Oliphant's Veeps

"Promises, Promises" by Pat Oliphant in Denver Post, April 1968

How many vice presidents do you count in the above cartoon?

I recently mused that since "Oliphant's Presidents" has already been done (you can buy the book at amazon), I could have commemorated Pat Oliphant's passing by collecting his Vice Presidents. Well, his career spanned several of them, so here they are.

"Click" by Pat Oliphant in Denver Post, October, 1968

Lyndon Johnson picked Hubert Humphrey as his running mate in 1964 to shore up his support with the liberal wing of the Democratic Party. To Baby Boomers too young to remember the Minnesotan speaking out on behalf of Black Americans' civil rights in 1948, however, Humphrey came to be seen as errand boy for the man sending that generation to fight and die in a far away forever war in southeast Asia.

Running for president in LBJ's place after Johnson withdrew from the race, Humphrey found it difficult to distance himself from the administration's unpopular war while promising to continue advancing its Great Society ideals.

Of course, Johnson qualifies as a former Vice President in this cartoon, too. I suppose it is possible that Aussie Oliphant penned a cartoon of LBJ sometime before November of 1963; John Kennedy's Vice President could well have said or done something to catch the attention of the Adelaide editorial pages.

"Our Earth Contact, Spiro, Is Pushing for a Landing Here by 1986" by Pat Oliphant in Denver Post, September 1969

Humphrey lost the 1968 election to Richard Nixon, whose first Vice President, Spiro Agnew, served as the new administration's attack dog, speaking out against the media, liberals, antiwar activists, and the nattering nabobs of negativism.

Oliphant has some fun with one of Agnew's less controversial pronouncements in this cartoon, just two months after the first manned landing on the moon.

There has not, in case anybody is wondering, been a manned mission to Mars as of this writing; but NASA landed a craft on the Red Planet ten years before Mr. Agnew predicted.

Agnew was easily the most caricaturable of the Veeps we're looking at today — at least of the ones who never got promoted to the top job — so five versions of him show up in Oliphant's single-panel cartoon.

Did you remember to count Nixon as a former Veep at the top of this post?

"The Lone Ranger" by Pat Oliphant in Denver Post, May 1974

Of course you did.

Less than nine months into Richard Nixon's second term, Agnew pled no contest to charges of bribery  and resigned the Vice Presidency, bringing about the first exercise of the 25th Amendment to the U.S. Constitution. Passed and ratified after JFK's assassination, it provided a mechanism to fill a vice presidential vacancy.

Gerald Ford was quickly named and confirmed as Agnew's replacement at a time when the President had some legal problems of his own. Yet, while Agnew cartoons were instantly recognizable, six months into Ford's vice presidency Oliphant still found it necessary to write Ford's name on his chest.

"I'd Like You to Meet Our New Vice-President" by Pat Oliphant in Denver Post, December 1974

No such problem with Nelson Rockefeller, the former Governor of New York who had run for the presidency in 1960, 1964, and 1968.

He did not make a lasting impression as Ford's second in command, however. Not long ago, contestants on Jeopardy! needed to come up with the name of the vice president who followed Gerald Ford, and none of the three knew who it was.

I'm sure my very intelligent readership had no problem spotting him in the cartoon at the top of today's post.

"Ah Plan a Highly Important Staff Role" by Pat Oliphant in Denver Post, January 1977

The vice presidency is notoriously a thankless make-work job. John Nance Garner likened it to a bucket of warm spit, or something that rhymed with it. Thomas Marshall joked about two brothers, one of whom went to sea while the other was elected Vice President, and neither was heard from again. Julia Louis-Dreyfus's Selina Meyers in Veep was a character study in constant frustration and humiliation.

Jimmy Carter actually followed through with his promise to give Walter Mondale a substantial policy role in his administration. Mondale, the first vice president to have an office inside the White House, was Carter's adviser and trouble-shooter, the Georgian's conduit to Capitol Hill Democrats.

"There Is No Truth Whatever in the Rumor" by Pat Oliphant, October 10, 1988

There was nothing fair about that purse Oliphant always drew with Vice President George Herbert Walker Bush — Oliphant went further than almost any other mainstream editorial cartoonist in exploiting Bush's so-called Wimp Factor.

Having criticized Ronald Reagan's "voodoo economics" when Bush was a rival for the Republican presidential nomination in 1980, Bush served as a major cheerleader for Reaganomics and the rest of that administration's policies. Behind the scenes, Bush continued the Mondale model of the vice presidency: an experienced advisor who didn't seek credit for administration successes. By the same token, he also avoided the limelight during the Iran-Contra scandal.

The purse, and the Wimp Factor, disappeared once Bush as President dispatched troops to overthrow the government of Panama.

"How Come Is It" by Pat Oliphant, January 9, 1992

Young and handsome J. Danforth Quayle presented cartoonists with a real caricaturing challenge, which Oliphant answered by drawing him as a child. The vice presidency didn't lend Quayle much opportunity to dispel the cartoonists' depiction of him as a callow, inexperienced goofball; attempting to correct a schoolboy's flawless spelling of "potato" didn't help him.

It was a case of peaking too soon; he might have been taken more seriously after a few more years gave him a face fit for presidential central casting. I wouldn't have recognized him in the second pew at Dick Cheney's funeral over three decades later if he hadn't been sitting next to his wife.

"Where Do We Put Mr. Gore" by Pat Oliphant, November 8, 1993

Oliphant leaned into Al Gore's wooden reputation here, a product of the Vice President's extremely careful, measured, parsed, and deliberate speaking style. If Dan Quayle came off as a not-too-bright schoolboy skating by on his looks, Al Gore could have been the guidance counselor patiently explaining the importance of responsible life choices to a school assembly full of Quayles.

"The Energy Show" by Pat Oliphant, May 1, 2001

Dick Cheney was a completely different animal than any previous Vice President. Oliphant consistently portrayed him as the real power behind a frat boy President who got the job on the strength of having been a legacy student who made it to graduation because Dad's name was on a wing of the administration building.

Chief of Staff for President Ford, Congressman from Wyoming, and Defense Secretary under Bush the Elder, Cheney was more recently Chair of the Halliburton Corporation, a multinational oil service conglomerate. Tapped to find Bush the Younger a running mate in 2000, he found one in the mirror.

"I'm Smilin' Joe Biden and I'm Running for President" by Pat Oliphant, January 23, 2013

A commenter at Daily Cartoonist regretted that Pat Oliphant had never drawn Joe Biden. True, Oliphant's eyesight had failed him by the time Biden won the presidency; but he had drawn Biden as Vice President (and as Senator).

Which is where this Graphical History Tour must wrap things up. I know of no Oliphant cartoons of Mike Pence or Kamala Harris, and it's highly unlikely that he ever drew J.D. Vance.

On the other hand, I could have included cartoons he drew of former Vice Presidents Thomas Jefferson and Harry Truman, and there is probably one of Teddy Roosevelt somewhere along the line. But this post is already long enough.

And I could never be certain that I hadn't missed a cartoon featuring William Rufus Devane King or Charles Curtis.

This Week's Sneak Peek

Hi there, folks!

I will have a regularly scheduled editorial cartoon this week, and it will have something to do with election season, but I'm afraid it won't be about tomorrow's vice presidential candidates' debate. I wish they would schedule these things on Sundays so that I can have a timely cartoon about them, but this year's debates have all been in the middle of the week.

I'll be away at the combined convention of the Association of American Editorial Cartoonists and the Association of Canadian Cartoonists in Montréal later this week, so I may not have time before I pack up and leave to draw, scan, and colorize a cartoon about whatever transpires between Messrs. Vance and Walz tomorrow night.

Which would disappoint me if I can't. Vice presidential debates historically make little to no difference in the outcome of an election, but tend to have some of the most memorable moments.

Lloyd Bentsen crushing Dan Quayle: "I served with Jack Kennedy. I knew Jack Kennedy. Jack Kennedy was a friend of mine. Senator, you're no Jack Kennedy." 

Adm. James Stockdale: "Who am I? Why am I here?"

John Edwards: "I think the Vice President and his wife love their daughter. I think they love her very much. And and you can't have anything but respect for the fact that they're willing to talk about the fact that they have a gay daughter, the fact that they embrace her. It's a wonderful thing. And there are millions of parents like that who love their children, who want their children to be happy. ...."
Gwen Ifill (after Edwards finished criticizing Republicans' proposed Definition of Marriage Amendment to the U.S. Constitution): "Mr. Vice President, you have 90 seconds."
Dick Cheney: "Let me simply thank the Senator for the kind words he said about my family and our daughter. I appreciate that very much."
Ifill: "That's it?"
Cheney: "That's it."

Sarah Palin: "In my comment there, it was a lame attempt at a joke and yours was a lame attempt at a joke, too, I guess, because nobody got it."

And who can forget the fly on Mike Pence's hair?

This Week's Sneak Peek

If you've been following my cartoons, you probably knew where I was headed with this week's cartoon already.

So here are a couple of leftover thoughts from this past weekend.

When the Supreme Court decision was announced on Friday, I was some 8½ miles away from my drawing board; but I changed my Facebook cover photo to the cartoon I drew back in May when the draft of Justice Alito's decision was leaked.

Friends and strangers quickly shared the cartoon — it will be a while before I find our how extensively — while all the other editorial cartoonists were still at their drawing boards coming up with new responses. And friend of the blog Mike Peterson included it in the next morning's Comic Strip of the Day column at Daily Cartoonist.

All appreciated, and many thanks for the support.

And this janitorial note:

I included a cartoon in Saturday's post that had appeared in the Quayle Quarterly. I haven't been able to find out which issue it was in; I know where I used to have the actual magazine in my old apartment, but in 17 years, it is one of many things that has never found a proper home in our current house.

I'll probably find it someday when looking for something else, assuming it wasn't in the box of stuff that got soaked when our basement flooded 16 years ago.

Too Jejune for Junes

Last Saturday, I asked what was so rare as a J.N. "Ding" Darling cartoon in June. The answer, for now, would be mine. 40 years ago, my June cartoons were rare indeed, whereas "Ding" drew nearly three dozen of them 100 Junes ago.

"South Atlantic," June, 1982

Starting out as a cartoonist for college newspapers, I didn't have anyone to publish anything I drew in June at first. But if I had an idea I really liked, I'd draw it anyway. Clearly, I had expended a considerable amount of thought coming up with this parody of "South Pacific" about the Falkland War between Great Britain and Argentina in May and June of 1982.

"Contingencywise," June, 1982

Drawing cartoons like this one about the resignation of Reagan's first Secretary of State, Al Haig, was useful in terms of keeping in practice and honing the craft. And in this particular case, beefing up the portfolio of work I would send out to newspapers who might be looking to hire a cartoonist.

"Isn't It a Shame..." in Quayle Quarterly, Winter, 1992?

Skipping ahead one decade, here's a cartoon I drew in June of 1992 that wasn't published for months later. It happens to be the only cartoon I drew in June of 1992 in spite of freelancing for the Racine Journal Times. Perhaps there were no local issues of interest that month.

Instead, I offered this to a national magazine, The Quayle Quarterly, devoted to the wet-behind-the-ears Vice President of the United States, J. Danforth Quayle. Quayle had spoken out strongly against Candice Bergen's TV sitcom "Murphy Brown" for a plot arc about the title newscaster choosing to become a single mother.

Given the Republican Party's committed opposition to abortion, those of you too young to remember 1992 might have expected Mr. Quayle to have applauded Ms. Brown's decision to carry a pregnancy to term. But those of us with a few more birthdays under the bridge remember that the abortion issue to the religious right was never about when a fertilized egg becomes a human. 

It was always about sex. Sex outside of marriage = always bad. Shame, shame, shame on you, Murphy Brown. And your little bastard, too.

With no other cartoons from June, 1992 to show here, let's now leap ahead another decade.

"Mixed Marriage," for Q Syndicate, June, 2002

To balance the drawing vs. publication discrepancy of my Dan Quayle cartoon, this next cartoon was actually drawn in December (hence the 2001 copyright tag) for release in June.

As helpful as it may be to have some ready-drawn cartoons on hand for those occasions when I wouldn't be sending a fresh new one for syndication, it is nearly impossible to predict what topics and issues will be a propos in the future. Routine events such as Pride Month, Thanksgiving, and Christmas only go so far, and might not coincide with a vacation, health crisis, or everyday writer's block.

Continuing the topic of trying to stay in the closet:

"Out to the Ballgame," June, 2002

Now, I don't remember whether there was some ballpark that observed Pride Month with a Cross-Dressers Get In Free Day in 2002. But this cartoon does remind me of the time a guy pretended to be Front Row Amy at a Milwaukee Brewers game some years back. 

Front Row Amy is a Milwaukee institution of sorts. For years, this young lady has had season tickets in a front row seat behind home plate. She always pays rapt attention to the game, keeps score, and applauds every pitch that goes the Brewers' way. You never, ever see her having refreshments of any kind.

She favors — exclusively — very low-cut tops that highlight her impressive cleavage. In tight TV shots of left-handed batters, you can't miss that cleavage in the background. These days, she always wears a facemask, but Brewers fans would recognize her anywhere.

She doesn't attend each and every home game; her seat may be empty, but there's usually somebody else more than happy to fill such a prime spot. And for one game, it was some dude who showed up in a long-haired black wig and a top that was as low-cut as any of hers.

Until a later inning when he switched to a Batman costume.

Finally, I could have drawn this Pride Month cartoon six months early, but I didn't.

President Obama had rescinded the military's "Don't Ask, Don't Tell" policy back in December, 2010; and yes, military recruiters did start showing up at Pride events to enlist new recruits. 

The homophobic Right has since dropped the word "recruiting" in favor of the apparently more ominous sounding "grooming," so this cartoon doesn't work as well as it did ten years ago. I mean, this guy could be telling Darlene that he spied a hair stylist's booth or a dog show, but do you even find that sort of thing at Pride events? 

So, no, it doesn't make sense as an editorial cartoon with groomers instead of recruiters. But fear not: there are still opportunities for parody.

Some enchanted evening
You may see a groomer
With a sense of humor
across a crowded room.
You'd better decide
to hang up the phone
And leave any briders or groomers alone!  

What Is So Rare As a Cartoon in June?

For Smatteringback Saturday today, I'm rehashing a handful of my own cartoons from Junes of ten, twenty, thirty, and omigod forty years ago.

June, 1980

Back in 1980, I didn't have cartoons published outside of the regular school year, so this cartoon never saw print; but I've run it twice on this here blog, so all its tedious shading hasn't been for naught. A college student's youthful idealism allowed me to imagine that independent presidential candidate John Anderson had any chance of being sworn into office on January 20.

In Racine, WI Journal Times, June 17, 1990

Ten years later, I was drawing local issue cartoons for the Racine Journal Times and cartoons on more general topics for a couple University of Wisconsin newspapers. The local issue above concerned Racine's major shopping center, Regency Mall, and its developers' insistence that there not be a bus stop at any of its doors. In their thinking, convenient bus stops would invite riff-raff from the inner city (oh but don't you dare think they were talking about persons of color); shoppers and employees complained of having to walk — especially in winter — from the roadway that circles the perimeter of the parking lot.

In those days, Regency Mall bustled year 'round, with shoe stores; specialty clothing shops for men, women, and children; half a dozen jewelry stores; a couple of bookstores and two music stores; and anchors J.C. Penney's, Sears, Boston Store, and Prange's.

Today, almost all of that is gone. The remaining jewelry stores, discount clothing shops, exercise gym, and fast food joints are widely separated by vacancies covered over with mural-sized historical photographs of Racine.

The failure of the mall had nothing to do with moving the bus stops to the inner ring drive.

In UW-M Post, Milwaukee, June 20, 1990

A huge issue for Republicans in 1990 was stopping protesters from burning the U.S. flag — which only made protesters want to do it more often. Upholding a similar decision the previous year, the Supreme Court ruled 5-4 in U.S. v. Eichmann on June 11, 1990 that flag-burning was protected by the First Amendment. "Punishing desecration of the flag dilutes the very freedom that makes this emblem so revered, and worth revering," wrote archliberal Justice William Brennan in opinion, joined by archconservative Justice Antonin Scalia. Republicans campaigned to amend the constitution to overturn the court's decision. Congress voted on the proposed amendment six times between 1995 and 2006, but it has always fallen short of the necessary 67 votes in the Senate.

Q Syndicate, June, 2000

Let us now jump ahead to 2000, by which time I had begun drawing LGBTQ-centric cartoons for Q Syndicate. I had a few particular members of the clergy in mind when I drew this June cartoon about the way certain liberal religious folk were trying to ride their camel through the eye of the needle between accepting same-sex marriage and being "welcoming." But this pastor does not physically resemble any of them.

Q Syndicate, June, 2000

Also in June, 2000, there was speculation that Reform Party presidential candidate Pat Buchanan might tap talk show host Dr. Laura Schlessinger to be his running mate. I'm not sure what "Dr. Laura," who called homosexuality "a biological error" and claimed that "a huge portion of the male homosexual populace is predatory on young boys," would have added to the ticket when Buchanan's antigay animus was already firmly established. In the end, she wasn't interested in running for Vice President anyway, but I certainly enjoyed drawing this cartoon.

If you can name Pat Buchanan's 2000 running mate without looking it up, congratulations. You are either the world's wonkiest politics geek, or you've been dead for two years.

Meanwhile, one of the other candidates that year decided that the United States just doesn't have enough federal Christian holidays.

I can't remember whether I drew that cartoon for Q Syndicate, or if it only ever appeared on my old GeoCities page. At this point, it's difficult to check which; although, since there isn't any explicitly L, G, B, T, or Q subject matter, it's probably the latter. It certainly wasn't in the Milwaukee Business Journal.

Q Syndicate, June, 2010

Finally, here's a cartoon from June of 2010 just for schitzengigels and because it didn't make the cut for my look back at Pride cartoons a couple weeks ago.

Will I Make It Through the Eighties?

Spandexback Saturday rummages through the attic today and comes down with a handful of my cartoons from the closing weeks of 1989.

"Bless Me, Father" in UW-Milwaukee Post, November 21, 1989

On November 16, 1989, priests on the campus of Central American University in San Salvador opened the doors to their residence to a cadre of El Salvador soldiers. The soldiers assassinated all six priests, as well as their cook and her daughter who had the tragic misfortune to be in the residence at the time.

As they left, the soldiers shot up the outside of the building and scrawled graffiti intended to make it appear as if the murders had been carried out by Farabundo Martí National Liberation Front (FMNL) rebels. But there was a witness.

"Think, Mrs. Cerna" in UWM Post, November 28, 1989

I caught some grief for the UWM Post cartoon at the top of this post. Struggling to understand what editorial cartooning is supposed to be about, reader Gerald Harp wrote in a letter to the editor,

"I'm not quite sure why I objected to the cartoon, but I'm not sure why you printed it, either, so I feel justified in writing to you.
"Why did you print it? My feeling is that the cartoon was not funny, but then that may not be the point. Next, the cartoon had enormous shock potential. I was shocked, but that by itself is not a redeeming value.
"My best guess is that you were attempting to educate your readers of the atrocities in El Salvador. That is a worthy goal, but my next question is, 'are all means equally valuable in presenting a message?'
"After thinking it over, I decided you were not trying to make some kind of statement about the Catholic Church, and the soldier making an obvious mockery of something important to me, namely confession, shouldn't insult me because I'm not supposed to identify with the soldier. Still the cartoon leaves me uneasy and vaguely offended.
"I don't disagree with your sentiments, but I'd ask you to be a bit more careful in the future to separate the statement you are making from any irrelevant theme, especially if people will feel strongly about the secondary theme."

Without any trigger warning, the Post reprinted my vaguely-offending cartoon right next to Mr. Harp's letter. (Did GenX even have trigger warnings in the ’eighties?)

"Well Worth a Look-See" in UWM Post, December 5, 1989

Soviet Premier Mikhail Gorbachev and U.S. President George H.W. Bush held their first summit meeting aboard the TS Maxim Gorky off the coast of Malta on December 2. The summit was beset by gale force winds and choppy seas, inspiring my Post cartoon; navy veteran Bush was not yet known for throwing up in world leaders' laps.

"Dan, You Did a Good Job..." in UW-Parkside Ranger, December 14, 1989

In fact, both Bush and Gorbachev went into the meeting with ambitious sets of proposals and found significant areas of agreement. They declared the Cold War over, but Bush's Vice President was not quite ready to bury the hatchet. Dan Quayle joined a chorus of conservative Republicans warning against "getting caught up in the magnetic personality of Chairman Gorbachev."

A comedian named Julie Brown had recorded a song called "Will I Make It Through the '80's" in 1984. It hadn't garnered the MTV-play that her novelty hit "The Homecoming Queen's Got a Gun" did (humor that really has not aged well), and was largely forgotten five years later or it might have been the basis of this last cartoon.

This was another cartoon about a serious topic. Homicides in the city of Milwaukee that year reached triple digits for the first time ever: 113 homicides in all.

"I Survived 1989" in UWM Post, December 7, 1989

That number would climb even higher, to 155, in 1990.

UWM POSTer Child

A couple weeks ago, Supersizeback Saturday featured some cartoons I'd drawn in Augusts of years ending in -8. In digging through my archives for that post, I came across the oversize drawing for this UWM Post outerfold (like a centerfold, but wrapped around the outside of the newspaper) and considered including it.

I was thinking that I might have drawn it right after the 1988 Republican National Convention, but since the cartoon's publication date was the day after Labor Day, 1989, I realized that I had drawn it a year later and I'd have to leave it for another day.

Like today. I suppose I should have held it for a post next year of September cartoons in years ending in -9, but what the heck.

When I call this cartoon oversize, I mean that this "UWM POSTer," as the UWM Post called it, was printed on a sheet of newsprint larger than a typical newspaper page today. I had to make four scans of the newspaper and piece them together to end up with the above image.

My original pen-and-ink drawing is the same size as the printed cartoon. I generally prefer to draw my cartoons larger than they will be printed, but this drawing took up an entire sheet of the largest chunk of bristol board I could find. (The original was badly stained when our basement flooded several years ago, but the newspaper was in a box on a shelf and not in the artist portfolio standing in danger's way on the floor.)

Now, I get that my caricature of Dan Quayle cum Alfred E. Neumann might have needed to be identified for some college-age readers. Quayle had a bland, Wonder-bread average-ness to it, and giving him the missing tooth, orange hair, and aileron ears made him even less recognizable. What gets me about this cartoon is that  the editors of the Post felt that the headline needed the parenthetical "vice-president" for the benefit of readers who apparently wouldn't know who Dan Quayle was even given his full name.

(Note: his full name is actually J. Danforth Quayle; but what, me, quibble?)

The following year's back-to-school POSTer section served as a sort of voters' guide and includes a mention on the calliope wagon of my generic Democratic Congressman in those days, Luke Warmish. It appeared on campus one week before Wisconsin's partisan Primary Election Day; the most hotly contested contest that year was the Democratic race to challenge the Republican incumbent State Attorney General.

I have no idea why the African-American "Issues" guy is blue. There are three African-Americans in the crowd with reasonably rendered skin tones; but whoever got stuck with the task of colorizing all those people clearly got fed up with the process of cutting halftone sheets for the red, blue and yellow overlays. (Witness the Blue Man Group at the base of the light pole.)

In addition to the POSTer, the Post ran five of my illustrations and cartoons for articles inside the paper. (I have notes on all of these that they were drawn in August, so I must have had several days' lead time.) Issues ranged from cuts in student financial aid — the article it accompanied used as an example a student loan of $2,500, which would cover less than 10% of the estimated cost for a Wisconsin resident undergraduate taking six course credits in Fall, 2018  — to reproductive choice and Native American treaty rights.

The treaties were a hot-button issue in Wisconsin at the time, involving Euro-American complaints over Native American spear-fishing rights guaranteed in those treaties. At some point, I'll probably devote a blog post to that episode in Wisconsin history in order to give it the attention it deserves.

I had actually drawn this cartoon in May, but it made its way into the "Stop the Parade" issue anyway. Incumbent Republican Governor Tommy Thompson had attempted to give himself a little wiggle room on the abortion issue with his reelection campaign coming up. If the pro-life camp, here personified by activist Randall Terry, had any misgivings about Thompson's position, they never let on. They were leagues away from Democratic challenger Tom Loftus's position.

And then there was this sketch for an article about expectations for Women Trying To Have It All.

Finally, there were two editorial cartoons. This one was included in the Stop the Parade section; I blogged this cartoon not so long ago, but since it ran in the issue of the UWM Post at hand, here it is again, just in time for the reworked reboot of the Roseanne-free Roseanne show (and bitching about football players and the national anthem):

And, as another example of how everything old is new again, while also bringing this blog post around full circle, here's my cartoon for the editorial page of that September 4, 1990 edition of the Post.