Showing posts with label William Howard Taft. Show all posts
Showing posts with label William Howard Taft. Show all posts

Saturday, June 27, 2026

The Recycling Bin of History

Every once in a while, I come across editorial cartoons for these Graphical History Tours that I like, but which don't make the cut for one reason or another.

Which is just to say that there ain't much by way of an overall theme to today's post. And here we go!

"The Grist of War" by Winsor McCay in New York Herald, ca. June 18, 1926

I was all set to include this Winsor McCay cartoon in a recent post about Abd El-Krim's surrender to  colonial French and Spain troops in Morocco, but something just seemed off about it.

Given the timing of its publication, it seems that the cartoon ought to be about the Rif War, but it's curious why the "Militarist" character is drawn with ridiculously exaggerated white lips, in the manner that White cartoonists and minstrel shows of the day portrayed Black people.

German cartoonists in the aftermath of World War I frequently drew African soldiers carrying out French military actions as a way of highlighting African soldiers' presence in France's occupation of the Ruhr region; the cartooning practice was meant to inflame German resentment at being policed by untermenschen.

Was McCay echoing that same racist propaganda here? If so, the cartoon was more likely about French policy against Germany, not France's adventures in Morocco.

"Well, Anyway, a Good Time Was Had By All" by James North in Washington Post, June 4, 1926

Meanwhile, a much-ballyhooed disarmament conference was underway. The French poppinjay in the foreground of James North's cartoon is more representative of how U.S. cartoonists represented France: stiffly waxed goatee and upturned mustache.

"But Isn't It Kind of Dangerous" by Jay N. "Ding" Darling in Des Moines Register, June 1, 1926

Here’s a “Ding” Darling cartoon I liked about New York Governor Al Smith’s position on Prohibition. It didn’t quite fit in with my post on spring primary results — Smith was not in a reelection race — and I already had two other Darling cartoons having to do with Iowa’s GOP Senate primary.

I do like to keep an eye out for cartoons featuring the men who were destined to run for president and vice president later on. I shouldn’t need to warn of a spoiler alert when I explain that Smith would be the Democratic presidential nominee in 1928, and it’s not as if the "Happy Warrior" were an obscure pol in 1926. Nor is he largely forgotten today.

Unlike his 1928 running mate.

By the way, I came across this campaign button at a resale store recently. I wonder whether whoever wrote the price sticker was unaware that Franklin Roosevelt was not at the top of the ticket, but was the vice presidential nominee in that 1920 campaign.

"Kompromissflaggen" by Oskar Garvens in Kladderadatsch, Berlin, June 6, 1926

This cartoon suggesting designs various German political parties and interests might have had for the Weimar Republic's flag didn't fit in with recent posts on European affairs. This is an unretouched image from the Heidelberg's on-line archive; besides adding English translations, I would have tried to eliminate the yellowing of the page and to emphasize the black lines.

Perhaps Herr Garvens would have appreciated my coloring in some red on his flags, too, assuming I would be coloring the correct rectangles. My guess is that the red isn't missing because it has faded over time, but rather that it was never there — because Kladderadatsch could only afford black and yellow ink for the cartoons on its inside pages that week.

Finally, it would have been timely, in this week when the Supreme Court floods the zone with a blizzard of rulings like a college student cranking out all his term papers at once, to have put together a post about historic Supreme Court decisions. Sadly, editorial cartoons about the Court are somewhat rare in the 1920's.

"Memories of Dred Scott" by Wilbert Holloway in Pittsburgh Courier, June 5, 1926

Cartoons about the Court do show up in newspapers appealing to a Black audience, however. This Wilbert Holloway cartoon concerns the Supreme Court's decision that it had no jurisdiction to rule in Curtis & Corrigan v. Buckley et al., a case contesting the legality of private contracts restricting the sale of homes to Black persons.

The case made by the bill is this: the parties are citizens of the United States, residing in the District [of Columbia]. The plaintiff and the defendant Corrigan are white persons, and the defendant Curtis is a person of the negro race. In 1921, thirty white persons, including the plaintiff and the defendant Corrigan, owning twenty-five parcels of land, improved by dwelling houses, situated on S Street, between 18th and New Hampshire Avenue, in the City of Washington, executed an indenture, duly recorded, in which they recited that, for their mutual benefit and the best interests of the neighborhood comprising these properties, they mutually covenanted and agreed that no part of these properties should ever be used or occupied by, or sold, leased or given to, any person of the negro race or blood, and that this covenant should run with the land and bind their respective heirs and assigns for twenty-one years from and after its date.

Justice Edward T. Sanford delivered the Court's decision that the 5th, 13th, and 14th Amendments to the Constitution did not apply to private contracts. Sanford, a Harding appointee from Tennessee, was a friend and protegĂ© of Chief Justice William Howard Taft. Like Taft a conservative jurist, his earlier majority opinion in Gitlow v. New York ironically established precedent for the liberal Warren Court's decisions expanding civil rights. 

Saturday, June 5, 2021

Loose Cannon on Deck

Former Lt. General Michael "Jack D. Ripper" Flynn planted his fascist foot in his mouth this week at a QAnonference in Texas, seeming to agree with a question from the floor that a Myanmar-inspired coup would be a great idea in the U.S. this year. (Donald Trump seems to expect one in August.)

100 years ago this month, another loose cannon in the U.S. Armed Services drew heavy criticism for some ill-considered remarks. Rear Admiral William S. Sims was the guest at a luncheon in London, telling the gathering:

"I do not want to touch on the Irish question, for I know nothing about it. But there are many in our country who technically are Americans, some of them naturalized and some of them born there, but none of them Americans at all.

"They are American when they want money, but Sinn Feiners when on the platform. They are making war on America today.

"The simple truth of it is that they have the blood of British and American boys on their hands for the obstructions they have placed in the way of the most effective operation of the Allied naval forces during the War. They are like zebras, either black horses with white stripes, or white horses with black stripes. But we know they are not horses ― they are asses. But each of these asses has a vote."

The Rear Admiral was no stranger to controversy; during the Wilson administration, he had publicly quarreled with Secretary of the Navy Josephus Daniels. His 1919 criticism of what he saw as deficiencies of American naval strategy, tactics, policy, and administration in the Great War was a major embarrassment to the Department of the Navy, already reeling from the Newport sex scandal.

"At It Again" by Roy Harrison James in St. Louis Star, June, 1921

In 1910, President William Howard Taft was obliged to rebuke Sims for promising Great Britain aid from the U.S. in the event its empire were "seriously menaced by an external enemy." At the time, the idea of sending American soldiers to defend the British Empire was rather farfetched politically; but in the 1921 speech, Sims patted himself on the back for his clairvoyance. Taft, now busy lobbying behind the scenes for appointment as Chief Justice of the Supreme Court, was in no position to reply to Admiral Sims. But Sims would have to answer to Secretary Daniel's successor, Edwin Denby.

"Well, Here We Are Again" by John Cassel in New York Evening World, June 11, 1921
"Best Wishes, Ol' Top" by Clifford Berryman in Washington Evening Star, June 10, 1921

Admiral Sims wasn't the only American official speaking out of school in London in the spring of 1921. U.S. Ambassador to Great Britain George Brinton McClellan Harvey (whom we saw in typographic portrayal last Saturday) was another.

"Advice from an Expert" by Billy Ireland in Columbus Dispatch, June, 1921

According to "Ding" Darling, so was at least one U.S. Senator.

"Maybe We Ought to Do Something..." by J.N. "Ding" Darling in New York Tribune, June 14, 1921

Rear Admiral Sims retired from the Navy in 1922, and won a Pulitzer for his memoir of the War, The Victory at Sea.  

I don't anticipate Lt. Gen. Michael Flynn earning any Pulitzers for his body of work. He'll just have to be content with his pardon from Trump.

Unless that August putsch works out in his favor.

Saturday, October 3, 2020

Nickel Movies and the League

"Freeneasy Film Company Presents" by Frederick Opper for International Feature Service, ca, October 1, 1920
In my round-up of September, 1920 editorial cartoons about that year's presidential race, I shared some of Frederick Opper's series lampooning Democratic nominee James Cox as the hapless stepfather of Woodrow Wilson's Fourteen Points. I'll kick these October cartoons off with some more installments from Opper's series, supposed to evoke the popular moving picture serials of the day.

"Jimmy and His War Bride" by Frederick Opper for International Feature Service, ca. Oct. 2, 1920


In October, Opper (or his editors) changed the title of his series from "Freeneasy Film Company Presents" to "Jimmy and His War Bride." Opper has a low opinion of the dowdy bride, representing the League of Nations, or her fourteen offspring, who look less and less like actual children by this point. 

Cartoon historians will recognize Opper as the creator of "And Her Name Was Maud!", a comic strip about a mule who looked very much like the Cox family's "educated donkey, Dopo."

"Jimmy and His War Bride" by F. Opper for International Feature Service, ca. Oct. 4, 1920
By drawing the Fourteen points more doll-like than child-like, Opper was able to get away with suggesting that they might be thrown to the wolves. Had they retained the individuality they had at the beginning of the series, someone in Opper's audience might have felt some sympathy for their plight.

"Jimmy and His War Bride" by F. Opper for International Feature Service, ca. Oct. 6, 1920

Well, that's quite enough of that. Being October, there was plenty of other entertainment besides the movies.
"World's Series: Over the Fence" by Thomas E. Powers in New York Evening Journal, ca. Oct. 7, 1920
T.E. Powers notes baseball's World Series to depict Republican nominee Warren Harding and his bat of "Common Sense" knocking Cox's "League Question" pitch out of the park all the way to England. I suspect, however, that he might have found the Democrat more fun to draw. Very few of Powers caricatures are so artlessly bland as this one of Harding.

"If We Were in the League" by Winsor McCay in New York American, ca. Oct. 16, 1920

Winsor McCay, with his meticulous style and perspective, perhaps enjoyed drawing all these tombstones.
"What They Call Harmony" by Rollin Kirby in New York World, ca. Oct. 24, 1920
I have to give Democratic cartoonists a break, even if not equal time; so here's a brief musical intermission from Rollin Kirby before the next feature film begins.
"Go! And Don't You Never Come Back" by J.N. "Ding" Darling in Collier's, October 9, 1920

Returning to our moving pictures theme: "Ding" Darling departs from the cross-hatching style he used for newspapers, employing ink wash and (I suspect,) charcoal to evoke an ominous scene from melodrama in this cartoon for Colllier's magazine. Republican presidential nominee Warren Harding, backed by Senators Borah and Johnson, throws the film's heroine out to the blizzard. Sheltering Little Miss League of Nations are three past and future Republican nominees for president: William Howard Taft (1908), Herbert Hoover (1928), and Charles Evans Hughes (1916).

"Preserving American Independence" by J.N. "Ding" Darling in Collier's, October 23, 1920
I can't be absolutely sure what media Ding used for his October 9 cartoon, but later cartoons for Collier's, such as this October 23 opus, suggest that he was happy to use ink wash for the superior reproduction capabilities of the weekly magazine as contrasted with daily newspapers.

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Leaping forward for a moment to the present day, there is no precedent for a presidential candidate — let alone the incumbent president — falling seriously ill this close to an election. Had President Woodrow Wilson pressed his interest in being re-nominated for a third term in 1920, the U.S. might have faced the same prospect.

Wilson had a history of petit mal strokes as early as 1896, but a series of strokes in September and October of 1919 left him paralyzed on his left side and blind in his right eye. Unbeknownst to the nation, Edith Wilson took over the everyday duties of the presidency during her husband's recuperation. He was unwilling to resign his office, and Vice President Marshall had no authority to wrest it from him.

While Wilson officially withdrew from the presidential race early in 1920, he withheld support from the party's strongest candidate, his own son-in-law James MacAdoo, still holding out hope that a deadlocked Democratic convention would come back to him for a third term. Not surprisingly, the party never seriously considered that option.

With Inauguration Day still over a month away, Wilson was bedridden with influenza in January, 1921, but survived until February 3, 1924. 

Of course, Warren Harding wouldn't survive the next presidential term, either; Wilson attended his successor's funeral.

Saturday, September 5, 2020

The Front Porch Campaign

You, if you happen to be the most corrupt president in the history of the United States, might mock Joe Biden for (supposedly) campaigning from his basement this summer. But in a way, Biden's low-travel campaign hearkens back to the way things were a century ago. As this year's campaign kicks off in earnest, here's what editorial cartoons had to say about the campaigns of 1920.

"And Everybody Was Expecting Turmoil" by Billy Ireland in Columbus Dispatch, August, 1920

I've enlarged Mrs. Buckeye's dialogue balloon, but since it's still hard to read on most screens, I'll copy it here: "Everybody said when they heard it was twins that we Buckeyes were in for an awful busy summer but things have been slipping along so quiet you wouldn't know the twins were in the house!"

"Interpreting the Oracle" by Rollin Kirby in New York World, August, 1920

Warren Harding's front porch campaign was itself a throwback to an earlier time. William Jennings Bryan and Teddy Roosevelt embraced the whistlestop style, campaigning to large crowds of citizens from the back of a train or in packed civic squares. Once upon a time, however, such pandering to the hoi polloi was considered beneath the dignity of the presidency. Campaigning was done by surrogates — assuming that the candidate's message remained intact through the surrogates' interpretation.

"The Burning Question" by Clifford Berryman in Washington (D.C.) Evening Post, August 17, 1920
Harding promised a return to what he called "normalcy," adding a new word to the English language. What "normalcy" would look like was largely up to the voter's imagination. 

Mr. Harding would in fact venture out on the hustings in September, not unlike the tradition up until recently of starting the presidential campaign in earnest only after Labor Day. The Democratic ticket, however, was already waging a much more active campaign.

"The Beauty and the Bathers" by Jay N. "Ding" Darling in Colliers, September 4, 1920

This is an unusual cartoon in that "Ding" Darling includes the Democratic Vice Presidential candidate, Franklin Delano Roosevelt. There have occasionally been editorial cartoonists who drew the Veep candidate often (e.g., Thomas Nast and B. Gratz Brown; R.C. Bowman and Adlai Stevenson); but as a rule, you didn't find a lot of ink spent on the #2 spot on the ticket.

I'll be surprised if I run across any more cartoons about either FDR or Calvin Coolidge between now and — frankly — the centennial of Harding's demise.

"What's Detaining You?" by T.E. Powers for Star Company, ca. Sept. 2, 1920
Whether the U.S. ought to join the League of Nations may have been the dominant issue in the 1920 campaign, but there were others.
"Everything but the Crowd" by Albert T. Reid in The National Republican, ca. August 27, 1920

Republican cartoonist Albert Reid crammed as many complaints against the Democratic Party as he possibly could into this cartoon, and you can easily imagine Antonio Branco, Ben Garrison, Mike Lester, or any of the other partisan Republican cartoonists regurgitating the same cartoon today. Just replace Cox with Biden, Europe and the League of Nations with China and the World Health Organization, and Murphy and Taggart with Bernie Sanders and Alexandria Ocasio-Cortez.

"The Dickens of It..." by Jay N. "Ding" Darling in New York Tribune, August, 1920

Darling here packed in even more "political garbage" than is in Reid's sideshow; "U.S. Snail Service" taking up the left barge resonates anew today. Yet there is a distinct sense in this cartoon that the Democratic nominee is saddled with "8 years accumulation of political garbage" unfairly. Cox wields his "League Issue" oars against the "tide of public opinion that the Democrats have bungled"; Democratic bungling is not presented as actual fact.

Darling, a loyal Republican, departed from most of his party on the issue of the League of Nations. He did not support Warren Harding, although he was ultimately not impressed with James Cox, either.

"Vox Pop Versus Vox Cox" by John T. McCutcheon in Chicago Tribune, ca. Sept. 1, 1920

John McCutcheon put forth the same vague sentiment as the tide of public feeling, but without bothering to mention any specifics. "Solid South" demands "four more years of office holding," while Cox complains that "The Republicans are trying to buy you." More on that in a moment.

"The New Housekeeper" by Cyrus Hungerford in Pittsburgh Sun, September 4, 1920
The ratification of the 19th Amendment added a new wrinkle to political prognostication. Plenty of cartoons poked fun at couples whose votes would now cancel each other out; Cy Hungerford instead predicted that women's role would be to clean up the mess menfolk had made of things.
"The New Campaign Issue" by Ted Brown in Chicago Daily News, Aug./Sept., 1920

James Cox tried to add another issue to the campaign, accusing Republicans of amassing a $16 million slush fund. The GOP denied it, and when Cox personal representative E.H. Moore testified before a congressional committee, he proved short on specifics.

"The Old Porch Chair" by Rollin Kirby in New York World, Sept. 4, 1920
What one believed depended upon what one was predisposed to believe. (Sound familiar?)
"It Almost Awakened the Dog" by John McCutcheon in Chicago Tribune, Sept. 4, 1920

Since it is Labor Day weekend, let's close today's entry off with an election year labor cartoon from the summer of 1920.

"Labor's Laboratory" by Wallen for Labor Feature Service, August, 1920

Keep the Labor in Labor Day, and have a safe and happy weekend!

Saturday, June 13, 2020

Something Hard and Cool

Well, I've kept you in suspense long enough about the identity of the 1920 presidential nominees. Since we've just passed the centennial of that year's Republican National Convention, it's time for Marion Starback Saturday to relieve at least half of that suspense.
"There Will Be About 30 G.O.P. Nominating Speeches" by John McCutcheon in Chicago Tribune, May 29, 1920
The 1920 Republican convention convened in Chicago June 8-12, 1920, so I'm including here several cartoons from the staunchly Republican Chicago Tribune, whose John McCutcheon had no reluctance to delve into the minutiae of political machinery. The primaries and caucuses had done nothing to winnow down the field of GOP presidential hopefuls, and the party elders promised an open nominating process free of backroom deals of the sort that had produced Charles Evans Hughes as the nominee four years earlier.
"I've Got 'Im" (detail from "The Tiny Tribune") by Carey Orr in Chicago Tribune, June 2, 1920
Prominent candidates included Senator Hiram Johnson of California, and General Leonard Wood, a favorite of Teddy Roosevelt's disciples. As host of the convention, Governor Frank Lowden of Illinois was a leader among the many favorite son candidates.
"The Tiny Tribune" by Carey Orr in Chicago Tribune, June 3, 1920
McCutcheon's partner at the Tribune, Carey Orr, takes note of the schmoozing of the many delegates arriving in Chicago without being committed to any particular candidate. He also displays the party's confidence that 1920 was their year.
"Women and Children First" by Jay "Ding" Darling in New York Tribune, June 9, 1920
Another Republican cartoonist, "Ding" Darling of the New York Tribune and Des Moines Register, nevertheless seems here to be underwhelmed by his party's field. To Johnson, Wood and Lowden, he adds Gov. Calvin Coolidge, Gov. Henry Allen, Sen. Warren Harding and Sen. Philander C. Knox in baby carriages, holding up the dark horse candidates (among them Hughes, William Howard Taft, and Herbert Hoover) and party boss Sen. Boies Penrose.
Speaking of women: Lucy Page Gaston was perhaps the darkest of dark horse candidates for the Republican nomination. and not just because the 19th Amendment had yet to be ratified. A crusader against tobacco use, the Harvey, Illinois resident, ran on a platform of "clean morals, clean food and fearless law enforcement" but was on the ballot only in South Dakota. She withdrew her candidacy on the eve of the convention and would be sorely disappointed once the Republicans nominated a "cigarette faced" (her description of him) devotee of the evil weed. She then attended the Prohibition Party's convention in support of William Jennings Bryan.
"Helping Hands" by John T. McCutcheon in Chicago Tribune, June 4, 1920
With no clear nominee going in, delegates arrived with plenty of disparate ideas about what ought to be in the party platform: for and against the Treaty of Versailles, for and kinda for Prohibition, various ideas on dealing with the High Cost of Living — even taking over control of Mexico, where President Carranza had recently been overthrown.
"A Pictorial Review of the Platform" by John T. McCutcheon in Chicago Tribune, June 11, 1920
I doubt I shall be able to find a cartoon summing up the 1920 Democratic Party platform as thoroughly as Mr. McCutcheon's review of the GOP platform.
"The Nominee" by John T. McCutcheon in Chicago Sunday Tribune, June 13, 1920
Finally, on the tenth ballot, the convention nominated Ohio Senator Warren Gamaliel Harding, a moderate conservative more or less acceptable to the progressive wing of the party.

On its surface, McCutcheon's cartoon seems to express reservations about Harding, but I think it is more likely that he drew the cartoon before the outcome of the convention was settled, leaving a large space for the front page editors to insert the nominee's photo. Harding was no stranger to McCutcheon, who had drawn two cartoons partly about Harding's keynote speech at the 2016 convention: in the first, McCutcheon claimed that Harding "hit all the right notes"; but the next day, McCutcheon asked "Where's the entHughesiasm?"
"See Who's Driving" by Doane Powell in Omaha Daily Bee, June 15, 1920
Hoping to gain support from the party's Progressive wing, Harding's people first offered the Vice Presidential nomination to Senator Johnson, who turned it down. They then turned to another Progressive, Wisconsin Senator Irvine Lenroot, who accepted the offer. But as soon as Illinois Senator Meddill McCormick launched into the speech nominating Lenroot, delegates began chanting for Calvin Coolidge instead. The Massachusetts governor, famous for his hard-line response against the 1919 Boston police strike, easily beat Lenroot in the balloting in spite of being absent from the convention.
"Just When She Was Dying for Something Cool" by John McCutcheon in Chicago Tribune, June 14, 1920
Given time to come up with an assessment of his party's ticket, McCutcheon's first response was to make puns on the names.
"Warren, You're More Than Welcome to These" by Clifford Berryman in Washington (D.C.) Evening Star, June 16, 1920
What, then, was Democrats' response to the Republican ticket? It has been customary for the leader of one party to congratulate the nominee of the other party before proceeding for the next five months to call him/her a no-good demon in wolf's clothing who will surely bring upon our great Republic wrack, ruin and the gnashing of teeth. Nevertheless, I have no idea what "Democratic compliments" Aunty Democracy is extending in Clifford Berryman's cartoon.
"Bet It Doesn't Take Me Five Days to Finish My Ticket" by Clifford Berryman in Washington Evening Star, June 13, 1920
That would be a bet worth taking.
"Coming Out in the Wash" by John H. Cassel in New York Evening World, June 17, 1920
Democratic partisan John Cassel clearly didn't think much of Senator Harding, if he thought of him at all.
"The Plain Truth" by John Cassel in New York Evening World, June 23, 1920
Cassel's "The Plain Truth" includes apologies to Kettner, perhaps syndicated cartoonist Magnus Kettner. I am unaware of the cartoon Cassel may be aping here, and the cartoon does not resemble the style of the Western Newspaper Union cartoonist either in terms of artistry or humor. Cassel's point is that the Republican-led U.S. Senate, having stymied President Wilson's agenda since the end of the Great War, was unlikely to cede any power back to the next president, whoever he may be.
"Jes' Waitin' to See How the Other Guy Gets Through It" by Charles "Bill" Sykes in Philadelphia Evening Ledger, June 16, 1920 
Please come back tomorrow. I've got a completely different centennial to mark this weekend.

Saturday, December 28, 2019

Dashing Through to 1920, Part 2

Soloback Saturday devotes today's installment to a single cartoon from December, 1919.
"The Honorable Mentionables for President, Subject to Revision" by John T. McCutcheon in Chicago Tribune, December 21, 1919
John T. McCutcheon's tour de force on the 1920 presidential race uses nearly the entire alphabet to list all the potential candidates. (He couldn't come up with anything for the letter Q, and apparently overlooked I. The ninth letter of the alphabet is out of order, and I see no marcher holding it.) Some of the meter doesn't quite span well; but on the other hand, the cartoon is the earliest one I've come across to include the name of the eventual Democratic nominee.

But I'm still not going to tell you who he was yet.

The pages of broadsheet newspapers were much larger then than those of any U.S. newspaper today, allowing McCutcheon's cartoon approximately 6" x 8" of front page real estate. Yet I suspect that he might have wished to trade his spot that Sunday for Frank O. King's full page on the front of of the editorial section.

Since you may not have 6" x 8" of screen space to read the cartoon, and it has been nearly impossible to clean this image enough to be as legible as I'd like it to be, here's McCutcheon's poetry in full:
A is for Allen of Kansas, a man with considerable pep.
B is for Baker and Bryan, same party, but quite out of step.
C is for Cox and for Coolidge, Champ Clark, former Speaker, you know.
D is for Dawes, Daniels, Denby, Davis of Morgan and Co.
E is for Everyone mentioned whose name we've completely forgot.
F is Fair Field and No Favor, and all that sort of rot.
G is Goodrich and Gerard, both Jameses, W. and P.
I.
H is for Harding and Hoover; you've heard all about Herbert C.
J is for Senator Johnson; the covenant pleases him not.
K is for Kenyon and Kellogg; their chances are not very hot.
L is for Governor Louden; Illinois is loud in his praise;
He's willing to move to the White House; the job of President pays.
M is for William A. MacAdoo, Vice President Marshall as well.
N is for No One Yet Mentioned, but of course, you never can tell.
O is for Orators plenty; they'll talk till you're totally deaf.
P  is for Poindexter and Palmer, and Pershing of the grand A.E.F.
Q.
R. is for Root, Reds and Radicals, the opposite ends of the pole.
S is for one who is known as the Hon. Gov. Sproul.
T is for Taft, William Howard; he served in the White House before;
He liked it while he was the tenant, and would probably like it some more.
U is for Senator Underwood, not supposed to be out for the place.
V is for Votes that will settle which candidate wins in the race.
W is for Wood and for Woodrow; their figures loom big in the sky.
W is also for Watson, who is said to be willing to try.
X is for X-candidate Hughes; he used to run four years ago.
Y is for Yank, both doughboy and gob; he'll play a big part in the show.
Z is for Zero, the hour next June when all of the world will know.
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Ah, well. I did say that there would be only one cartoon this week, but since you've been such a good boy and/or girl, I'll throw in a second one about the Democratic presidential hopefuls.
"The Snow Man" by Clifford Berryman in Washington Evening Star, December 29, 1919
And yes, the eventual nominee is in here, too.