Toon: He Calls It As He Seized It

I was considering drawing a cartoon naming Donald Joffrey Trump as Vladimir Putin's "Apprentice" (get it? get it?). Then I decided I'd rather go with a more up-to-date reference.

Brevity being the soul of wit, I'm sure that if this conversation between Trump and Putin ever occurred, Trump would go on and on about how nobody knew that dumb has a "B" in it and he's so surprised that he hadn't thought of this clever wordplay before now; and then he'd repeat the joke and congratulate himself for being such a stable genius, much better than that Jimmy Kimmel fellow who gets such lousy ratings and ABC ought to lose its broadcast license, just like CNN and the failed New York Times because everybody says Trump should have gotten the Nobel Prize for bringing peace to the Gulf of America but they refuse to report it—

All the while, Putin would have shut off the portion of his brain that translates English to Russian much earlier.

Q Toon: Or a Steal at $2.44 Each

The cartoonist who's all about the LGBTQ+ issues wants to draw about the federal debt this week? What gives?

Well, folks, since Trump's Treasury Secretary is openly gay, I'm taking that as an opening to draw about fiscal policy once in a while. I did try to draw about transportation issues during the previous administration occasionally, although Transportation Secretary Pete Buttigieg was a little more public about his private life than Treasury Secretary Scott Bessent is, so some of those cartoons had nothing to do with policy.

When Donald Commodus Trump named Bessent to his cabinet in 2024, the conventional wisdom was that Bessent would be one of the few adults in the room. Unlike the rest of the cabinet of random MAGA hotheads and docile spineless lickspittles, he was supposedly qualified for his post. In my first cartoon about him, my characters Max and Leo predicted that because of this, he'd be gone in ten months.

It turns out that I, Max, Leo, and conventional wisdom were all wrong.

Scott Bessent has gone from being a George Soros and Democrat backer to full-fledged, pass-me-the-Kool-aid, Trump-ass-kissing drone. And if that's not enough metaphorical imagery for you, it looks like he ain't leaving any time soon. There may be time for him to show up in plenty more cartoons.

When  Trump had the East Wing of the White House demolished, Bessent had the windows on that side of the Treasury Department building covered up so that nobody could get a look at, or photo of, the travesty across the street. When Trump wanted Treasury to add his own signature to U.S. currency, Bessent quickly ordered the engravers to get right on it.

When Trump decided he wanted to have his face on a proposed $250 bill, Treasury officials balked because federal law stipulates that "only the portrait of a deceased individual may appear on United States currency and securities." Bessent, however, told Kaitlan Collins, "I don’t think that there’s anything untoward about having the President of the United States on the 250th anniversary bill." 

Apparently, 31 U.S. Code § 5114, on the books since 1866, hasn't stopped Bessent's Treasury Department from minting a bunch of gold-plated one-dollar coins with Donald Still Alive And Bleating Trump glaring out at the suckers willing to shell out $2.44 to own one.

Because what are you going to do with it? Spend it? It is nominally worth only 41% of what you paid for it (or 65% of the $154 you'd splurge on 100 of them). Assuming that it doesn't become a modern day Confederate Dollar on January 21, 2029.

At least the coin has some gold leaf on the outside — perhaps a bit more than you would be able to strain out of a bottle of Goldschläger. That's more than the folks who fell for Trump Bitcoin will have when the con folds up his game and jets back to Mar-a-Lago in his Qatari Trump Force One.

Obsessive minds might have noticed that the number for how many times 1.54 goes into 40 trillion is strangely repetitive. (Had I not rounded the result off to the nearest whole number, those five digits would have continued on forever.) I suppose I could have used the unit price for a single Trump Commemorative Buck, which would have meant the Treasury needing to sell 16,393,442,622,951 of them.

But that sales figure sounds so much more attainable.

What's in a Name?

 Tariffic!

Q Toon: Trans Exit Hotline

We watch a lot of Ovation TV in our house, to the point where there are some program episodes we can identify within the first five seconds. My better half says he knows which commercials are going to be shown during which commercial break.

A commercial that seems to be replacing the one for buying gold offers a "hotline" to get people out of solar collector contracts, pretty much like those firms offering help getting out of timeshares. I didn't even know dissatisfaction with solar energy was a thing; when I tried googling for news about it, all that came up was a report that quoted only talk radio hosts.

So anyway, that was the inspiration for this week's Q Syndicate cartoon. Donald Commodus Trump made the weird boast in panel #1 during a campaign appearance over the weekend for Lindsey Graham's sister, Darline, in South Carolina. I've quoted him verbatim, except for adding the word transgender from earlier in his diatribe.

You can tell it's the way he talks, because I wouldn't have come up with that "Nobody ever heard about it" sentence myself. It's superfluous and doesn't quite make sense; it's just Trump again boasting his strange belief that his stable genius brain discerns all sorts of things no other human being is capable of ever having conceived before.

Now, I will concede that gender reassignment surgery isn't for everybody, so it is possible that a handful of people who thought it would solve all their problems come to realize that it didn't. It's up to them and their health care professionals to decide whether to pause, halt, or reverse their transition; no responsible physician would consult with the Absolutely Corrupt President of the United States for his Rx.

There is a reason, however, that nobody ever heard about the hospitals kowtowing to Trump's order to perform reverse transgender surgery — which, for the sake of brevity, I will hereinafter call "snart surgery." (Surely nobody has ever heard about it.)

Top snart surgery would be based on traditional breast augmentation/reduction procedures; I imagine that bottom snart surgery isn't absolutely impossible, either. I doubt, however, that it would be 100% effective, and I'm absolutely certain that even if Trump were able to order snart surgery done on you, neither he nor his Republican Congress are ever gonna foot the bill. 

Happy Dyscentennial, Everybody

"Centennial Mirror" by American Oleograph Co., 1876. From Library of Congress 

I don't have a cartoon for the U.S. semicentennial in 1826, which the nation celebrated by killing off John Adams and Thomas Jefferson, so let's start our Graphical History Tour of Multimodiennial July Fourths with this political cartoon from the centennial year of 1876.

"Donkeys at the Centennial" by Frank Bellew in Harper's Weekly, New York, July 1, 1876

There must have been more celebratory cartoons about the U.S. turning 100, but Harper's Weekly's sole contribution that week was all about Democrats criticizing, I believe, the Centennial International Exhibition of Arts, Manufactures, and Products of the Soil and Mine. 

President Ulysses S. Grant opened the Centennial Exhibition in Philadelphia on May 10, 1876, where it ran for the next six months. U.S. exhibits included entries from 21 states on all topics covered by its official name, as well as on Native American heritage and the rights (such as they were) of women and the abolition of slavery. That last exhibit must have rankled southern Democrats and their sympathizers in the North.

If that wasn't the inspiration for Frank Bellew's cartoon, perhaps it had to do with Edward Mitchell Bannister's painting Under the Oaks, which was awarded first prize at the Exhibition until he arrived to accept the honor and the judges discovered that Bannister was Black. Only vehement protest by Bannister's fellow artists kept the judges from revoking their decision.

"The Centennial Transfer" in Frank Leslie's Illustrated Newspaper, New York, May 17, 1876

This cartoon from a critic of Grant's Republican administration probably took some of its inspiration from scandals in the Interior and War Departments exposed by investigations conducted by the Democratic majority in the House. 

General Joseph R. Hawley, a Republican politician from Connecticut, was president of the United States Centennial Commission. John Welsh was the president of the Centennial Board of Finance. In the cartoon, Welsh and Hawley present President Grant with the Centennial Exhibition building, and the insinuation is that Grant was not in control of graft and fraud in his cabinet.

The cartoon bore no signature, so I can't be certain whether it was the work of  Matt Morgan, Joseph Keppler, or some other Leslie's cartoonist.

1926

"Onward the Nation Goes Conquering the Heights" by Gustavo Bronstrup in San Francisco Chronicle, July 5, 1926

A while back, our Graphical History Tour observed the rise and fall of Miss Columbia as a symbol of the United States. She was still around to celebrate the nation's sesquicentennial in 1926, at least on the drawing boards of cartoonists old enough to remember the centennial.

As in 1876, the nation's premier party was in Philadelphia, hosting a World's Fair from May 31 to November 30. Controversy — including lawsuits and fines levied against workers — arose from having the fair open on July 4, because it was a Sunday: "Blue" laws forbade non-essential business from operating on the Lord's Day.

The Sesquicentennial International Exposition opened anyway.

The Brooklyn Daily Eagle noted "That the sesquicentennial of our independence should fall on a Sunday adds to the impressiveness of the anniversary. This holiday will doubtless be not only safe and sane, but more than usually solemn. A degree of solemnity will not be out of place... "

"The Forty-Eight Stars of Liberty" by Wm. A. Rogers in Washington Post, July 4, 1926

John Adams had written that Independence Day (by which he meant July 2) should be commemorated "by solemn acts of devotion to God Almighty..."

"Ding" Darling, however, who was born in 1876, predicted that not everybody would appreciate a degree of solemnity just because the Fourth fell on the Lord's Day in his fiftieth year.

"Celebrating the Right to Life, Liberty, and the Pursuit of Happiness..." by J.N. "Ding" Darling in Des Moines Register, July 4, 1926

Of course, John Adams also called for "pomp and parades, with shows, games, sports, guns, bells, bonfires and illuminations, from one end of this continent to the other, from time forward forevermore."

Boys — and occasionally men — celebrating life, liberty, and the pursuit of bodily injury with  firecrackers was a longstanding staple of Independence Day editorial cartoons. So we'll let Mr. Darling's entry stand for all the other cherry bomb toons for this particular year.

"Quite a Husky Kid for His Age" by Dorman H. Smith for Newspaper Enterprise Assn., ca. July 3, 1926

The United States often thought of itself, and been regarded by the major European powers, as a youngster among nations. By 1926, however, there were younger eastern European and near Asian countries that emerged from the rubble of World War I. 

One could interpret Dorman Smith's cartoon to suggest that the U.S. was starting to get too big for its britches; maybe he was hinting that it was time for the kid to graduate into some big boy pants.

"There's a Tie That Binds Us Still" by J.P. Alley in Commercial Appeal, Memphis, July 4, 1926

If Dorman Smith had Mother Earth happy for America's birthday, J.P. Alley focuses on one foreign nation, citing the improvement in American relations with our erstwhile colonial master since our break-up. 

Editorial cartoonists being a rather cantankerous sort, there were some political jabs on certain editorial pages that July 4.

"The Bad, Old-Fashioned Fourth" by Nelson Harding in Brooklyn Daily Eagle, July 4, 1926

Okay, just one more cartoon of things going bang bang. Nelson Harding brings up congressional hearings on the millions of dollars being poured into primary election races for statehouse and the U.S. Senate that spring. 

The other night, I heard Ali Velshi state that the fight to control campaign spending has been going on for half a century. This cartoon demonstrates that the fight has been going on at least twice as long.

"Re-Declaring Our Independence" by O.C. Chopin in San Francisco Examiner, July 5, 1926

Oscar Chopin used the holiday to reiterate his faith in isolationism, shared by many Republicans and the Hearst newspapers for which he drew.

This cartoon looks an awful lot like the template used for a cartoon of his we visited four years ago.

"The Sesqui Centennial in Cartoons" by Marvin P. "Hay" Bales in Daily Worker, Chicago, July 3, 1926

Communist labor cartoonist Hay Bales offered this sour history of the United States for the nation's sesquicentennial.

In his telling, the North won the Civil War because of its advantage in industrial and financial capital, resulting in a centralized federal government. He termed the Spanish-American War "the first military move of the U.S. in the field of imperialist conquest" (Mexico and Native American nations might beg to differ); he attributed U.S. entry into World War I to the same motivation.

1976

by Ranan Lurie for Los Angeles Times, ca. July 3, 1976

Jumping ahead another fifty years, Miss Columbia had been replaced on American drawing boards by the Statue of Liberty (a trend already begun by 1926).

by Tony Auth in Philadelphia Inquirer, July 4, 1976

The U.S. Bicentennial was greeted with an explosion of clip art, per Tony Auth and Frank Interlandi.

"Happy Birthday, America" by Frank Interlandi in Los Angeles Times, July 4, 1976

As well as explosions of the pyrotechnical ooh and ahh variety.

"I Hope They Know How Lucky They Are" by Douglas Borgstedt for Copley News Service, July 4, 1976

Douglas Borgstedt used the holiday to highlight the difference in liberty in the United States and in the Eastern Bloc nations controlled by Moscow.

by Dwayne Powell in Raleigh Times & Observer, July 4, 1976

May I say that it's nice to see that, with all these cartoons starring George Washington, Abe Lincoln, Ben Franklin, Miss Columbia, Uncle Sam, Lady Liberty, and the Bald Eagle, someone finally remembered to give Thomas Jefferson some credit for the Declaration of Independence.

Incidentally, you may have noticed the absence from these cartoons from 1926 and 1976 of the president in office at the time. Hay Bales included Woodrow Wilson in his sesquicentennial cartoon, but the man had been dead for two years, and was no hero of the radical movement besides. 

But while Ulysses S. Grant, Calvin Coolidge, and Gerald Ford certainly participated in special Independence Day celebrations, they in no way turned them into spectacles of personal self-aggrandizement.

Those of us who experienced the Bicentennial have regrets that the spirit of coming together in celebration then is not what we are witnessing now. To a certain extent, that's because we were young then and now we're not. A recent Christian Science Monitor column, "Can a Divided U.S. Celebrate Its 250th Together?" tried to sum up the tenor of the time:

Back then, the nation also felt fractious, stressed, and war-weary, says Marc Stein, a historian at San Francisco State University and author of “Bicentennial: A Revolutionary History of the 1970s.” Crime was up. Energy prices were high. New York City, the flotilla’s host, had become a byword for urban dysfunction and debt. Some questioned whether it was even safe for Operation Sail.

President Gerald Ford, who had assumed office in 1974 after Richard Nixon resigned over Watergate, was among those who “hoped to use the bicentennial to ‘turn the page’ and ‘begin a new chapter’ with a patriotic and unifying celebration,” says Professor Stein via email. They largely succeeded, and many still remember the parties and parades held across the country.

"When in the Course of Current Events" by Paul Conrad in Los Angeles Times, July 4, 1976

Let's not pretend, however, that the Bicentennial occurred during an unadulterated Era of Good Feeling. If there were editorial cartoons to spoil the party in 1926, there were a few of the same in 1976. Paul Conrad pointed out that there were still Americans seeking a "more perfect union": immigrant workers, laborers, women, Blacks, and Native Americans.

"Birthday Hangover" by Frank in Pittsburgh Courier, July 10, 1976

This cartoonist enumerated a number of Black Americans' complaints in the aftermath of the Bicentennial, including our since forgotten backing of an anticommunist militia battling for control of Angola after its independence from Portugal in 1975, and governmental tolerance of the apartheid regime in South Africa.

Conservatives found reason to grouse, too:

Eugene Payne on WSOC-TV, Charlotte NC, ca. July, 1976

I'm guessing that Eugene Payne's cartoon was in color on TV, but unfortunately, I don't have a screenshot of it.

Jerry Falwell had not yet founded his Moral Majority political action machine, but a backlash was growing against the trend toward permissiveness, civil liberties, and pluralism of the previous decade. In a few years, it would gel into a partisan force empowering the Republican Party, even after its preachers were exposed as hypocrites for their enthusiastic support of the present completely amoral GOP standard bearer.

But that's a topic for...

2026

"American Colosseum" by Howard McWilliam in The Week, June 12, 2026

I won't be surprised to see a few celebratory editorial cartoons show up today, but I think the sub-head on this recent cover of The Week accurately sums up how most of us feel about the nation's semiquincentennial. Joel Pett had a cartoon this week that expresses my sentiments perfectly.

It's not just us woke liberal dummocrats, either; The Week's June 12 edition paraphrases some conservatives' opinions:

"America's 250th birthday party 'won't be much of a celebration at all.'" ― Jeffrey Blehar, National Review

"Gladiatorial combat is just one way Trump has turned our national birthday into 'a royalist celebration of himself.'... Trump has 'made a pitiful shambles of what should have been a glorious moment.'" ― David Frum, The Atlantic

"Rather than be demoralized by Trump's effort to hijack our holiday, we can view this July 4 as an opportunity for a renewed dedication to the real meaning of Independence Day. We can look away from Trump's sad simulacrum of kingly spectacles in Washington, D.C." ―William Kristol, The Bulwark

2076

To those of you who will be around to celebrate the Tricentennial: first of all, I hope that there is one. I hope that it finds you during more harmonious times.

Mind you, "more harmonious," like "a more perfect union," is in the eye of the beholder.

Just When You Thought It Was Safe to Go Back in the Water

Or, What's It All About, Algae?

This Week's Sneak Peek

I drew a different cartoon last week, which led my better half to think that I didn't have to draw another one last night. The problem is, I can't tell you when — or if — the first cartoon will ever see the light of publication.

For some time now, I have wondered what my editorial cartoonist colleagues and I will draw when the day comes that the Grim Reaper comes for Donald TanTrump and doesn't take "You're crooked and stupid!" or his stomping away for an answer.

Well, the other night, my idea for that fateful day came to me, and I decided that I had better commit it to ink and bristol board before I forgot it. Besides, there's always the chance that the fateful day will come over some weekend when I'm far away from my drawing board. Or that the official announcement will come when my deadline is seconds away; my cartoon is really dialogue-heavy, with six panels, and inking all those letters takes time.

The dialogue isn't 100% inked. One line of the dialogue refers to Trump as having been impeached twice. He may well have been impeached four or five times before mortality finally catches up with him.

Who knows whether I'll even still be drawing cartoons by then? My hands shake a little these days, and I'm not getting any younger, either.

Q Toon: $250 Bill of Sale

A pair of Trump lackeys in the Treasury Department came up with the brilliant scheme to put Donald Trump's face on a new $250 bill, ostensibly to mark the nation's 250th birthday this summer. But really because adding Trump's signature to all our paper money and minting a special gold-plated dollar coin with Trump scowling at whomever had the misfortune to end up with one just wasn't enough.

They hired a British guy to design the portrait for the bill (I might have recommended the New York courtroom sketch artist from Trump's fraud trial, but they didn't ask me), and Trump's ever so servile Treasury Secretary presented the a mock-up of the bill to the nation as if he were announcing a sign from heaven above.

Now, the chances of the Donald Lookitme! Lookitme! Trump $250 bill being approved by the U.S. Congress, given that living persons are not allowed to be on U.S. currency, are thinner than an earthworm's mustache.

No living person has appeared on U.S. currency since 1866, when it was outlawed after the image of a mid-level Treasury bureaucrat showed up on a 5-cent note. Legislation that would allow Trump to appear on a $250 bill was introduced in Congress last year to commemorate the nation’s 250th anniversary but has languished.

There is also the slight problem that federal law mandates what banknote denominations the Treasury Department is authorized to produce, and $250 is not one of them.

Treasury employees who pointed out the obstacles to getting any Trump commemorative $250 bill out in time for the nation's sesquiquincentennial found themselves transferred to janitorial duties at the Adak, Alaska field office.

In any event, there are too many primaried Republican congressmen and senators who no longer have any political reason to suck up to Dear Leader before their forced retirement next January.

Must've Been the Last Straw

Oh, well. I'm sure DJ Trump's Freedom 250 party mix will have the national mall groovin' and swayin'.

Anyway, here's this week's sneak peek:

✍

Toon: You Can't Miss It

In their continuing mission to feed Donald Commodus Trump's bottomless ego, the bootlicking sycophants of the Absolutely Corrupt Trump Regime™ announced this week that U.S. passports (required by the SAVE Act if you want to exercise your right to vote) will now be adorned with Dear Leader's scowling face.

This is on top of adding his scraggly signature to paper currency, minting gold coins bearing his likeness, tacking his name above John F. Kennedy's at the Kennedy Center, proposing a fleet of so-called Trump class battleships, and unfurling ginormous banners of his puss (when you're a star they let you do that) outside every government building in D.C.

Not to mention the Arc de Trump and that goddamn Gaudy Ballroom, intended as permanent monuments to the nation's shame for having elected such a preening peacock, not once, but twice.

Even Hitler, Mussolini, and Kim Jong Un never put their faces on German, Italian, or North Korean  passports.

I'm so glad I renewed my passport last year.

Q Toon: Breaking Bad News to the Boss

The Absolutely Corrupt Trump Regime™ was dealt a setback in its persecution campaign against transgender Americans last week. A federal judge in Oregon rejected in no uncertain terms Health & Human Services Secretary Robert Kennedy Jr.'s new policy threatening to block Medicare and Medicaid funding from any hospital that offers gender reassignment therapy to transgender youth who want it.

At least 40 hospital systems across the country had halted gender therapy services after the Department of Health and Human Services issued the "Kennedy Declaration" on December 18, 2025; as a result, even families who had left transgender-hostile red states for transgender-friendly blue ones found that their children were still denied proper care.

“Unserious leaders are unsafe. There is nothing more serious than our leaders’ dedication to the rule of law so that we might maintain the integrity of our constitutional democracy,” [U.S. District Judge Mustafa T.] Kasubhai wrote.

“This case demonstrates how disregard for the rule of law does not merely result in an abstract infraction. Rather, and tragically, this case is one of a long list of examples of how a leader's wanton disregard for the rule of law causes very real harm to very real people.”

Ruling in favor of the 21 states* and the District of Columbia who filed suit against the Kennedy Declaration, Judge Kasubhai found that it exceeded the administration’s authority, violated federal rulemaking requirements, and conflicted with existing law, "effectively banning by fiat an entire category of healthcare."

Judge Kasubhai's 49-page decision rejected as "absurd" the HHS contention that reversing the Kennedy Declaration would deny the Secretary his right to express his views on important public issues. 

"Defendants cannot bully or gaslight this Court into ignoring the many procedural and legal flaws of the Kennedy Declaration by invoking one of the most sacred principles of our constitutional democracy — the freedom of speech — when that principle comes nowhere close to being implicated. Rather, Plaintiffs' claims challenge Kennedy's authority to unilaterally, categorically, and without any process, supersede professional standards of care regarding gender-affirming care that apply in the Plaintiff states."

A higher Court (ahem) might have five or six more charitable opinions of an unserious leader's wanton disregard for the rule of law. But for now, let's enjoy our successes and liberties while we still have them.

_____________

* The 21 states are California, Colorado, Connecticut, Delaware, Hawai'i, Illinois, Maine, Maryland, Massachusetts, Michigan, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon, Pennsylvania, Rhode Island, Vermont, Washington, and Wisconsin.

 

Q Toon: A Little Song, A Little Dance

Phoning in to the Fox Noise panel program "The Five" last Thursday, Donald Commodius Trump made the bizarre claim at the heart of my editorial cartoon today.

“Now I think I did very well with the gay vote, OK? I even played the gay national anthem as my walk-off, OK? And I think it probably helped me. But I did great. No Republican’s ever gotten the gay vote like I did and I’m very proud of it, I think it’s great. Perhaps it’s because I’m from New York City.”

The "gay national anthem" Trump referred to is the Village People's "Y.M.C.A.," one of the staples of his 2024 presidential campaign appearances (including the one where Trump appeared on stage and called for a 34-minute impromptu concert, after the crowd had already been standing for hours listening to music while waiting for him to arrive).

For dropping their cease-and-desist order to stop playing their music at Trump rallies, the Village People were rewarded by landing the gig to perform "Y.M.C.A." at Trump's "Make America Great Again Rally" and the Turning Point USA Inaugural Ball on January 19, 2025. 

I hope they were paid enough to be worth it, because I would argue that "Y.M.C.A." can no longer be considered the gay national anthem. Not only is it now a staple along with "Mambo #5" and "Electric Slide" of different-sex wedding receptions, the Village People front man and co-author of the song Victor Willis has disavowed its gayness:

“There’s been a lot of talk, especially of late, that Y.M.C.A. is somehow a gay anthem. As I’ve said numerous times in the past, that is a false assumption based on the fact that my writing partner was gay, and some (not all) of Village People were gay, and that the first Village People album was totally about gay life. 

“This assumption is also based on the fact that the YMCA was apparently being used as some sort of gay hangout and since one of the writers was gay and some of the Village People are gay, the song must be a message to gay people. To that I say once again, get your minds out of the gutter. It is not."

Don't count on being able to convince Secretary of Excursions Pete Kegsbreath to enlist "In the Navy" as a recruitment tool, however.

There are plenty of other nominees for Gay National Anthem, any of which is unsullied by association with the Absolutely Corrupt Trump Regime. There's "Born This Way," "I Am What I Am," "You Make Me Feel (Mighty Real)," or "Supermodel (You Better Work)" — just for starters.

Dozens of new ones come out every summer, and I haven't even gotten around to the Lesbian National Anthems, Bisexual National Anthems, Transgender National Anthems, Queer National Anthems, and all the Plus National Anthems.

If you saw Monday's sneak peek, you will have noticed that I completely changed the last dialogue balloon. Originally, I had Trump "weaving" to the topic of his pens, the subject of a five-minute monologue during a recent televised cabinet meeting.

After I had nearly finished inking the cartoon, it occurred to me that it would be better to have him show off his ability to identify the five Village People. Just in case you thought he knew their actual names.

Inking on top of white-out doesn't work very well, so I wrote the substitute dialogue on a sheet of bristol board that I have used for drawing backgrounds for repetition in multi-panel cartoons. What I failed to consider was that the sheet of bristol board was from a bundle susceptible to bleeding. Instead of staying where I draw it, ink spreads out along the fibers of the paper. 

Not far, but not neat.

That's fine for backgrounds, which aren't meant to be in focus anyway. Lettering has to be neater, though, so I ended up spending a considerable amount of time cleaning up that lettering in PhotoShop.

So if someday you notice that I've switched over to using Comic Sans, cut me some slack. I'm not planning to do it, but lettering is probably the least favorite part of any cartoonist's job.