This Week's Sneak Peek

I drew a different cartoon last week, which led my better half to think that I didn't have to draw another one last night. The problem is, I can't tell you when — or if — the first cartoon will ever see the light of publication.

For some time now, I have wondered what my editorial cartoonist colleagues and I will draw when the day comes that the Grim Reaper comes for Donald TanTrump and doesn't take "You're crooked and stupid!" or his stomping away for an answer.

Well, the other night, my idea for that fateful day came to me, and I decided that I had better commit it to ink and bristol board before I forgot it. Besides, there's always the chance that the fateful day will come over some weekend when I'm far away from my drawing board. Or that the official announcement will come when my deadline is seconds away; my cartoon is really dialogue-heavy, with six panels, and inking all those letters takes time.

The dialogue isn't 100% inked. One line of the dialogue refers to Trump as having been impeached twice. He may well have been impeached four or five times before mortality finally catches up with him.

Who knows whether I'll even still be drawing cartoons by then? My hands shake a little these days, and I'm not getting any younger, either.

Q Toon: Remembering Barney Frank

I promised to draw a memorial cartoon for the late Congressman Barney Frank, the first gay member of Congress to out himself, and here it is. 

The quotation in my cartoon is from a January 12, 2009 New Yorker article by Jeffrey Toobin, and it's a slightly condensed version of a statement Barney Frank had made on the House floor the previous March.

It's important to point out that in 2009, none of the rights he was advocating for — marriage equality, the end of "Don't Ask Don't Tell," or Employment Non-Discrimination — were yet the law of the land. And none of them came about by acts of Congress, meaning that any of them could be negated by an antigay president, Supreme Court, or Secretary of Whatever They're Calling What We're Doing In Iran These Days.

Barney Frank made these statements in response to Republicans who charged that advocating these rights was "radical" (a boiler plate response by Republicans to any Democratic proposal, even those that borrow from Republican ones).

But Frank was an incrementalist, which resulted in attacks from the idealists and purists to his left. Transgender advocates are still upset by his willingness to excise them from the Employment Non-Discrimination Act (ENDA) in order to get Congress to pass workplace protections for lesbians, gays, and bisexuals — a ploy that failed anyway.

He was defensive about that in his final interview, with Lou Chibarro, Jr. in Washington Blade, but confident that the protections afforded by Bostock v. Clayton County would stand:

Blade: Are you saying we may not need an LGBTQ non-discrimination act by Congress for the states that haven’t passed that?

Frank: I would be in favor of that, yes. But again, I think you and I – you have always been pessimistic. There is a political time now that works in our favor. And as I said, on abortion, they burned themselves very badly on abortion. And yes, I’m still for a national anti-discrimination bill. But I do not think the right wing wants to be caught taking rights away that already exist. Because that’s a lot harder than denying them in the first place. And I don’t see any movement for that. You tell me what you are worried about. What bills are you worried about? 

Blade: I was simply saying they haven’t yet passed a federal non-discrimination bill. 

Frank: No, what’s going to change on the Supreme Court? I don’t see a pretty quick reversal on the Supreme Court. So, I think people are just – they have to have a cause. And they are inflating the likelihood that we are going to lose some rights when I see no evidence of it. And in fact, I see a lot of political reasons why those in Congress don’t want to do that.

Perhaps he was correct that "people's rights to get married, join the army, and make a living" are mainstream values now.

That assumes that there is a "mainstream" any more.

"The left and the right live in parallel universes. The right listens to talk radio, the left's on the internet, and they just reinforce one another. They have no sense of reality." ― Barney Frank

Memorial Day's Sneak Peek

I mentioned somewhere in Saturday's Graphical History Tour post what I intended to draw about this week; so instead of a snippet from my forthcoming editorial cartoon, here's one from 100 Memorial Days ago.

"Memorial Day" by Guy R. Spencer in Omaha World-Herald, May 30, 1926

Sadly, 100 years later, its encomium that "none was sacrificed for national greed or aggression" no longer applies.

The Importance of Being Frank

Graphical History Tour remembers former Congressman Barney Frank (D-MA), who passed away Tuesday night at age 86.

in Q SaltLake, March, 1999

Barney Frank was elected to Congress in 1980, succeeding Rev. Robert Drinan, who had left office in order to comply with Pope John Paul II's call for priests to withdraw from government positions. Q SaltLake asked me to draw the above caricature of Rep. Frank for their cover story on his upcoming speech at a dinner of the Utah Stonewall Democrats, an LGBTQ organization.

Frank earned a reputation as an outspoken, quick- and sharp-witted liberal, but it must be noted that he was very pragmatic, even on LGBTQ+ issues. In the 1990's, he counseled marriage equality advocates that the public were not ready to accept same-sex marriage. In his last public interview, however, he argued that marriage equality is safe because Republicans today would be afraid of the backlash were our marriages to be taken away.

Perhaps the interviewer thought it impolite to bring up the fate of the landmark Dodd-Frank Wall Street Reform and Consumer Protection Act during Republican rule.

Frank wasn't the first openly gay Congressman; Gerry Studds (D-MD) had been outed at the center of a scandal over Congressmen having affairs with congressional pages. (Studds was censured in 1983 for having a sexual relationship with a 17-year-old page ten years earlier; he retired from Congress in 1997.) Frank was, however, the first member of Congress to come out as gay voluntarily, in 1987.

in Ranger, University of Wisconsin at Parkside, Sept. 21, 1989 

The first cartoon I drew of Barney Frank was, unfortunately, when it appeared that his political career was about to be cut short because of a sex scandal of his own. He had befriended Steve Gobie, a prostitute, hiring him as an aide, housekeeper, and driver in 1985. He evicted Gobie in 1987 after their landlord told Frank that Gobie continued operating as a male escort, even bringing clients to their shared home.

This became public in 1989 when Gobie decided to sell his story to the highest bidder, but gave it away to the Washington Times. Frank called for a House Ethics Committee investigation, claiming to have had no knowledge of Gobie's extracurricular activities at their home. Rep. Larry Craig (R-ID) led the push to censure Frank; but in the end, he was merely reprimanded for misrepresenting Gobie's criminal probation record, and for using his congressional office to fix 33 parking tickets Gobie had racked up.

Craig, by then a senator, would have his own gay sex scandal in 2007.

in UWM Post, Milwaukee Wis., Jan. 30, 1995

During a January 20, 1995 radio interview discussing a possible book deal, House Majority Leader Dick Armey (R-TX) said, “I like peace and quiet and I don’t need to listen to Barney Fag, [pause] Barney Frank, haranguing in my ear because I made a few bucks off a book.” 

The slur was reported by several radio networks, whereupon Armey blamed the media for reporting on what he claimed was an audio glitch, not a slip of the tongue or intentional insult.

Rep. Frank refused to accept Armey's excuses, saying, “There are a lot of possible ways to mispronounce my name but that one, I think, is the least common, ... I turned to my own expert, my mother, who reports that in 59 years of marriage, no one ever introduced her as Elsie Fag.”

After a separate incident of Armey making a poor joke about Frank's homosexuality, a reporter asked Frank if he wanted an apology from the Texan. "I’m trying to think of what I would be less interested in than an apology from Dick Armey," he replied. "Maybe the lyrics to the national anthem of Bhutan."

for Q Syndicate, Aug., 1998

Frank's office requested the original of this cartoon. I have no idea whether he still has it.

When Republicans in Congress were holding hearings in preparation to file impeachment charges against President Bill Clinton over his sex scandal, Barney Frank seemed to be the only Democrat willing to speak up in Clinton's defense.

for Q Syndicate, Nov., 1998

Wisconsin's Second District elected Tammy Baldwin to Washington in 1998, the first out lesbian representative in Congress, so I drew Barney Frank offering her some practical advice.

for Q Syndicate, March, 2009

I tried looking up why I included Barney Frank in this cartoon about the late Supreme Court Justice Antonin Scalia, but it dates from two months before I started this blog. (and I couldn't find it among oocities.com's cached pages of my previous Geocities blog). 

Did Frank call Scalia a homophobe? I guess I wouldn't have put it past him, and I can't think of another reason why I would have drawn him in the foreground.

It is, however, my best example of drawing his famously rumpled couture.

for Q Syndicate, March, 2011

This cartoon caught some ridicule from a web page (now long dormant) dedicated to ridiculing editorial cartoons, in part for daring to run afoul of the litigious Dr. Seuss Estate. The topic was the Employment Non-Discrimination Act (ENDA), a bill proposed in successive Congresses to afford workplace protections to LGBTQ+ private sector employees.

It faced stubborn resistance from Republicans and other conservatives. In 2007, Frank proposed deleting transgender rights from the bill, in what proved to be a futile ploy to attract support from moderate Republicans which succeeded only in deeply dividing the LGBTQ+ community. 

for Q Syndicate, Oct., 2007

Frank's reasoning was that transgender rights could be added back in someday if ENDA ever became law; transgender activists and their allies are profoundly disappointed by what to this day they regard as outright betrayal.

Congress never has passed ENDA in any form. In an interview with Washington Blade's Lou Chibarro, Jr., after he entered hospice care this month, Frank noted that the Supreme Court ruled in Bostock v. Clayton County (2020) that employment discrimination against LGBTQ+ persons is illegal under Title VII of the Civil Rights Act of 1964, a ruling Frank was confident the Court would never overturn — and if it did, Congress would step in and pass ENDA into law.

He must never have met Mike Johnson.

for Q Syndicate, Dec., 2011

No, this is not my eulogy cartoon for the Congressman.

The 2010 census resulted in Massachusetts losing a seat in Congress. In the redistricting plan produced by the state legislature, the Democratic stronghold of New Bedford was removed from Frank's district. While Brookline, Newton and Wellesley remained in the district, Frank announced shortly after Governor Deval Patrick signed the redistricting plan into law that he would not run for a 17th term.

My reference, of course, is to the reported last words of Oscar Wilde, another gay icon with a not unblemished history. (In trying to verify the quotation for this post, I've found several variations on its theme, so take it with a grain of smelling salts.)

That was the last cartoon I have drawn of Barney Frank — at least so far. I am likely obliged to draw an actual eulogy cartoon for him for release next week. If not, he's got a book coming out in September.

Given his record, the book is not going to be pablum.

Victoria Day's Sneak Peek

There were topics I would dearly have loved to draw about this week but didn't because ideas stubbornly refused to gel.

I sketched out a memorial cartoon for Jason Collins, the gay basketball player who came out of the closet in Sports Illustrated in May of 2013 and succumbed to stage 4 glioblastoma on May 12 of this year at age 47. But I couldn't come up with anything besides a caricature that I wasn't entirely happy with — no trenchant quotation or iconic photo image — and I certainly was not about to draw a basketball shedding a tear.

Then there is a local story that I thought would be worthy of a cartoon for a national, if niche, audience: the school board in Watertown, Wisconsin, voted 7-to-1 to stop their high school's Wind Symphony from performing "A Mother of a Revolution!" by Omar Thomas at their spring concert this evening. Thomas wrote the instrumental piece as "a celebration of the bravery of trans women, and in particular, Marsha 'Pay It No Mind' Johnson. Marsha is credited with being one of the instigators of the famous Stonewall uprising of June 28, 1969..."

It's a technically demanding work, but the hours of practice those kids in Watertown spent mastering the music were all for naught when the school board decreed that it violated the district's "controversial issues" policy. Board Vice President Sam Ouweneel called the board's action “a perfect example of what everyone here ran on, which was ending indoctrination and radical curriculum.”

Watertown students staged a walk-out protest that was duly reported on state television news. Someone with sympathies for the school board complained that the coverage was all one-sided, so one TV station sent a reporter and cameraman out to the board members' homes to offer them opportunity to comment. None of them would answer the door.

Over the weekend, the owner of Minocqua Brewing Company invited the Waterford Wind Symphony to perform "A Mother of a Revolution!" at the biergarten he is sponsoring in Madison this coming weekend. He soon realized that the band's director could be in trouble with the school board were he to participate, but the invitation to the band stands.

The guy in Minocqua is a leftwing gadfly perpetually in trouble with the Republicans in charge of Minocqua city government over zoning and licensing type issues. He has declared his candidacy for Wisconsin governor as a Democrat, to which the Democratic establishment has responded, "Gee, thanks, but we have enough candidates already." 

To give you an idea of the sort of person he is, he has publicly promised that his brewery will host a "Free Beer Day" when Donald Trump kicks the bucket. After the latest assassination attempt, he posted "Well, we almost got #freebeerday. Either a brother or sister in the Resistance needs to work on their marksmanship or he faked another assassination to get a positive news cycle."

All of which seemed like a lot to cram into a cartoon for readers who may not have heard of any of this. So I ended up drawing about something else very late last night.

January ’Sixes

This week's Graphical History Tour opens on a somber note, as we come to January, 1986, and one of those moments where anybody alive them remembers where they were and what they were doing.

in UW-Parkside Ranger, Somers Wis., Feb. 6, 1986

On January 28, 1986, the space shuttle Challenger exploded at "throttle up," just over a minute after launch. All aboard were killed, including schoolteacher Christa McAuliffe, chosen to be the first civilian passenger to fly into space. 

In five years, space shuttle flights had almost become routine, but because of McAuliffe's presence on the crew, millions of schoolchildren across the country were watching the liftoff. It was carried live on all the TV networks. 

We all knew the liftoff was not supposed to look like this. Everyone looked on in stunned silence, hoping against all reason to see the shuttle emerge from the fireball.

But no escape measures available to the crew; ejection seats and full pressure suits used in the first four space shuttle test flights had been removed before operational flights began in 1981. It's highly improbable that they would have been helpful in the event of an explosion, anyway.

A Presidential Commission attributed the explosion to a faulty O-ring made of material vulnerable to changes in temperature (there had been freezing temperatures in Florida overnight). Shuttle flights were suspended until September 29, 1988, after the implementation of new safety measures and stricter design standards.

1996

in UWM Post, Milwaukee Wis., Jan. 25, 1996

We’re now in an even-numbered year, so here’s fair warning that upcoming Graphical History Tours are going to include some presidential election cartoons. Fair warning also that it’s January, and someone is getting ready to harangue a joint session of Congress live on all the TV networks.

President Bill Clinton was all set to run for reelection in January of 1996. While there was a crowded Republican field heading into the year, Senate Majority Leader Robert Dole was the odds-on favorite. 

Multi-millionaire Steve Forbes, Jr., with a fortune at his disposal and a signature issue of replacing the current income tax system with a simple “flat tax” for everybody, had emerged as Dole’s closest rival.

2006 

for Q Syndicate, January, 2006

I have to tell you, when I was thumbing through my cartoons from January of 2006 to decide which one to post today, I had absolutely no recollection of what television show this cartoon was about.

The series might have been an attempt to update “Touched by an Angel” (1994-2003), or to make a faith-based “Harvey”; obviously, it never caught on. 

It was apparently one of the uncounted eminently forgettable January replacement series that come and go like Frosty the Snowman. Facebook Memories just reminded me of another such failed series, “¡Bob!”, a vehicle for Rob Schneider and Cheech Marin. I’m wondering if either of them remember it. I’ll bet you don’t.

2016

for Q Syndicate, January, 2016

Here's a cartoon about a spate of "religious liberty" laws, pushed by Republicans to legalize discrimination against LGBTQ+ persons — special rights for straights.

What I love about this cartoon is how easy winter scenes are to draw. Especially when the object is to set the cartoon in the middle of the most desolate nowhere imaginable. I may have spent more time thinking up the cartoon than drawing it, even considering all that lettering of the dialogue.

Well, here's where the Graphical History Tour ends today. Safe travels, drive carefully, remember to steer into a skid, and always remember to carry a blanket and maybe an extra jacket in the car.

Q Toon: Will He Be Greeted with Flowers?

Looking over my shoulder as I was sending this cartoon to my syndicate editors over the weekend, my husband asked the immortal question: "Too soon?"

If anything, my publication schedule rendered this cartoon too late. The news cycle keeps on rollin', and all the other editorial cartoonists have moved on to other topics.

Frankly, mine is perhaps the mildest cartoon about the passing of former Vice President Dick Cheney that I've seen. Quite a few of my colleagues chose to chastise him one last time for leading the country into Iraq War II under false pretenses and with unrealistic expectations. 

Those weapons of mass destruction were never found, and we were greeted not with flowers but with IEDs. Then there was the true cost of the war: not the $728 billion spent by the U.S. government on hostilities, but 4,492 U.S. soldiers killed and 32,292 wounded, and somewhere in the neighborhood of 200,000 Iraqis killed.

Looking back from an LGBTQ+ perspective (as your humble scribbler did this past Saturday), one can muster up a demimodicum of sympathy for a man who has been rated the most powerful Vice President in U.S. history who had to hold his tongue is deference to the homophobic policies of his President that worked to the detriment of his own daughter. George W. Bush campaigned for reelection pushing a constitutional amendment denigrating people like Mary Cheney, in a committed but legally unrecognized relationship with a woman with whom she would raise a family.

Democrats exploited that conflict in 2004, earning the Cheneys' everlasting resentment; but he was after all the loyal Republican from his days as Gerald Ford's Chief of Staff onward. But then, Republicans turned on Dick and Lynne's other daughter after Donald Trump's thwarted coup attempt in January, 2021. Liz Cheney joined Adam Kinzlinger on the House impeachment panel, the only two House Republicans brave enough to stand up for country over party.

Even the Wyoming Republican Party turned against the Cheneys; Liz was trounced in her 2022 reelection bid for not pledging allegiance to Trump, who has complained ever since that she ought to be prosecuted for treason. 

For the first time in his long life, Dick Cheney endorsed a Democrat for President in 2024. Publicly and strongly.

Not that it helped Kamala Harris a whole hell of a lot. But it's the thought that counts.

Is Cheney's unjust war outweighed by turning away from the Dark Side in his twilight years? You, dear reader, get to decide which direction the celestial elevator in today's cartoon is headed.

Heavy responsibility, ain't it?

Verdict of the Planet of the Apes

The Graphical History Tour has one more stop to at the Scopes Monkey Trial today. We've got exciting courtroom drama, a momentous verdict, and an unexpected twist at the end <Law & Order .wav>!

"The Monkey Hasn't a Word to Say" by W.A. Rogers in Washington Post, July 9, 1925

Given that President Coolidge, Congress, and the Supreme Court were all on their summer vacations, little Dayton, Tennessee became the center of the editorial cartooning world when the trial convened on July 10, 1925. Some cartoonists, such as Edmund Duffy, J.P. Alley, and Carey Orr, drew two or three cartoons per week about the trial.

After all, if there were only so many gags to be drawn about monkeys, the conflict between science and the Bible was a great source of inspiration — so too was the creationists' ardent defender William Jennings Bryan.

"The Volunteer Fireman" by Nelson Harding in Brooklyn Daily Eagle, July 14, 1925

On the other hand, there were a few, for example Grover Page at the Louisville Courier-Journal, who did not produce a single cartoon about the trial during the entire month. I suppose that on this issue, Page might have had strong disagreements with his editors or publisher. Or his wife. 

"Fame" by Edmund Duffy in Baltimore Sun, July 14, 1925

The Baltimore Sun — hardly a disinterested bystander, its publisher having put up the $500 (almost $9,200 in 2025 bucks) for teacher John T. Scopes's bail — sent their editorial cartoonist, Edmund Duffy, to cover the trial in person.

Courtroom sketches by Edmund Duffy in Baltimore Sun, July 16, 1925

In addition to his regular editorial cartoon, Duffy provided his newspaper with occasional sketches of the trial principals, witnesses, and by-standers.

"The Dayton War Cry" by Edmund Duffy in Baltimore Sun, July 15, 1925

There is a rough, sketchy quality to Duffy's cartoons from Dayton. He didn't stick around to witness the second week of the trial; this next cartoon is more typical of his usual output.

"Let There Be Darkness" by Edmund Duffy in Baltimore Sun, July 19, 1925

Cartooning for the prosecution, the Memphis Commercial Appeal's J.P. Alley defended his state's anti-evolution law and biblical inerrancy. 

"They Ought to Submit a Few 'Exhibits' to the Supreme Court" by J.P. Alley in Memphis Commercial Appeal, July 1, 1925

Alley correctly but disapprovingly noted that teacher John Scopes freely admitted having broken the law by teaching Darwin's theory of evolution, and that the defense's intention from the very beginning was to attack the law itself as unconstitutional.

I have noticed that all cartoonists gave John Scopes the title of "Professor," although those who drew him tended to cartoon the 24-year-old teacher diminutive and even childlike.

"4.4 Stuff" by J.P. Alley in Memphis Commercial Appeal, July 14, 1925

Here Alley twitted the out-of-state journalists and movie men descending upon little Dayton, Tennessee. Was the trial as disappointing as 4.4 ABV (alcohol by volume) beer? Alley may have been alone in that perception.

(4.4 ABV is light beer to you and me, but considerably more potent than the legal Prohibition limit of 0.5 ABV.)

"Darrow's Paradise" by J.P. Alley in Memphis Commercial Appeal, July 15, 1925

Tell us what you really think of "Dangerous Darrow," Mr. Alley.

"Her Bodyguard" by Carey Orr in Chicago Tribune, July 20, 1925

Bravely staking out the middle ground, Carey Orr (who started his cartooning career in Tennessee) offered a defense here of religious faith, but dismissed anti-evolutionists as being of any particular importance to it. We shall get to Orr's regard for its chief spokesman presently.

"Sweet Punishment" by Ed LeCocq in Des Moines Register, July 22, 1925

In the last days of the trial, Darrow cross-examined Bryan on the stand — testimony later stricken by Judge Raulston — and Bryan in turn announced the questions he would have posed to Darrow had the judge allowed it.

Pressed by Darrow, Bryan proclaimed that he believed every word of the Bible to be true, although he couldn't answer Darrow's question about where Cain found a wife, how recorded Chinese history could be millennia older than biblical estimates of the planet's creation, or how the snake got around before God condemned it to crawl on its belly ("Do you know whether he walked on his tail or not?").  By the time Darrow brought up the creation of rainbows, both he and Bryan were shouting and pointing fingers in each other's face.

Darrow answered Bryan's questions outside the court. He did not believe in miracles, he said; asked whether he believed in the immortality of the soul, he answered, "I have been searching for proof of this all my life... and I have never found any evidence on the subject." 

Responding to other questions, Darrow said he found "much that is of value in the Bible" but that it was not divinely inspired; and that "the Christ prophesied in the Old Testament was a great Jew who should deliver his people from their physical bondage, and nothing else." 

"The Verdict" by Edmund Duffy in Baltimore Sun, July 22, 1925

In the end, Scopes was found guilty and fined $100 ($1,837 adjusted for inflation), which came nowhere near covering the cost of the trial. In addition to routine court costs exceeding $300 and hundreds more spent by the prosecution, Scopes's defense lawyers had spent $20,000 to $25,000 bringing expert witnesses to Dayton, some of whom were barred by Judge Raulston of ever offering their testimony.

"Will the Gun Hurt" by Michael E. Brady in Brooklyn Daily Eagle, July 26, 1925

"When Shall We Three Meet Again" by Ed Gale in Los Angeles Times, July 22, 1925

Emboldened by the Scopes verdict, fundamentalist legislators elsewhere proposed laws similar to Tennessee's. A government clerk, Lauren Wittner, brought suit in Washington D.C. against the teaching of evolutionary theory in the nation's capital on the theory that an appropriations bill passed by Congress forbade the district from using federal funds "to teach disrespect for the Bible." 

"Migrating" by Ed LeCocq in Des Moines Register, July 25, 1925

The question appeared destined to be argued all the way to the Supreme Court. Darrow, however, gave notice that he would not represent the evolutionists any further.

Which leaves us with William Jennings Bryan.

"A Chip Off the Old Block" by Carey Orr in Chicago Tribune, July 12, 1925

Bryan had been a prominent public figure for thirty years by the time of the Scopes Monkey Trial — a lifetime for some of the cartoonists our Graphical History Tour features today. Carey Orr, age 35 when he drew this cartoon, could therefore be forgiven for thinking that Bryan had been around since the Garden of Eden.

"Our Greatest Actor" by Carey Orr in Chicago Tribune, July 17, 1925

Or if not since Adam and Eve, Orr suggested, how about these other Old Testament figures?

"Any Port in a Storm" by Nelson Harding in Brooklyn Daily Eagle, July 19, 1925

First elected to Congress in 1890, Bryan was the Democrats' presidential nominee in 1896, 1900, and 1908. He was Secretary of State under President Woodrow Wilson, resigning in protest of U.S. entry into World War I. An active proponent of Prohibition, he remained at his party's center stage during their years in the political wilderness.

"You May Not Be For Him..." by Billy Ireland in Columbus Dispatch, ca. July 26, 1925

"You may not be for him, but nevertheless, there he is," cartooned Billy Ireland as the Scopes Monkey Trial drew to a close. But suddenly, after thirty years on and off America's front pages, he wasn't.

"The Great Commoner" by Guy R. Spencer in Omaha Evening World Herald, July 28, 1925

Still in the town of Dayton, Bryan died on Saturday, July 26 in the home of Richard Rodgers, his host there during the Scopes trial. Bryan had given a stirring speech to townspeople that day, to great acclaim according to press reports. Telling friends that he had never felt better, he enjoyed a hearty meal and retired to his room for a nap. He succumbed to a cerebral hemorrhage around 4:45 p.m. and was discovered by his chauffeur about 20 minutes later.

"Onward, Christian Soldier..." by J.P. Alley in Memphis Commercial Appeal, July 28, 1925

As one would expect, cartoonists who defended Bryan, such as Guy Spencer from his home state and J.P. Alley, responded to his death with heartfelt eulogies. Even some dyed-in-the-wool Republicans heaped praise upon the longtime Democratic leader ....

"The Crusader" by Bill Donahey in Cleveland Plain Dealer, July 28, 1925

"Epitaph for a Crusader" by John T. McCutcheon in Chicago Tribune, July 28, 1925

...even if not necessarily for his politics.

"To the Highest Court of All" by Jesse Cargill for King Features Syndicate, ca. July 28, 1925

I have not included all of the cartoons eulogizing William Jennings Bryan, but I must note that many of the cartoonists who had been lambasting him just days earlier, opted in lieu of drawing something nice to draw nothing at all. Of the cartoonists included above, Nelson Harding appears to have left on vacation as soon as the Scopes trial was over. Edmund Duffy, Ed LeCocq, and Michael Brady devoted their work for rest of July to other topics.

Carey Orr had yielded the editorial cartoonist's space on Chicago Tribune's front page back to John T. McCutcheon, but he still had to produce a cartoon for syndication. So he doffed his hat and took a bite out of it.

"Sorrow in the American Home" by Carey Orr syndicated by Chicago Tribune, July 31, 1925

It has been an extra long Graphical History Tour today, and I thank you for reading this far. Please remain seated until the tour has come to a complete stop, and make sure you have all your personal belongings with you as you disembark.

End of the Year Sneak Peek

Unlike a lot of my fellow editorial cartoonists, I did not have a Jimmy Carter memorial cartoon in the can, so I was drawing mine last night.

Well, I could have just reissued this one from almost two years ago, but I wouldn't.

I know of at least one other cartoonist who drew his Carter memorial cartoon yesterday. Clay Jones dislikes memorial cartoons, but came up with a good one; he wrote in his Substack of another cartoonist who confided to him of having three Carter memorial cartoons waiting to go. (Since that cartoonist posted all three of them on Facebook yesterday, is there any point in keeping him anonymous?)

Editorial cartoonists have a love-hate relationship with our memorial cartoons. Our editors and readers love them, but we hate having to draw nice things about people. We also hate it when someone else draws the cartoon of a tear drop on a logo, symbol, statue, building, Uncle Sam, or whatever that we were going to draw.

On the other hand, there is usually awfully little to draw about in the week between Christmas and New Year's. Print and broadcast media have fallen back on reprinting/rebroadcasting favorite stories from the previous year, providing little news for us. Many cartoonists just take the week off as well, or crank out cartoons of people in line taking Politician X in a box to the returns desk at the store — which is kind of the same thing as taking the week off, when you come right down to it.

This Week's Sneak Peek

 I tasked myself with another outdoor setting at night this week:

That works really well in grayscale; I know of just one publication that prints my cartoons that way. It poses a challenge in colorizing the cartoon, as the Moody Blues said:

Cold-hearted orb that rules the night
Removes the colors from our sight
Red is gray, and yellow white
But we decide which is right
And which is an illusion

✍

I learned this weekend of the death of Jerry Fearing, 94, editorial cartoonist for the St. Paul Pioneer Press Dispatch, and the papers that merged into it, from about 1957 to 1994. In his memory, here is the cartoon he drew after the death of Senator Hubert Humphrey in 1978:

Memorial Day 1924

In observation of Memorial Day Weekend, today's Graphical History Tour resurrects a handful of Memorial Day cartoons from 100 years ago.

"To-Day" by Ted Brown in Chicago Daily News, May 30, 1924

Memorial Day, as I'm sure you know, was established to commemorate the soldiers killed in the U.S. Civil War. By 1924, that war was almost 60 years in the past, and few of that war's generation were still around.

"A Message from Arlington" by Jim Ring in Washington (DC) Times, May 30, 1924

So it is hardly surprising that cartoonists such as Jim Ring chose to honor the fallen of the nation's most recent armed conflict. 

"Through the Curtains of Time" by Dennis McCarthy in Fort Worth Record, May 30, 1924

Memorial Day now honors the dead from all wars, police actions, and those undeclared hostilities we get into nowadays, since the signing of the Declaration of Independence. I'm not quite sure why Dennis McCarthy chose to overlook American soldiers who died in the final year of World War I; perhaps he was referencing the years in which the nation entered into conflict.

"Precious Memories" by Winsor McCay for Star Company, May 30, 1924

The tombstones in Winsor McCay's cartoon mark the years of the Declaration of Independence, the start of the Civil and Spanish-American Wars, and the end of World War I. The tombstone for the Mexican-American War must be hidden behind Miss Columbia.

This, by the way, was the only cartoon I came across featuring Miss Columbia. In earlier decades, she, rather than the more political, even comical Uncle Sam, was the go-to figure for cartoonists wishing to portray the nation's sorrow.

"Lest We Who Inherit Its Blessings Forget..." by J.N. "Ding" Darling in Des Moines Tribune, May 30, 1924

But as the 20th Century progressed, Uncle Sam became the preferred figure to represent the United States on solemn occasions.

"A Real Tribute..." by John McCutcheon in Chicago Tribune, May 30, 1924

John McCutcheon used Memorial Day to comment on current events: the House had just voted  adequate defense shipbuilding funds to achieve the "5-5-3 ratio" of U.S., Great Britain, and Japan's navies stipulated by post-war treaty. Coming as this did after passage of the Japanese Exclusion Act, relations between the two Pacific powers had soured greatly.

"From Bunker Hill to Metz" by Wilbert Holloway in Pittsburgh Courier, May 31, 1924

If a 1924 cartoon acknowledges that Black soldiers fought and died in America's wars, you know it was by a Black cartoonist drawing for a newspaper with a Black readership base. Wilbert Louie Holloway, 1899-1969, came to Pittsburgh from Indiana. His first cartoons appeared on the Courier's editorial page in October, 1923 and became a regular feature. With the May 31, 1924 issue, his name (as "W.T. Holloway") was added to the paper's masthead as Staff Artist. Launching a weekly comic strip, "Sunny Boy Sam" in 1928, Holloway remained on the Courier staff until his death.

"100 Per Cent Americans" by Roy James in St. Louis Star, May 30, 1924

Roy James's attempt to advocate for interracial brotherhood of comrades in arms, I think, falls a bit flat — at least by today's standards. Nice try, though.

"This Day We Dedicate to the Memory of Those Who Have Passed" by Harold Wahl in Sacramento Bee, May 30, 1924

Returning to our focus on Memorial Day, Harold Wahl allows the reader to project whatever race or nationality you like (but one belief system) onto his silhouetted figures.

Dulce et decorum est pro patria mori.