Catching Up, International Edition

By rights, today's Graphical History Tour ought to take us into cartoons from October of 1926. But we still have a couple of international stories to take care of from that September.

We start with the federal election in Canada.

"Definitions" by Douglas H.N. Russell in Vancouver Daily Province, Sept. 11, 1926

We've been following the 1926 campaign, but Douglas Russell kindly reintroduces us to the major parties contesting for power in the above cartoon. 

Arthur Meighen's Conservatives were nominally the incumbent party, but never had a coalition partner to achieve a working majority in Parliament in the three days they were in power. The coalition of William Mackenzie King's Liberals and Robert Forke's Progressives had lost their majority in November, 1925. Labour and other minor parties had more in common with the Liberals or Progressives than with the Conservatives.

"The Liberal Champion Still in the Lead" by Sam Hunter in Toronto Daily Star, Sept. 10, 1926

Most of the partisan cartoons leading up to the vote predicted victory for their favored candidate and defeat for the other side. As election day neared, even the partisan cartoonists had to acknowledge that the vote could tip either way.

"Waiting for the Verdict" by George Shields in Evening Telegram, Toronto, Sept. 14, 1926

Sam Hunter was a committed Liberal, and George Shields was an unyielding Tory. Accordingly, whereas Shields depicts Meighen waiting confidently with John Bull at his shoulder (you surely recall that Canada was a part of the United Kingdom at this time), King sweats nervously, backed by his alleged patron, a scowling Uncle Sam.

"Class Selfishness Versus Canadian Progress" by Arthur G. Racey in Montreal Daily Star, Sept. 11, 1926

Arthur Racey was another dyed-in-the-wool Tory, but I find hardly any cartoons of his boosting Meighen. Instead, Racey put out an occasional cartoon critical of Progressive leader Robert Forke. This one attempts to say too much, yet artlessly and without wit, as if it were one of those godawful imitation editorial cartoons extruded by ai.

Where were we? Oh, yes…

The Progressives, with their constituency in the sparsely populated, agrarian plains provinces, ran a consistently distant third to the Liberals and Conservatives, but were indispensable to any Liberal government.

Forke had resigned as leader of the Progressives at the end of June, running instead as a Liberal-Progressive. A number of Albertan Progressives in Parliament also quit the party, switching to the United Farmers of Alberta (UFA) Party.

"The Come-Back" by George Shields in Evening Telegram, Toronto, Sept. 17, 1926

Election Day was September 14. When votes in all the ridings were tallied, Meighen's Conservatives lost 24 seats. Concentrating their efforts on ridings where they stood the best chance of winning, King's Liberals gained 16 seats, despite earning fewer votes overall than the Tories.

Meanwhile, although the leaderless Progressives lost 11 seats, Forke and his Liberal-Progressives picked up eight and the UFA gained nine. Their gains were enough for the Liberals to forge a governmental majority, and King returned as Prime Minister, to the disappointment consternation of the Telegram and its cartoonist.

"Foolish Gosling" by Fred O. Seibel in Richmond Times-Dispatch, Sept. 13, 1926

Moving right along: Coming in too late to be in our August visit there, Fred Seibel came up with one more paternalistic metaphor to explain why the Philippines should remain a colony of the United States. 

A proposal by rubber industry magnates to grant independence to the largely Catholic north of the archipelago while retaining the more Moslem southern islands as an American fiefdom ultimately went nowhere.

"A Noble Ambition" by Fred Seibel in Richmond Times Dispatch, Sept. 12, 1926

Fred Seibel drew this complimentary cartoon about Nancy Astor, Viscountess Astor, a fellow Virginian who was elected to the British Parliament upon the death of her husband, Waldorf Astor. 

Lady Astor was an outspoken suffragist and advocate for education reform, temperance, and recruiting women into civil service. On the other hand, she was an anti-Catholic Nazi sympathizer, so her career  did not survive World War II. For the time being, however, she was quite popular in her riding and back in the Commonwealth of Virginia.

"Everything Bows to His Dominating Will" by Dorman H. Smith for Newspaper Enterprise Assn., ca. Sept. 21, 1926

Italian Fascist leader Benito Mussolini survived a second assassination attempt in September. 

Anarchist Gino Lucetti had been hiding out in Marseille after shooting Fascist Alessandro Perfetti during an argument the year before, and getting shot himself . Having crossed the border back into Italy under an assumed name, Lucetti threw a bomb at Mussolini's car in front of the Porta Pia in Rome on the very day Lucetti's trial for the Perfetti shooting was to start.

Mussolini was unscathed, although eight bystanders sustained minor injuries, and Lucetti was quickly captured. Mussolini's response to the incident included a veiled warning to France: "We must put an end to the gentle tolerance of parties capable of such matters. It would be well for responsible governments to take note of this, because otherwise their friendship with the Italian people may be fatally compromised, and we are ready to apply suitable methods for this purpose."

"Hands Across the Mediterranean" by William C. Morris for George Matthew Adams Service, ca. Sept. 13, 1926

Mussolini forged alliances with his fellow fascist dictator, Miguel Primo de Rivera. De Rivera had overthrown Spain's elected republic in 1923, receiving the support of King Alfonso XIII after the fact.

Morris's cartoon portrays not only the friendship of the two dictators, but also the relationship between them and their respective royals, the diminutive figures peering out between de Rivera's and Mussolini's legs.

But let's close the book on that September with some cheery news: 

"Germany's Admission to the League" by Arthur Racey in Montreal Evening Star, Sept. 16, 1926

Germany and France have promised never to go to war again! Hoorah!

Darling Catches Up

Graphical History Tour Inc. couldn't let April get away without celebrating the centennial of J.N. "Ding" Darling's return to the drawing board after a year battling peritonitis.

Jay N. Darling, "Ding," returns to the Register's front page this morning with the first cartoon he has drawn after more than a year's absence. Mr. Darling has completely recovered his health, following the serious illness with peritonitis with which he was stricken March 19, 1925. Ed LeCocq, the young cartoonist who substituted for Mr. Darling, will draw cartoons for the Evening Tribune.

"If You Don't Think the World Moves..." by J.N. "Ding" Darling in Des Moines Register, April 5, 1926

In Ding's first cartoon upon return, he appears undaunted by the challenge of catching up with the whirlwind of world events since his pen fell silent.

"Things Seem Just About Where We Left Them a Year Ago" by J.N. "Ding" Darling in Des Moines Register, Apr. 6, 1926

But one day later, he realized that it was still the 1920's after all. Prohibition was still the law of the land, if not universally observed; the Democratic Party was still out of power and searching for some winning issue; Congress was still promising aid to farmers but not delivering; isolationists were still thwarting Uncle Sam trying to fetch peace off the shelf; and, apparently, President Coolidge was hard at work sawing logs.

Darling approved of Calvin Coolidge, which is why he is the only figure not beset by cobwebs in the cartoon.

"Looks As Though He'd Adopted Something" by J.N. "Ding" Darling in Des Moines Register, Apr. 13, 1926

Darling returned to his drawing board just in time for the culmination of Iowa Democrat Daniel Steck's challenge to overturn Republican Senator Smith Brookhart's 1924 election victory.

Brookhart was elected to the Senate in 1922 to fill out the term of William S. Kenyon, and immediately challenged Senate norms, preferring cowhide shoes and overalls to suits and ties. A progressive "radical," he publicly backed Robert La Follette's 1924 presidential campaign over Coolidge's reelection while running for a full Senate term of his own. Republican party leaders withdrew their support over this unforgiveable defection from party loyalty.

Election night returns appeared to indicate that Steck would be the first Democrat elected to the Senate by Iowans since the Civil War; but late results from rural counties gave Brookhart a 754-vote margin of victory. Brookhart was sworn into office on March 4, 1925. 

Steck, backed by the Iowa Republican Party, filed an official challenge with the Senate Committee on Elections and Privileges. On April 12, 1926, 16 Senate Republicans figured they would rather have another Democrat in the minority than Brookhart within their caucus, and joined their 29 Democratic colleagues voting to recognize Steck as the winner of the 1924 election.

Brookhart promptly announced that he would challenge Iowa's Senior Senator, Albert Cummins, in 1928. He did so, successfully.

"First Blood" by Ed LeCocq in Des Moines Evening Tribune, Apr. 13, 1926

Since "young cartoonist" Ed LeCocq has graced our pixels repeatedly over the past year, I thought it only fair to let him comment on Brookhart's ouster here. I wonder if he had been prepared to draw a glum Miss Democracy in case the Senate vote had gone the other way. His GOP Elephant could have remained disappointed in either event.

LeCocq's editors at the Evening Tribune seemed to view Steck's victory as a portent of Democratic victories yet to come. It wasn't; even the Great Depression couldn't get Steck reelected in 1930.

"To Retrieve the Family Fortunes" by J.N. "Ding" Darling in Des Moines Register, Apr. 7, 1926

Getting back to those Things Where We Left Them a Year Ago, the Democratic Governor of New York, Al Smith, was a champion of the "Wets," pushing for loosening, if not repeal, of Prohibition. In the spring of 1926, the Wets proposed decriminalizing beer and "light wines" (5.5-10% Alcohol By Volume), while leaving hard liquor fully illegal.

"Important If True" by J.N. "Ding" Darling in Des Moines Register, Apr. 20, 1926

One argument in favor of loosening Prohibition laws was that organized crime was trafficking profitably — and violently — in contraband hooch. It was well known that powerful crime bosses had help from corrupt elected officials, law enforcers, and judges, not to mention otherwise upstanding citizens.

"The Voice of Authority" by J.N. "Ding" Darling in Des Moines Register, Apr. 25, 1926

This Darling cartoon points out a powerful force within the "Dry" constituency: the Women's Vote.

Prohibition became law because of a coalition of Progressive social reformers, religious conservatives, Southern Democrats, and wives tired of their husbands coming home drunk all the time.

Moving on to foreign affairs...

"The Audience Will Kindly Refrain from Applause Until the Act Is Over" by J.N. "Ding" Darling in Des Moines Register, Apr. 9, 1926

"All There Was" by J.N. "Ding" Darling in Des Moines Register, Apr. 10, 1926

The Coolidge administration reached agreements with World War I allies France and Italy for their repayment of war debts to the U.S. Both countries were left heavily damaged after the war, yet many editorial cartoonists and their publishers demanded prompt repayment in full and would settle for nothing less. Darling took a more nuanced view of things.

I really like how, in his cartoon about settling the debt from France, he draws your eye from the oversized trapeze artiste, to the gentleman reaching to catch her, to the Master of Ceremonies on the ground, and finally to the expectant crowd.

"No Wonder the Neighbors Are Beginning to Talk" by J.N. "Ding" Darling in Des Moines Register, Apr. 23, 1926

Darling stood apart from many of his fellow Republicans in consistently advocating for international cooperation, the Wilson-inspired League of Nations, and the International Court. Resistance to these efforts was especially effective in the U.S. Congress under Republican domination, even when the Coolidge administration was open to them.

By the way, it was another month before Darling resumed drawing cartoons for Collier's. He tweaked one of the above cartoons for this last one.

"Putting It Up to Papa" by J.N. "Ding" Darling in Collier's, May 29, 1926

Then, Tomorrow Was Another Day

Today's Graphical History Tour checks out the international scene in March of 1926, which means that we won't be seeing much from U.S. cartoonists. The Yanks weren't particularly interested in the outside world just then, although that doesn't mean that there was nothing going on. 

"Was Haben Wir von dem Grösser Mannern" by Werner Hahmann in Kladderadatsch, Berlin, March 7, 1926

For one thing, world leaders were still trying to hammer out arms reduction agreements, in accoradance with the Treaty of Versailles that ended World War I. Werner Hahmann here anticipated how the leaders of Italy, France, the U.S., Great Britain, U.S.S.R., and Germany would approach the summit (to use a term that came into use much later) about to get underway.

You should be familiar with Benito Mussolini and Calvin Coolidge, but Americans may not be familiar with the rest of these faces. Aristide Briand was Prime Minister of France off and on from 1909 to 1929; nobody warmed that seat for very long at a time in the 1920's. Austen Chamberlain was British Foreign Secretary, and Nobel Peace Prize laureate with Briand and Germany's Gustav Stresemann for negotiating the Locarno Treaty settling Germany's western border.

Georgy Chicherin was the U.S.S.R. People's Commissar for Foreign Affairs, and I have no clue what Hahmann's reference to whistling was about. Chicherin, having been arrested in England for antiwar activity when Russia's October Revolution took place, promoted a pro-German, anti-British foreign policy; so I imagine that in spite of Kladderadatsch's opposition to communism, Hahmann regarded Chicherin as a relatively benign presence.

Hans Luther was Chancellor of Germany from January, 1925 to May, 1926. Kladderadatsch's cartoonists must not have found him particularly inspiring, since time and time again, all they could come up with for cartoons about him was to have him quote Martin Luther's famous "Here I stand" statement.

"That's a Good Idee" by Wm. A. Rogers in Washington [DC] Post, March 24, 1926

I'm including one U.S. cartoonist here, isolationist W.A. Rogers, depicting U.S. participation in disarmament talks as something eagerly sought by European powers. His Uncle Sam would consider coming along strictly as a favor. Why, his "national defense" was merely a toy!

"You Can't Always Tell by the Picture on the Packet" by Sidney Strube in London Daily Express, ca. Mar. 21, 1926

London cartoonist Sidney Strube drew Uncle Sam kibitzing over the fence at Europe, whose packet of Locarno lily seeds has produced some strange flowers. "Say! Bo! That's funny stuff you are growing!"

"Der Gute Bruder aus dem Westen" by Werner Hahmann in Kladderadatsch, Berlin, March 7, 1926

U.S. interest in the disarmament conference was disingenuous, in Hahmann's view. In this cartoon, Uncle Same brings to the table "Huge strengthening of the American air fleet" and "new travel loans for America's navy."

"Deutschland im Võlkerbund" by Ernst Schilling in Simplicissimus, Stuttgart, March 1, 1926

Over at Simplicissimus, Ernst Schilling saw plenty of disingenuousness to go around among the disarmament negotiators. I don't believe any of the characters on the right side of the cartoon are caricatures of actual delegates (with the possible exception of the very British looking chap in the foreground), but I think that the presumably German man on the left looking askance at the rest must be.

"Umtriebe" by Arthur Krüger in Kladderadatsch, Berlin, March 7, 1926

The fellow in the foreground of Kruger's cartoon represented Poland, as identified by the czapka on his head. The cap became a symbol of Polish independence after the war, and was adopted as cartooning shorthand for that country, as Michel and Marianne were for Germany and France.

At issue here was whether to admit Germany into the League of Nations (Völkerbund in German), which Poland and France opposed.

"Der Taufbeken in Genf" by Arthur Johnson in Kladderadatsch, Berlin, March 7, 1926

The feeling was mutual: Arthur Johnson was among Germans who were also highly skeptical of joining the League, especially if despised Poland were a member as well.

"Auf in den Völkerbund" by Wilhelm Schulz in Simplicissimus, Stuttgart, March 15, 1926

Wilhelm Schulz's cartoon depicts Mussolini and Poland (ach du lieber! a drunkard, too!) conspiring to sabotage Germany's seat at the League of Nations table.

"Polen Beansprucht einen Festen Sitz im Völkerbund" by Richter in Kladderadatsch, Berlin, March 21, 1926

The Polish position, rather, was that if Germany were to have a permanent seat in the League, so should Poland.

"Versuchtes, aber Mißglücktes Falschspiel in Genf" by Oskar Garvens in Kladderadatsch, Berlin, March 21, 1926

Poland had the support of both Great Britain (you'll notice that Chamberlain's King of Spades is wearing a czapka) and France, with treaties obliging both to come to its aid if attacked.  

"Mißglücktes Experiment" by Arthur Johnson in Kladderadatsch, March 28, 1926

Poland was not the only country lobbying for a permanent League of Nations Seat. So were Brazil and Spain, the former of which was adamantly opposed to admitting Germany, earning it an especially grotesque characterization from Artie Johnson in this cover cartoon.

"Vorverkauf an der Kaffe in Genf" by Oskar Garvens in Kladderadatsch, Berlin, March 28, 1926

Oskar Garvens added China (and "War") to the waiting list in his cartoon. 

Cartoonists must have had little upon which to draw Brazilian stereotypes, in case the fourth fellow in line appears Mexican to you. Mexico repeatedly refused invitations to join the League of Nations until 1931.

"She Will Have to Get a New Canary Now" by Arthur Racey in Montreal Star, March 19, 1926

The Brazilian government would be gravely disappointed that Germany was admitted to the League and Brazil was not granted a permanent seat. Brazil quit the League later that year.

In A.G. Racey's cartoon, "European Peace" holds an empty birdcage bereft of its former occupant, "the Locarno Concord Canary." The Locarno Concord had been hailed as a great success at its December 1, 1925 signing by the great powers of western Europe (see the Graphic History Tour post here). I think that by asking "Whose cat are you, anyway?", Racey was taking into account that Brazil was not a party to the Locarno Concord.

"Endresultat" by Werner Hahmann in Kladderadatsch, Berlin, March 28, 1926

Agreeing with Racey's pessimism, Hahmann's cartoon quotes from the final stanzas of "Des Sängers Fluch" (The Singer's Curse) by Ludwig Uhland, set to music by Robert Schumann.

In the poem, a pair of minstrels entertain a cruel king and his court, pleasing the queen but enraging the king, who kills the younger of the minstrels. The older minstrel levels a curse at the king which comes true: in the end, the king's once beautiful castle lies in ruins but for one lone, crumbling column, its king forgotten.

Everyone was not ready to write off the Locarno Treaties as a failure just yet, but they ultimately did prove inadequate to ensuring a lasting peace in Europe.

The treaties delineated Germany's western border, ceding Alsace-Lorraine to France, but did not settle disputed territories on Germany's eastern border with Poland. There were Polish enclaves on the west side of the Oder-Neisse line and Germans living on the east side of the rivers. Danzig/Gdansk was a further bone of contention: as part of Poland, it separated East Prussia from the rest of Germany; without it, Poland would be landlocked.

"Powerful Brazil" by Billy Ireland in Columbus Dispatch, March, 1926

But sure, you can just blame Brazil if you'd rather.

Or the bossa nova.

Will You Be Mine?

'Tis February 14, and our Graphical History Tour turns lightly to thoughts of love!

Holidays of any sort are a godsend to editorial cartoonists, because we can just check the calendar, and thinking up our cartoon is halfway there. Is it Valentine's Day? Surely there's a job somewhere that would be just perfect for Mr. Cupid. 

Or his understudy.

"Love's Labor Lost" by Sam Hunter in Toronto Daily Star, Feb. 13, 1926

Canada's Conservative Party leader Meighen continued to woo the Progressive Party for enough support to form an improbable coalition government, making for fairly obvious Valentine's Day cartoonistry. Conservatives had won more seats in Parliament than its rivals in the November, 1925 elections, whereas Liberals and Progressives had both lost seats; thanks to a very few minor party members, neither the Conservatives nor the pre-election Liberal-Progressive coalition could muster a governing majority.

"Saint Valentine's Day, 1926" by Arthur Racey in Montreal Star, Feb. 13, 1926

As a fan of the Liberals, Hunter was happy to lampoon the Conservatives' plight. Tory partisan A.G. Racey used the romantic holiday instead to complain about The Kids Today drinking and smoking and wearing rouge.

Who knew that St. Valentine wore glasses?

"Wanted a Valentine" by Clifford Berryman in Washington [DC] Sunday Star Feb. 14, 1926

Down in the States, Congress passed a tax cut bill that was deeper than the Coolidge administration had asked for. Clifford Berryman availed himself of the holiday to depict the bill as a surplus of valentine cards for Treasury Secretary Andrew Mellon.

"Valentines" by Gustavo Bronstrup in San Francisco Chronicle, Feb. 13, 1926

Gustavo Bronstrup sent a tax cut Valentine to a happy taxpayer, and also drew valentine cards from Californians to their Governor (considering a run for federal office), from a traffic cop to a motorist (admonishing for breezing through red lights yet lingering at green ones), and the U.S. over the Senate's vote in favor of joining the World Court.

"A Hint to the Wise Should Be Sufficient" by Ed LeCocq in Des Moines Register, Feb. 14, 1926

Because of conditions included in that Senate bill, the U.S. never actually joined the World Court — nor the League of Nations — before they were dissolved in 1945. Accordingly, Ed LeCocq's Uncle Sam, despite his valentine to Mlle. League, had not gotten over his commitment issues.

"They Have the Exits and Their Entrances" by Daniel Fitzpatrick in St Louis Post-Dispatch, Feb. 14, 1926

Meanwhile, events were building that would test Uncle Sam's isolationist commitment to bachelorhood. Italy's il Duce was a topic of several Valentine's Day cartoons in 1926, and one that defied any allusion to love notes, flowers, and boxed chocolates.

Whereas editorial cartoonists today liken our modern fascist leaders to Mussolini and Hitler, cartoonists in the 1920's and '30's compared far-right politicians of their day to wartime foes of even earlier times.

"Römischer Karneval" by Oskar Garvens in Kladderadatsch, Berlin, Feb. 14, 1926

Oskar Garvens's allusion to Napoleon rings somewhat more true than Daniel Fitzpatrick's to Kaiser Wilhelm, insofar as the most alarming part of a Mussolini speech to the Chamber of Deputies on February 6 were remarks that stopped just shy of declaring war against Austria and Germany. Denying alarmist complaints from Bavarian leaders that Italy had torn down a statue of a German poet and had also prohibited residents of former Austrian territories from having Christmas trees, Mussolini threatened, "Fascist Italy can, if necessary, carry her flag beyond the Brenner frontier" between Italy and Austria.

"Il re bambino" in Garvens's cartoon is Italy's King Victor Emmanuel III, known during World War I as "il Re Soldato" (the soldier king). At 56 years of age, the king was hardly a "bambino"; but his short stature was exaggerated by German cartoonists, especially after the Italian government broke antebellum agreements with Germany and sided with the Entente powers.

"Diplomacy's Sea Becoming Turbulent" by T.E. Powers for Star Newspapers, Feb. 13, 1926 

A few months earlier, Mussolini had celebrated the Locarno peace accords with a public rant, er, speech glorifying war. Mussolini's tirades full of bluster and bravado against Italy's neighbors alarmed leaders across the continent.

"Showing Off" by Carey Orr in Chicago Tribune, Feb. 14, 1926

Remind you of anyone?

Carey Orr's cartoon includes a laundry list of affronts to European diplomacy in addition to the latest "Insult to Germany": Fascisti defiance of France, Corfu insult to Greece, Threat to take control of Mediterranean from England, and Threat against Balkans. 

"Some of These Days He Will Puncture Himself Doing That" by Wm. Hanny in Philadelphia Inquirer, Feb. 14, 1926 

Hubris will get you only so far. But that lesson would only come after another nine years and another World War.

Curtain Call at the European Theatre

Graphical History Tour steps back eighty years to the aftermath of V-E Day as seen by American editorial cartoonists. (If you're interested in their immediate responses to the Allies' victory in Europe, we visited them on their 75th anniversary.)

"Down Through the Third Reich's Thousand Years" by Dorman H. Smith for Newspaper Enterprise Assn., May 22, 1945

As the Allies closed in on Berlin, their discovery of Nazi Germany's extermination camps for Jews, Roma, homosexuals, and communists shocked and horrified Western readers. Descriptions in newspapers and on radio of emaciated prisoners and mass graves would soon be followed by graphic photographs in magazines such as Life and Time.

The Russian photojournalism magazine Ogonek had published photos of German atrocities much earlier, but had been dismissed in the West as Soviet propaganda.

"The Same Old Dagger Trick" by Hugh McM. Hutton in Philadelphia Inquirer, May 31, 1945

Hitler came to power capitalizing on the "stabbed in the back" myth created to explain Germany's defeat in World War I. Militarists, nationalists, monarchists, and populists blamed Jews, communists, liberals, and homosexuals for having conspired with the enemy, wittingly or unwittingly, to weaken the spirit of the German people.

Hugh Hutton was not alone in anticipating a repeat of such excuses from the German high command. The trials of German war criminals were meant to demonstrate to the German people the culpability of their political, military, and law enforcement leaders down to the soldiers and petty officers below them.

"I'm No War Criminal" by Fred Ellis in Daily Worker, New York, May 13, 1945

Fred Ellis, in the communist Daily Worker, lent no credence to German militarist protests that they had nothing to do with their fascist politicians. His was a view shared by most citizens of Allied nations.

"When a Feller Needs a Friend" by Burt Thomas in Detroit News, ca. May 28, 1945

The caption to Burt Thomas's cartoon riffs on a well-known cartoon series by Clare Briggs. Here the Big Three have their separate ideas on how to raise the Post-war World.

Uncle Sam represents the U.S. in Thomas's cartoon, and John Bull represents Great Britain, whereas the U.S.S.R. is personified by its actual head of state, Joseph Stalin. The U.S.A. had a brand new president, Franklin Roosevelt having died a month earlier; and Britain's wartime coalition government was heading for overdue elections.

"The Bear's Revenge" by Harold “Tom” Carlisle in Des Moines Register, ca. May 19, 1945 

One could still find positive cartoons of Stalin in the American press such as this one by Harold Carlisle, acknowledging that the war could not have been won without the Soviet Union's participation, and the heavy cost its citizens paid repelling the German invasion of their country. 

If Carlisle's style looks suspiciously like that of John "Ding" Darling, it is likely because Carlisle worked under Darling as inker, and was here filling in while Darling took a day off.

"The Liberator" by Joseph Parrish in Chicago Tribune, May 21, 1945

Taking a decidedly dimmer view of our sometime ally in the war, Joseph Parrish notes that on the Soviet Union's way to Berlin, Stalin had installed puppet governments in the Baltic states. Latvia, Lithuania and Estonia would be absorbed into the U.S.S.R., while Poland would retain its independence, if only in name.

My source for this Parrish cartoon was in grayscale, but it appears to me that the Chicago Tribune took to printing its front page editorial cartoon in full color sometime in 1943, until dropping the front page cartoon in 1970. I've re-colored the flags held by the Baltic nations, but I didn't want to venture guesses on the clothing and shadows.

"Hard on a Nervous Old Girl" by Edmund Duffy in Baltimore Sun, May 21, 1945

The Entente Powers had promised Austria-Hungary's Adriatic coast to Italy as inducement to get Italy to join their side in World War I. The Treaty of Versailles awarded the city of Trieste to Italy, which was less than the Italian government wanted.

Since Italy was on the losing side of World War II, the question of whether Italy should have to give up any territory in Europe arose. The late President Woodrow Wilson's position that borders should reflect the populations within them (rather than what regent had inherited what property) had gained followers since World War I, but Trieste and environs were populated by both Italians and Slavs. Drawing ethnically considered borders there would have required exacting precision.

(Europeans were much more careless about drawing borders in Africa and the Mideast. That's another story entirely.)

"The Phoenix" by Roy Justus in Minneapolis Star-Journal, May 17, 1945

I would like to have included a cartoon about Norway's arrest on May 10 and subsequent trial of its Minister President, Nazi collaborationist Vidkun Quisling. After all, his name entered the English language as a spineless traitor. 

This Syttende mai cartoon by Roy Justus, whose Minnesota readers might have appreciated the date, will have to do — although surely there must be an appropriate allusion to Norse rather than Greek mythology.

"It's Time We Got Started on a New Model" by Clifford Berryman in Washington Daily Star, May 24, 1945

Turning back to those British elections: it was generally expected that Winston Churchill would not remain Prime Minister, and would have to turn the government over to Labour leader Clement Atlee.

"It's Going to Be Hard to Explain" by J.N. "Ding" Darling in Des Moines Register, May 27, 1945

Even if Americans didn't understand why Britons would be so ungrateful.

Or how cricket is played.

"Same Old Monkey Wrench" by Harold Talburt, May 21, 1945

Turning to domestic politics here in the United States, Republicans in Congress wanted to return to the Smoot-Hawley brand of tariff policies that had precipitated the Great Depression. Protectionist tariffs were central to Republican administrations from the end of the Civil War and onward, popular with Wall Street, but controversial in the Midwest, West, and South.

Woodrow Wilson, facilitated by the 16th Amendment making federal income taxation constitutional, drastically reduced tariffs, only for Republicans to raise them again in the 1920's. FDR policies then focused on a mix of income taxes on the upper class and deficit spending, first to lift the nation out of the Great Depression, and later to finance the war effort.

"The Shape of Things" by Cal Alley in Memphis Commercial Appeal, May 31, 1945

Lastly, to get hyper-domestic about things, Cal Alley wondered what the future would hold for Rosie and her fellow riveters.