaks, whether personally or through his newspaper, he is not speaking for the Republicans of Knox County. ... It is apparent that the actions and conduct of Mr. Adams for the last six months is a deliberate attempt to defeat the Republican state ticket and the local ticket in this county. His pretended cleanup is not in good faith."

"Indiana's White Elephant" by Tom Foley in Minneapolis Star, Oct. 12, 1926

Tom Foley's cartoon calls out specific Indiana Republicans by name: Gov. Jackson, Indianapolis Mayor Duvall, Senators James Eli Watson & Arthur R. Robinson.

Allegations against Senator Watson included that there had been a deal between him and national Imperial Wizard Hiram W. Evans for Watson, a member of a panel questioning the election of Senator-elect Earl Mayfield (D-TX), to vote in Mayfield's favor in return for Klan support of Watson's 1926 reelection campaign and a possible presidential bid in 1928.

When the Graphical History Tour checked into Indiana's Republican Klansmen during the 1924 elections, here, your Humble Scribbler noted that I could not find any editorial cartoons by Indiana's own Chas Kuhn on the subject. Here again, in spite of the national attention drawn by Senator Reed's hearings (and the banner headlines above Kuhn's cartoons gracing the Indianapolis News's front page), Kuhn appears to have been more interested in Reed's other hearing into mob activity in Chicago.

"Spiked" by Chas Kuhn in Indianapolis News, Oct. 23, 1926

The only cartoon Kuhn drew for the Indianapolis News in October about Senator Reed's investigation into the Indianapolis GOP was this one regarding the state's senior Senator.

Senator Jim Watson was recovering from injuries sustained in a car accident on his reelection campaign trail, so Senator Reed and a stenographer came from Chicago to Methodist Hospital in Indianapolis to hear Watson's statement. Watson and Robinson (the latter at an Indianapolis courtroom) categorically denied any connection to Evans; Watson admitted only to receiving two visits from Klan lawyer William Zumbrunn during the Mayfield hearings conveying the Klan's objection to some of the witnesses before Watson's committee. 

Otherwise, Watson testified, "I met with Dr. Evans several times, and I assume all senators, or practically all, met him at various times, because he was about and was talking to many of them." 

"The Situation at Present" by Karl Kae Knecht in Evansville Courier, Oct. 14, 1926

Elsewhere in Indiana, the Evansville Courier's long-time cartoonist Karl Kae Knecht was less convinced that the scandal had been put to rest. One of the figures holding up the poster blaming the "League o' Nations an' foreign debt thing" is Clyde Walb, Chairman of the Indiana Republican Party. The other might be U.S. Secretary of Labor James Davis, a native Hoosier who came home to campaign for the GOP ticket in October; but I can't completely rule out Oren Davis, the Republican candidate for Marion County Sheriff.

"Where Knighthood Was in Klover" by Daniel Fitzpatrick in St. Louis Post-Dispatch, Oct. 22, 1926

In time, a Pulitzer Prize-winning investigative series by the Indianapolis Times would bring down Governor Jackson — but not the state Republican party — while internal feuding would tear the Indiana Klan down as well.

Toon: The 60% Solution

At the risk of giving GQP politicians ideas...

On April 29, well ahead of its usual timetable of issuing rulings in June, the U.S. Supreme Court ruled unconstitutional a congressional map that had been the result of a lawsuit against Louisiana's 2021 redistricting plan. A lower court had ruled that the 2021 map packed the state's Black voters into a single congressional district in violation of the 1965 Voting Rights Act.

The Supremes continued their gutting of that Act, decreeing that as long as lawmakers are not actually wearing swastikas and Klan robes when they draw congressional district lines, they can discriminate against whomever they want.

Louisiana Republicans immediately called a halt to the state's primary elections in which early voting was already underway, so that they could re-redraw district boundaries. (Yesterday’s Senate primary went right on ahead as scheduled.) Fellow Republicans in Tennessee, Alabama, and Utah hurriedly followed suit.

This mid-decade scramble to jigger maps to tilt districts against Democrats was started by Donald Gimme-Gimme Trump's gerrymandering demand to the state of Texas — a demand with which Texan Republicans eagerly and speedily complied. 

Democrats have attempted to answer Texas's unprecedented move, but with mixed results. California drew up new Democrat-favoring maps; but Maryland refused to. New York is constitutionally prevented from mid-decade redistricting, and Virginia's high court tossed out a pro-redistricting popular vote on a legislative technicality that nobody seems to quite understand. The Supreme Court in D.C., after rushing to overrule the lower court ruling in Louisiana, has just decided to let the ruling in Virginia stand without comment.

Is my cartoon really such a far-fetched notion? I wouldn't put it past today's ReTrumplicans to push exactly this idea through every legislature in Dixie and the Great Plains.

The World According to the Daily Worker

Today's Graphical History Tours journeys 100 Aprils into the past, with an eye to some of the leftmost cartoonists in print in the U.S.

Daily Worker was published in Chicago from 1924 to 1958, giving voice to the communists and leftist socialists of the American labor movement. Editorial cartoons and illustrations appeared throughout the newspaper, particularly in the Saturday feature section edited in 1926 by Robert Minor.

Xenophobia is nothing new in U.S. history. Congress was considering a series of bills requiring that all foreign-born workers annually register their fingerprints with the government, report to authorities any time they moved or traveled from one locality to another, and carry a certificate of identification to be shown on demand.

"Thumbs Down" by Maurice Becker in Daily Worker, Apr. 10, 1926

Looking down from the sidelines in Maurice Becker's cartoon are: Fake Labor Leader, Militarist, the Courts, Calvin Coolidge, Andrew Mellon, the KKK, Election Crook, Kept Press, and Rotarian. "Fake Labor Leader" may have been a Daily Worker reference to the American Federation of Labor, which it frequently criticized for not being radical enough; but the AFL was publicly opposed to the alien registry legislation.

Labor unions such as the Machinist Locals 84 and 337 protested that "the majority of workers in the basic industries of this country are of foreign birth, and the proposed bills are clearly aimed at the working class as a whole. ... The intent of the proposed bills is clearly to intimidate the foreign-born workers; to prevent them from joining unions; to prevent them from participating in strikes, and to compel them to accept a status of subjection, forced to do scab labor during times of conflict with employers."

Unions for the Pullmans, painters, decorators, seamstresses, steamfitters, and more from Boston to San Francisco organized "Councils for Protection of the Foreign-Born" to advocate against the proposed legislation.

"The Boycott" by Rollin Kirby (?) in New York Evening World, ca. Apr. 14, 1926

The Daily Worker didn't credit the cartoonist, whom I presume was Rollin Kirby. It also seems to me that the caption doesn't fit the cartoon. I couldn't find anything in the Daily Worker reporting boycotts related to the alien registry bills; I also haven't found this cartoon printed elsewhere. [Update: see D.D. Degg's comment below.]

I did find that the U.S. had deported 55,110 resident aliens between September, 1925 and April, 1926.

"Reviving a Dead One" by William Gropper in Daily World, Apr. 9, 1926

The Democrat-sponsored alien registry bills did not make it to President Coolidge's desk, or to the drawing boards of certain mainstream cartoonists I expected would have opinions about them. Many mainstream cartoonists were more interested in proposals to create exceptions to Prohibition — one of many distractions, according to the communist press, "to get the workers' mind off the real issues."

"So That's What's in the Prohibition Barrel" by William Gropper in Daily Worker, April 25, 1926

Would you have preferred your distraction from the real issues neat or on the rocks?

"Sidetracked" by Fred B. Watson in Baltimore Afro-American, Mar. 20, 1926

The Daily Worker included this Fred Watson cartoon in its April 22 edition with an unnecessarily longer title. The cartoon answers my question of two months ago whether Watson opposed U.S. participation in the World Court, and the Worker's cut line explains that the communist leadership at the newspaper viewed the World Court as a tool of J.P. Morgan and Wall Street bankers.

The Black vote, where it could make its way into the polling place, had been reliably Republican since the end of the Civil War. Although the Anti-Lynching Bill was authored and promoted by a Republican, the repeated inaction on the bill when Republicans held all the reins of power was a sign that the party took Black loyalty for granted.

"America Protects Germany from Sin" by William Gropper in Daily Worker, Apr. 28, 1926

I had serious qualms about including this cartoon because of objections to the Daily Worker editor's decision to mess with it. For some reason, the editor saw fit to remove whatever dialogue Gropper had President Coolidge saying (and possibly also text or symbolism that might have been on the paper in Mr. Businessman's hand), substituting instead the editor's own text as a cut line.

Unless an editor is providing translation of a foreign-language cartoon, that's simply not cool. 

But I did want to include a caricature of Calvin Coolidge besides that barely recognizable one by Maurice Becker above. 

And speaking of Gropper caricatures:

"Mussolini Thumbs the Stub of His Nose" by William Gropper in Daily World, Apr. 24, 1926

On April 7, Violet Gibson, the 50-year-old daughter of the Lord Chancellor of Ireland, attempted to assassinate Benito Mussolini. Her bullet nicked il Duce's nose; her gun jammed as she tried a second shot.

Police stopped the crowd from killing her then and there. She probably would have been executed like Mussolini's other three failed assassins but for the British government interceding on her behalf. Gibson was allegedly mentally unstable (she had attempted suicide in Rome the previous year), so Italy deported her to England, where she spent the rest of her days in a mental asylum.

But speaking of womenfolk and guns...

"The Lady Might Get Hurt" by William Gropper in Daily Worker, April 1, 1926

The Daily Worker was highly skeptical of international agreements, such as the Locarno Pact, that did not originate in Moscow.

Have we another example of the Daily Worker editor editing a cartoon? Why would Gropper attach a label to the gun if not to identify what it is supposed to represent? Could this cartoon have been drawn about a completely different topic?

"No Team Work" by Maurice Becker in Daily Worker, Apr. 3, 1926

No such question about Maurice Becker's cartoon here. It does reminds me a lot of the Arthur Racey cartoon that led last week's Graphical History Tour. It is possible, I suppose, that Becker could have seen the March issue of Macleans; I think, however, that this was simply a case of two cartoonists reaching for a common image to illustrate a similar situation.

What does puzzle me is why Becker thought it necessary to label which country in the rowboat was which. I mean, shouldn't a reader just assume that the characters are a bunch of different national leaders? How does knowing who's who matter?

"The Spirit of Locarno" by Viktor "Deni" Denisov in Pravda, ca. Apr. 13, 1926

Soviet cartoonist Deni uses caricature to indicate the nationality of some of the League members in this cartoon: the gentleman sprawled on the floor at left resembles Germany's Hans Luther, and the mustachioed fellow at top right looks like French Prime Minister Aristide Briand. Below Briand are a probable Briton and a likely Japanese, but it hardly matters to whom each butt belongs.

"Glorious Garbage" by Marvin P. "Hay" Bales in Daily World, Apr. 24, 1926

I explain these cartoons because they're 100 years old and make references that have grown obscure over time. The editors of Daily Worker explained this cartoon because they didn't trust readers to catch the subtle clues left by the cartoonist that the skull labeled "The League" is dead and that "Geneva Garbage Co." is a trash can.

At least they left the rather clever "Loco Peace Pact" nickname to stand on its own.

"With Rubber a Dollar a Pound" by Maurice Becker in Daily Worker, Apr. 17, 1926

Every once in a while, U.S. presidents would look into the possibility of granting demands for independence by the Philippines, a U.S. possession taken as spoils of the Spanish-American War at the close of the 19th Century. The Coolidge administration had recently appointed Col. Carmi A. Thompson, commander in chief of the United Spanish War Veterans, to conduct just such an investigation.

Members of Congress raised their objection to Philippine independence on a number of grounds, one being the high price of rubber from the British East India Company. U.S. firms were working to establish rubber plantations in the Philippines to rival the British monopoly.

Philippine independence would come only after World War II. 

"The Imperialist Policy in China," uncredited, in Daily Worker, Apr. 17, 1926

China's future was up in the air after the death of Premier Sun Yat Sen in March, 1925. Various warlords sought to establish their own local fiefdoms. Against the warlords, the Chinese Communist Party and  Nationalist government cooperated in the First United Front, with Soviet backing, until the Canton Coup on March 20, 1926.

The communist captain of the S.S. Zhongshan, with a Soviet naval adviser on board, moved to support a leftist uprising in Guangzhou. Chiang Kai-Shek, then the commander of the National Revolutionary Army, declared martial law in Guangzhou and arrested communists in China's armed services and their Soviet advisers.

"The Helper of Imperialist Thieves" by O.R. "Zim" Zimmerman in Daily Worker, Apr. 10, 1926

The Daily Worker promoted a rather different narrative to the purge of communists from China's National Revolutionary Army; Christian missionaries were hardly a factor in the Canton Coup.

Only from an atheist communist would you expect a Jesus Christ drawn as a Jewish stereotype 100 years ago. (Robert Minor drew the Christ with an even longer hooked nose than in this Zimmerman toon — see page 48 here.) It would be a welcome departure from the auburn-haired northern European Jesus found elsewhere but for the undercurrent of antisemitism tapped into by these cartoons.

"My Gawd, How the Money Rolls In" by William Gropper in Daily Worker, Apr. 5, 1926

And thus with yet one more William Gropper cartoon, we must leave 1926 behind for another week or two, returning to the present day secure in the knowledge that we have come so far since those bad old days.

The First Month of Black History Week

Today's Graphical History Tour should have been the one I didn't post on the last Saturday of my vacation three weeks ago. Better late than never, I hope.

Exactly 100 years ago this month, historian Carter G. Woodson and the Association for the Study of Negro Life and History (ASNLH) declared the second week of February "Negro History Week," expanding on earlier observations of Frederick Douglass's birthday. I didn't find that any of America's Black editorial cartoonists were drawing about Black history that week or that month, although each of their newspapers took note of the proposal from Woodson and the ASNLH.

Here's what America's Black editorial cartoonists were drawing about in February of 1926.

Given the Heritage Foundation/Project 2025 mission of pressing the Courts to invalidate same-sex marriages like mine (and a law just passed in Tennessee legislating a right to discriminate against us), I was particularly interested to find that the state of Virginia was in the process of outlawing mixed-race marriage exactly 100 years ago this week.

"The Mongrel Bays at the Moon" by Leslie Rogers in Chicago Defender, Feb. 27, 1926

Leslie Rogers's cartoon was accompanied by a sarcastic "fable" summarizing the history of the "small shipload of outcasts" from England who settled in Jamestown, only to decide twelve years later "that work was obnoxious to them," so they contracted with the Dutch to supply them with slaves from Africa. From that editorial:

"Now, seeing that there were among the slaves many comely maidens, the lusts of these outcasts were aroused, and since the slave-women could not protect themselves, their masters threw themselves upon them and bred children by them. And it came to pass that a great war freed these slaves and made them citizens of a great state and country. But interbreeding went on merrily until the land was filled with a mixed race whose people spoke out against their former masters and kinsmen.

"'We will have no more illegitimate babies,' they cried. 'If you would cohabit with us. you must marry us.'

"And the masters raised their hands and eyes to holy heaven in horror. 'How can we, the salt of the earth, marry with these people who were once our slaves? Heaven forbid! Let us hasten and pass a law to prevent intermarriage in that we may breed with their women without fear of punishment. It is our God-given right. Our law will dull their will and keep them from thinking that they, as human beings, are entitled to live, love and marry according to their desires. We will hasten this law and shroud it in a pretense that we seek to preserve the integrity of all races.'

"And so they did."

Appropriately enough, it was a case out of Virginia that eventually overturned anti-miscegenation laws. Not that the ruling in Loving v. Virginia is certain to stand against the present Project 2025-26 backlash against civil liberties.

By the way, I would have liked to include any cartoons by Black editorial cartoonists from Virginia here, but none of the Black newspapers in that state appear to have employed their own cartoonists at the time. (The Norfolk Journal and Guide did start running its own editorial cartoons later that year.)

"And It Never Says a Mumblin' Word" by Leslie Rogers in Chicago Defender, Feb. 6, 1926

Leslie Rogers employed what had become a common metaphor for President Coolidge, in this case accusing him of having little to say about the lynching of Black Americans by "mob rule in enlightened society." 

"Silent Cal" did not have a lot to say about a great many things; but he did support the Dyer anti-lynching bill (which never passed Congress) and spoke against the so-called "Americanism" of the Ku Klux Klan. In October of 1925, he told a convention of the American Legion:

"Whether one traces his Americanism back three centuries to the Mayflower, or three years to the steerage, is not half so important as whether his Americanism of to-day is real and genuine. No matter by what various crafts we came here, we are all now in the same boat."

"Taking a Black Prisoner from the Jail to the Courthouse" by Leslie Rogers in Chicago Defender, Feb. 13, 1926

Meanwhile, Kentucky Governor W.J. Fields sent 1,000 troops to secure the safety of a Black defendant in a triple murder case as he was transported from jail to courthouse in Lexington, Kentucky.

The defendant, Ed Harris, stood accused of killing a White man and his two children, and assaulting the man's wife — exactly the sort of case that often excited mobs to take matters into their own hands; so Gov. Fields sent in eight infantry companies, four cavalry troops, two machine gun squadrons, and a tank company, with orders to shoot to kill.

Leslie Rogers here added dirigibles and the "U.S.S. Mobqueller," in a cartoon that reminds me very much of the style of Chicago Tribune editorial cartoonist John T. McCutcheon.

"New Use for U.S. Air Fleet" by Fred B. Watson in Afro-American, Baltimore, Feb. 27, 1926

Fred Watson proposed enlisting the U.S.'s new air fleet to ferry Black prisoners past the volatile mob.

"Trial by Troops" by Wilbert Holloway in Pittsburgh Courier, Feb. 20, 1926

If Wilbert Holloway was not impressed, it was because there was no chance of Ed Harris being found anything but guilty. He pled guilty and was sentenced to hang, his trial lasting all of sixteen minutes.

Elsewhere, Delaware Governor Robert Robinson called out the National Guard to prevent angry mobs from interfering in the trial in Georgetown of 21-year-old Harry Butler, who pled guilty to critically assaulting a 12-year-old white girl. He, too, was sentenced to death by hanging.

As for Tennessee, Holloway may have been referring to the trial of John Franklin Webb, convicted of raping a 17-year-old white girl. The trial and jury deliberation took a combined thirteen minutes; he was sentenced to death in the electric chair.

"Finally Hooked" by Wilbert Holloway in Pittsburgh Courier, Feb. 6, 1926

Holloway didn't limit himself to explicitly Black issues (two of his four February cartoons were about the weather). I can't be sure what his opinion of U.S. involvement in the World Court was; reported elsewhere on the pages of that edition of the Pittsburgh Courier, a southern Senator made his opinion crystal clear.

"The Drunken Driver" by Fred B. Watson in Afro-American, Baltimore, Feb. 6, 1926

On the floor of the U.S. Senate, Sen. Cole Bleas (D-SC) offered as an argument against U.S. participation in the World Court that Liberia and Haiti were members of the League of Nations and would therefore have a say in the selection of World Court judges. If you were triggered by that Tourette's advocate blurting out an obscenity at the BAFTAs on Sunday, you might want to skip the next two paragraphs.

"I call the attention of Senators from the South," Bleas fulminated, "while they are voting on this reservation, to the fact that they are voting for a court where we are to sit side by side with a full-blooded [the N-word], who has as much right as we have in the election of judges of this court. I ask them if they are aware of the fact that there may be and probably will be a  representative of Haiti as a judge on this court so that the southern Senators are voting to throw the destinies of southern women and southern men into the lap of a black man?" 

Bleas used that N-word several more times in the course of his argument, mostly to describe what kind of republics Haiti and Liberia are.

"State's Rights or State's Wrongs" by Fred B. Watson in Afro-American, Baltimore, Feb. 20, 1926

Here's a rare cartoon that includes criticism of California's treatment of Japanese Americans. The topic occasionally came up in the context of protests from the Japanese government, but most white cartoonists and their newspapers approved of cutting off immigration from the Orient, and were content to overlook the restrictions against Japanese-Americans owning property.

Maryland Governor Albert Ritchie's moves to undermine Prohibition would be a topic for another day, but serves as a segue to a couple of editorial cartoons about local issues.

"An Unwelcome Serenader" by Fred B. Watson in Afro-American, Baltimore, Feb. 13, 1926

Watson cites a song popularized by the California Ramblers to express the plight of Black school teachers in his native Baltimore. The story about which he appears to be editorializing concerned two female Black high school teachers, Mabel Jackson and Mary Craft Cottrell, who filed lawsuits against the Baltimore school board for hiring two White women for positions for which Jackson and Cottrell were more qualified.

Jackson and Cottrell had passed the state examination for teachers of domestic art in 1924, placing first and second on the eligibility list. But the Baltimore School Board instead hired Susie Jennings and Elizabeth Burrell, neither of whom had a college degree or a graduation certificate from an accredited normal school, nor had they passed a competitive examination for teaching domestic arts.

The School Board contended that tailoring and dressmaking were trade vocational subjects not requiring a teaching degree. Jennings and Burrell, in their view, were not high school teachers per se, in spite of instructing high school students in a high school building during high school hours.

"An Alarm He Doesn't Heed" by Leslie Rogers in Chicago Defender, Feb. 20, 1926

In Chicago, Blacks could apply for and qualify for employment as city firefighters, but would have to wait for a vacancy at the Taylor Street station, the one and only fire station open to Blacks. Any vacancies at any other fire station in town could only be filled by White applicants.

Even if their only qualifications involved tailoring and dressmaking.

Okay, that's an exaggeration. But you get the general idea of where race relations were in this country 100 years ago.

✍

Well, this is a little off-topic, but since Fred Watson brought up Prohibition a couple cartoons ago, I'll close with one of Leslie Rogers's other regular features in Chicago Defender, a more or less non-topical panel titled "The Hardest Job in the World." 

"The Hardest Job in the World" by Leslie Rogers in Chicago Defender, Feb. 20, 1926

Anyone who has had to live with dietary restrictions should understand.

...In with the Old

In keeping with the turn to a fresh calendar this week, Our Graphical History Tour moves on to a New Year: 1926

"The Cut-in Dance" by Fred G. Cooper in Life, New York, Dec. 31, 1925

Judging from most cartoonists of the time, Americans entered 1926 with a carefree optimism for the future that we who dwell in it can only envy.

"Yes, Sir, He's Our Baby" by J.T. Alley in Commercial Appeal, Memphis, Tenn., Jan. 1, 1926

As with every other holiday that year, editorial cartoonists celebrated the nation's apparent prosperity. Senate Republican leader Charles Curtis promised the Washington Times,

"Our nation greets the New Year healthy and prosperous with the benefits of a kindly Providence scattered far and wide. The outlook for the next twelve months is particularly encouraging, with all signs pointing to a continuing prosperity for all alike. The present wave of prosperity, in which all the people are sharing, will last throughout the year."

Senator Curtis would be Vice President when the wave of prosperity washed out in 1929.

"The Morning After" by Jim Ring in Washington [DC] Times, Jan. 1, 1926

In the meantime, Jim Ring depicted Father Time ditching the robe and scythe in favor of an apron and broom, the better to sweep away the bad habits of 1925.

"The New Broom" by Grover Page in Louisville Courier-Journal, Jan. 1, 1926

According to Grover Page, that was more appropriately the New Year Baby's job.

"The Skeptic" by H.T. Webster for New York World Pub. Co., Jan. 1, 1926

Harold Webster's New Year Kid was not about to settle for the post of janitor. The little man was already out of diapers and ready to take over as Operations Manager.

"I Wish Old Man '25 Had Left a Clean Desk" by William C. Morris for George Matthew Adams Service, Jan. 1, 1926

Would sitting down at Mr. Globehead’s desk bring the kid back down to size?

We have covered some of the tasks in Morris’s cartoon before: from coal mine strikes and lockouts, to French wartime debts, to colonial wars in Morocco and Iraq, to worldwide disarmament, to crime and Prohibition in the U.S., to whether to join the World Court.

But we haven’t mentioned the Tacna-Arica Situation, a border disagreement between Peru and Chile that would be settled by the Lima Agreement of 1929. So now you know.

"With Best Wishes for a Happy New Year" by J. Conagher in Life, New York, Dec. 31, 1925

J. (or F.?) Conagher's cartoon has little to do with the new year save for its caption. Rather, it's a complaint against the social reformers who brought about Prohibition and were pressing for further laws against smoking, restricting content of movies, and so forth.

And while we're on the topic of unresolved problems carrying over into the new year, Leslie Rogers had a specific issue:

"A Satisfactory Year for Him" by Leslie Rogers in Chicago Defender, Jan. 2, 1926

There had been 12 Black Americans lynched in 1925 by the Chicago Defender's count. A Rogers cartoon about the most recent, of Lindsey Coleman in Clarksdale, Mississippi, appeared in our Graphical History Tour just before Christmas.

"Low and Order at Last" by Fred B. Watson in Afro-American, Jan. 2, 1926

A jury had found Coleman, a Black veteran of World War I, innocent of the axe murder of plantation store manager Grover Nicholas, brother of one of the men who then seized Coleman as he was leaving the courthouse. They dragged him into their car, drove him out of town, and shot him 26 times.

Tom Nicholas, J.T. Trayham, H.S. Blockley and G.O. Kane were arrested and charged with Coleman's murder. But while it must have come as a disappointment to Fred Watson, it should come as no surprise to students of history today that the charges against the four were dropped before the case was ever brought to trial.

As for Grover Nicholas's murder, two Black men, Ray Ford Leonard and John Fisher were found guilty on the testimony, later recanted, of Albert Hobbs. Another alleged party to the crime, Smith Bunns, died in jail, supposedly from an epileptic fall, within hours of his arrest.

"Happy New Year" by Orville P. Williams in New York Evening Journal (?), Jan. 1, 1926

White editorial cartoonist O.P. Williams offered his readers a cartoon encouraging tolerance in the new year. I've posted a number of his cartoons against the Ku Klux Klan, so I'll give him credit for as much sincerity on the issue as I'll give President Coolidge, who may have inspired this cartoon.

Toward the end of his December 8, 1925 annual message to Congress, Coolidge had this to say about racial, ethnic, and religious tolerance in the U.S.:

"Our country has many elements in its population, many different modes of thinking and living, all of which are striving in their own way to be loyal to the high ideals worthy of the crown of American citizenship. It is fundamental of our institutions that they seek to guarantee to all our inhabitants the right to live their own lives under the protection of the public law. This does not include any license to injure others materially, physically, morally, to Incite revolution, or to violate the established customs which have long bad the sanction of enlightened society.

"But it does mean the full right to liberty and equality before the law without distinction of race or creed. This condition can not be granted to others, or enjoyed by ourselves, except by the application of the principle of broadest tolerance. Bigotry is only another name for slavery. It reduces to serfdom not only those against whom it is directed, but also those who seek to apply it. An enlarged freedom can only be secured by the application of the golden rule. No other utterance ever presented such a practical rule of life."

"Speeding the Transient" by Gustavo Bronstrup in San Francisco Chronicle, Jan. 1, 1926

On that note, I'm afraid it's time to slide along ourselves. Thanks for coming along on this sweep through history!

Christmas 1925

Welcome to our Graphical History Tour Christmas Special! We're just about through with the year 1925, when peace, goodwill, and sobriety reigned, and all was right with the world.

"Merry Christmas" by William Hanny in Philadelphia Inquirer, Dec. 25, 1925

I'm going to let Bill Hanny represent all the cartoonists who updated their Thanksgiving for General Prosperity cartoon for the next holiday on the calendar. The happy recipient of an overstuffed stocking here was Father Penn, the cartoon personification of the state of Pennsylvania, and not the guy on the Quaker Oats canister.

"Uncle Sam's Dream of Christmas" by Edward G. McCandlish in Washington Post, Dec. 25, 1925

McCandlish at the Washington Post expands on Hanny's theme, depicting a serving of Plenty, a Christmas tree festooned with Peace, Security, and No Foreign Entanglements; and, at lower right, an agreement between labor and management averting a coal miners' strike. That agreement hadn't actually materialized yet when this cartoon was drawn, however.

"The Very Thing He Wanted Most" by Clifford Berryman in Washington Evening Star, Dec. 25, 1925

Up the road at the Star, Clifford Berryman's Everyman had a more limited wish list. To his delight, Congress had passed the Coolidge administration's tax cut, to take effect in 1926.

"Good Will to Men" by Gustavo Bronstrup in San Francisco Chronicle, Dec. 24, 1925

Gustavo Brunstrup shared the San Francisco Chronicle's optimism that the U.S. Senate would overcome three years of obstruction by its "irreconcilables" and join Europe in agreeing to participate in the World Court.

"Christmas Bells" by Daniel Fitzpatrick in St. Louis Post-Dispatch, Dec. 24, 1925

Critics of the Coolidge administration such as Daniel Fitzpatrick might begrudge Republicans their peace and prosperity; they could still celebrate the Locarno agreements among the major European powers putting an end to war (offer not valid in Morocco, Syria, and Iraq), and the Geneva Protocol, drafted in June, banning chemical and biological weapons.

"The Face at the Window" by Ed LeCocq in Des Moines Register, Dec. 24, 1925

Ed LeCocq used the celebration of "the new spirit of mutual cooperation" and "comforts of capital and trade intercourse" in Europe to point out one country that was left out: Russia. 

"The Face at the Window" used to be a common cartoon theme in the Christmas season. In most such cartoons I've seen, that Face is a pitiable, sympathetic figure, left out of the warmth, feasting, and bonhomie inside, reminding readers of the plight of the poor. The cultural references that Google up for this forgotten cliché, however, are tales of criminals, murderers, and ghosts plotting their way in.

Perhaps that's why cartoonists stopped using "The Face at the Window" as a caption.

"Besorgnis" by Arthur Krüger in Kladderadatsch, Berlin, Dec. 13, 1925

A pair of German cartoons took skeptical views in varying degrees of Europe's newfound international comity. In Arthur Krüger's cartoon, Germany, France, Britain, Belgium, and Italy merrily dance around their Christmas tree, with its "Peace on Earth" topper, but Not-So-Jolly St. Nicholas worries that they are about to carelessly kick the whole thing over. In an age when candles, not LED lights, lit up the Christmas tree, knocking the tree over was liable to get it considerably too lit up.

"Der Untaugliche Nussknacker" by Werner Hahmann in Kladderadatsch, Berlin, Dec. 27, 1925

Werner Hahmann's Angel of Peace found the League of Nations (Völker Bund) not up to the task of cracking Disarmament (Abrüstung). 

These German cartoonists in the 1920's really were a bunch of sour pusses. It's as if they knew they were between the Wars.

"In the Hollow of His Hand" by Jesse Cargill for King Features Syndicate, ca. Dec. 24, 1925

Returning to America, I'm not sure what to make of Santa Claus holding the globe in the hollow of his hand. Does Jesse Cargill's Santa Claus look as annoyed to you as he does to me? He almost looks like he's getting ready to throw it at someone.

"Aw-w, There Ain't No Santa Claus" by Leslie Rogers in Chicago Defender, Dec. 26, 1925

There's no mistaking Leslie Rogers's intentions. Rogers's cartoon for the African-American newspaper the Chicago Defender ran alongside an editorial decrying the lynching in Clarksdale, Mississippi of Lindsey Coleman after a jury had acquitted him of murder charges. This while southern Senators were successfully filibustering the Dyer Anti-Lynching Bill for the third consecutive Congress.

"The Night Before Christmas" by Sam Hunter in Toronto Star, Dec. 24, 1925

Meanwhile, in Canada, the Progressive and Liberal Parties had both lost seats to the Conservatives in October elections, but not enough of them for the Conservatives to have a majority. Robert Forke's third-place Progressives had lost 36 of their previous 58 seats in Parliament, but held the balance of power between William Mackenzie King's Liberals, with whom they were more ideologically inclined, and Arthur Meighen's Conservatives.

"The Spirit of a White Christmas" by James Fitzmaurice in Vancouver Daily Province, Dec. 24, 1925

Shunting politics aside, James Fitzmaurice gets us back to some Christmas Spirit. The cartoon's "Mr. Citizen" had finished his shopping, subscribed to the newspaper's charitable fund (charity drives were a common newspaper practice at Christmastime), and apparently had a couple of libations he doesn't want to talk about. 

"Minus Whiskers and Reindeer" by Roy James in St. Louis Star, Dec. 24, 1925

Roy James noted that Santa was not the only one doing the heavy lifting for the holiday. 

"The Annual Daze" by Chester Gould in Chicago Evening American, ca. Dec. 25, 1925

The editorial cartoons of Chester Gould, later creator of "Dick Tracy," have appeared here before. This cartoon predates the pointy-chinned copper by about five years, and seems at first glance to be a light-hearted little gag about office employees not having their minds on their work between Christmas and New Year's.

Then one notices the little dingbat in the lower left corner. What Lincoln getting shot has to do with anything else in Gould's cartoon is completely beyond me.

So let us wrap up this week's Graphical Holiday Tour with a simple Christmas card with no weirdness, politics, faces at windows, or diareses

"Merry Christmas to Our Readers" by J.T. Alley in Commercial Appeal, Memphis Tenn., Dec. 25, 1925

And likewise to mine.