A Hot, Keenly Contested, Scrappy Campaign

Our Graphical History Tour has been revisiting recent history lately, so it must be time to catch up on the news from 100 Augusts ago. 

"So Busy He Didn't Notice Him" by E.R. McTaggart in Vancouver Daily Province, July 26. 1926

On July 18, 1926 the Boston Post printed a letter from Channing H. Cox, a former Governor of Massachusetts, proposing a union of the United States and Canada. The Post lauded the idea, apparently a pet cause of its Financial Editor, Arthur J. Bean, who wrote, "It is of paramount interest to New England, which, as shown by the map, reaches up into Canada like a giant hand of friendship."

The Post editorial barely registered elsewhere in the United States, but was front page news north of the border, where parliamentary elections were underway. The campaign of Conservative Prime Minister Arthur Meighen, heading a minority government that lost a no confidence vote in record time, seized upon the spectre of annexation by the U.S. as a weapon against recently ousted Liberal Prime Minister William Lyon Mackenzie King.

"Summer Studies" by Arthur G. Racey in Montreal Daily Star, August 10, 1926

King had nothing to do with the Boston Post editorial, but that didn't stop Canada's Tory press from running with the story.

On the campaign trail, King brandished a full-page article in the August 26, 1926 Toronto Telegram, purportedly taken from the Wall Street Journal, headlined "Mackenzie King Pictured as Wall Street's Hero — Financial Interests of U.S. Are Told That King and His Followers Believe Canada Should Be Free of British Influence."

King told his audience, "The article, according to the statement which appears at its head, has been written not in the States but in Canada. I venture to say it was written not very far from the office of the Toronto Telegram itself."

"Welcome the Wanderer" by George Shields in Toronto Evening Telegram, August 6, 1926

Shields's reference to John D. Rockefeller apparently comes from the Wall Street Journal article in question, which, according to the Telegram, identified King as "a graduate of Harvard University and late head of the Rockefeller Foundation."

In 1914, during a stretch when he was out of office, King did in fact come to New York to advise Rockefeller how to resolve a coal miners' strike in Colorado. Rockefeller asked King to stay on as a Standard Oil executive, but King returned to Ontario to resume his career in Canadian politics.

The Telegram article quoted the Journal as saying, "If Mr. King and his party succeed then Great Britain might just as well give up on the idea of a united empire. If, on the other hand, the Conservative Party is successful, it will mean that a Conservative Premier will take his place at the Imperial Conference and that Canada will have assured Great Britain that she has turned her feet toward a closer relationship with the Empire."

"The Axe Is His Way" by George Shields in Toronto Evening Telegram, August 9, 1926

Thomas L. Church was the Conservative candidate running as the incumbent for the Toronto Northwest constituency in the House of Commons. As such, the former Mayor of Toronto was strongly favored by the Telegram, so their cartoonist depicted him touting several of their shared causes as a sturdy platform for the Tories. They included "forcing" Canadian coal into Ontario in place of coal from the U.S.; and stopping Canadian farmers from illegally smuggling grain, oats, and barley to U.S. grain elevators for better prices than they could find domestically; and extending the Tories' longstanding "National Policy" of high protective tariffs.

Church would win this election, after which he threatened to launch a rebel “ginger group” within the party if Meighen were reelected as its chief standard bearer.

"The Anti-English Cry" by George Shields in Toronto Evening Telegram, August 17, 1926

King and the Liberals heaped criticism upon Governor General Baron Byng, who, as the crown's representative, had called upon Meighen to form a government when King had asked him to call for new elections.

The other head in Shields's cartoon is Henri Bourassa, a former Liberal from Quebec recently returned to Parliament as an Independent. Also the publisher of Le Devoir, Bourassa declared his full support of King and accused Byng of playing politics: "He put himself at the service of Mr. Meighen to satisfy either personal rancor or perhaps to serve the Imperial policy, for, after all, the Governor General is an employee of London, responsible for his acts to England and not to Canada.

"Poor Shooting" by Sam Hunter in Toronto Daily Star, August 17, 1926

"That is where the question becomes more grave than the customs inquiry," Bourassa concluded, bringing up the scandal hyped by Meighen's Conservative Party that was the reason for Lord Byng to dismiss Prime Minister King's government in the first place.

According to Sam Hunter's cartoon, the Canadian public agreed that the charges fell short of justifying a change in the government.

"Doesn't Desire to Be Rescued" by Sam Hunter in Toronto Daily Star, August 28, 1926

Neither did Hunter think Meighen's policy of restoring higher National Policy tariffs on U.S. goods and services from the 1920-21 Conservative-led government was a winning issue for the Tories. The sheet held aloft by Tax Payer reads "The Robb Budget Suits Me!", referring to James Robb ("Baldy" Robb in the Toronto Evening Telegram), Finance Minister in the Mackenzie King cabinet.

"I Was Assured This Was to Be a Hot, Keenly-contested, Scrappy Election Campaign" by Arthur G. Racey in Montreal Evening Star, August 23, 1926

Ah, well, and zut alors. I suppose it was as difficult to keep Jean Q. Publique interested in politics in the heat of summer. Especially when he had to vote on a new government every couple of months.

Our Foreign Desk

"The World 'Do' Move" by Dean O'Dell in Dayton Daily News, May 18, 1926

This week's Graphical History Tour takes a quick look overseas to catch up with events in the rest of the world in May of 1926.

Well, Europe and North Africa, at least.

"Rolling Up His Sleeves" by Fred Ellis in Daily Worker, Chicago, May 5, 1926

That May started off with a general strike in Great Britain, to the alarm of commie-fearing cartoonists, but to the delight of their cohorts at the Daily Worker. 

An editorial in London Daily Mail called the general strike revolutionary and subversive, sparking a walk-out by its pressmen.

"A May Day Moving That Will Move" by Arthur G. Racey in Montreal Daily Star, May 1, 1926

The U.S. had a hand in exacerbating issues for British miners. It its effort to stabilize the German economy, the Dawes Plan for Europe subsidized Germany's coal industry; that in turn enabled Germany to provide free coal to France and Italy under the terms of the Treaty of Versailles. As a result of this and overvaluation of the Pound Sterling, British coal exports plummeted and miners' pay was slashed by 35%.

"I Always Bring Trouble" by Daniel Fitzpatrick in St. Louis Post-Dispatch, May 6, 1926

Meanwhile, working conditions in British coal mines were still basically pre-industrial. Whereas German and Polish mining firms had invested in mechanization, the British companies relied exclusively on manual labor.

"Why the Strikes" by T.E. Powers in New York Evening Journal, ca. May 8, 1926

Miners laid down their tools on May 1; the Trade Union Congress (TUC) called on all other workers to join them beginning at midnight May 3. 1.5 million workers from all over Great Britain joined the strike on the first day.

"Streik in England" by Wilhelm Schulz in Simplicissimus, Munich/Stuttgart, May 24, 1926

In response, the government sent police to escort busloads of strikebreakers to the mines and other affected industries, and posted troops at bus stations to ward off violent resistance. London's bus system was immediately overwhelmed. After a week or so, some striking workers began breaking the picket lines. Historian Jessica Brain takes it from there:

"The turning point came when the general strike was identified as not being protected by the Trade Dispute Act of 1906, except for the coal industry, meaning that the unions became liable for the intention to breach contracts. By 12th May, the TUC General Council met at Downing Street, to announce that the strike was being called off with the agreement that no striker would be victimised for their decision, despite the government stating it had no control over employers’ decisions.

"The momentum had been lost, unions faced potential legal action and workers were returning to their place of employment. Some miners continued to resist for as long as November, but to no avail.

"Many miners faced unemployment for years whilst others had to accept the bad conditions of lower wages and longer working hours. Despite incredible levels of support, the strike had amounted to nothing.

"The Sincerest of Flattery" by Dorman H. Smith for Newspaper Enterprise Assn., ca. May 22, 1926

"In 1927 the Trade Disputes Act was introduced by [Prime Minister] Stanley Baldwin, an act which banned any sympathy strikes as well as mass picketing; this act is still in force today. This was the final nail in the coffin for those workers who had taken part in one of the biggest events in industrial history in Britain."

"Gehnsucht" by Arthur Krüger in Kladderadatsch, Berlin, June 6, 1926

On May 11, Poland's former Chief of State, First Marshal Józef Klemens Piłsudski, launched a successful coup d'état against the newly elected Polish government of President Stanisław Wojciechowski and Prime Minister Wincenty Witos, the third administration in the previous six months.

"Polen" by Ernst Thöny in Simplicissimus, Munich/Stuttgart, May 31, 1926

Units of the Army loyal to Piłsudski quickly seized control of the major bridges in Warsaw. The Polish Socialist Party called for a general strike in support of the coup. The Railwaymen's Union brought transportation and communications to a standstill, and the government surrendered on May 14 to prevent further bloodshed.

"Clean-up Week Idea Reaches Poland" by Wm. Hanny in Philadelphia Inquirer,May 27, 1926

At first blush, Hanny's cartoon appears to side with the coup, but he was actually referring to the name given to the new government by its principal leader. Piłsudski announced the creation of what he called a moral "Sanation" (Sanacja) dictatorship. In English newspaper reports:

"Marshal Pilsudski has stated that the policy of the Government immediately is for the restoration of the authority of the State and the introduction of administrative reforms, including the suppression of corruption in public life. He promises to hold a general election after the dissolution of Parliament. In the meantime he claims that only Presidential endorsement shall be required in order to enforce the law. He declares that his sole desire is to save Poland from the reaction of military operations which are not directed against the State or the people. I am, he said, fighting the Government, which since it assumed office has inaugurated a policy of defiance to the interests of the State and the army."

"Pan Pilsudki Imitating Senor Mussolini" possibly by Viktor "Deni" Denisov in Pravda, Moscow, ca. May 22, 1926

The Daily Worker gave no credit for this cartoon, so I am guessing its creator based on the style of the drawing (and overlooking the Roman rather than Cyrillic alphabet on Piłsudski's banner, which might have been used for a variety of reasons).

"Pilsudsky's In the Saddle But Where's the Horse" by J.N. "Ding" Darling in Des Moines Register, May 29, 1926

"Ding" Darling offered a different view of the Polish coup, but the anonymous cartoonist above hit closer to the mark. While Piłsudski never assumed a role as the titular head of state, he remained the real power behind the Polish government until his death in 1935.

Moving on:

"Frühlingslied in Morokko" by Werner Hahmann in Kladderadatsch, Berlin, May 30. 1926

Moroccan rebel leader Abd el-Krim surrendered to Spanish and French forces on May 27, 1926, bringing an end to the five-year-long Rif War (which we have been following here, here, here, and here) and the Al-Jumhūriyyah al-Rif. 

by Daniel Fitzpatrick in St. Louis Post-Dispatch, May 27, 1926

Despite some early successes against the Spanish army, el-Krim’s 9,000 to 13,000 guerillas were no match for the Europeans once France entered the war in support of Spain in September, 1925. Spanish forces re-occupied el-Krim’s home base of Ajdir that October; by March, 1926, the Franco-Spanish armies had gained control of most of Morocco.

"The Triumph" by Ed Gale in Los Angeles Times, May 28, 1926

El-Krim sued for peace in April; but talks collapsed, and the Europeans resumed hostilities. El-Krim was left with no option but to surrender to the French, who promised his safety and that of his family in exchange for the safe return of Spanish and French prisoners of war. El-Krim lived out the rest of his days in exile on Réunion in the Indian Ocean.

"Abd-el-Krim" by Ernst Thöny in Simplicissimus, Munich/Stuttgart, June 21, 1926

As far as some Americans were concerned, the principal outcome of the Europeans' victory was that France could now focus her attention on her dismal economic situation. And, by the way, repaying those wartime debts to the U.S.

"A Stitch in Time—Maybe" by Cecil Jensen in Los Angeles Illustrated Daily News, May 28, 1926

The Winter of Our Recycled Content

Daffodil shoots are poking through the slowly melting snow in the garden hereabouts. While Spring hopes eternal outdoors, today's Graphical History Tour parades through four decades of my March cartoons from 1986 to the present. 

Yes, I said "the present."

1986

in UW-P Ranger, Somers Wis., March, 1986

Ronald Reagan had campaigned for the presidency in 1980 promising to rein in spending and to cut the federal deficit. Instead, thanks to tax cuts and increased defense spending, the deficit climbed year by year, topping $220 billion, not quite 5% of gross national product, by 1986.

Republican Senators Phil Gramm and Warren Rudman, joined by South Carolina Democrat Fritz Hollings (left to right in my cartoon), put forth a scheme to force future Congresses to slash spending or face automatic budget cuts beyond their control. Gramm-Rudman-Hollings passed both houses of Congress and was signed into law in 1985, but the Supreme Court found it unconstitutional in 1986.

Gramm, Rudman, and Hollings later came out with a revised bill addressing the Court’s objections to Gramm-Rudman-Hollings I. Coupled with a tax hike, social spending cuts resulted in some reduction of the federal deficit, but it was right back to $221 billion by 1990.

A propos of nothing, $220 billion happens to be the amount Secretary of Special Military Operations Pete Hegseth wants over and above the Pentagon's 2026 budget in order to continue the Excursion in Iran.

1996

in UWM Post, Milwaukee Wis., March 7, 1996

I really liked this cartoon, partly because it was my first truly successful caricature of Pat Buchanan.

Its problem lay in that it relied heavily on references to the 1995 film version of Richard III, which reset Shakespeare's play about England's last Plantagenet king into the late 1930's, depicting Richard as a murderous fascist grasping onto his usurped throne. I took the boar's head banners directly from the film (a white boar having been the actual heraldry emblem adopted by Richard himself).

Had there been more of an audience for updated Shakespeare histories, those references might have worked better. And why wouldn't audiences have flocked to see Ian McKellen, Annette Bening, Robert Downey, Jr., and Dame Maggie Smith bringing the bard from the 1480's into the 20th Century and the murders from offstage onto the screen?

I had been reading all of Shakespeare's history plays at the time, starting with Richard III, spurred on by first reading The Daughter of Time by Dorothy Tey. In her novel, Tey's detective, Alan Grant, is laid up in the hospital recovering from a gunshot wound in a previous adventure, and passes the time investigating the murder, supposedly by Richard III or on his orders, of Edward IV's two sons.

I even bought the DVD.

Which sits unopened on the DVD shelf, still in its plastic wrapping from Barnes & Noble. 

It ain't exactly Date Night material.

2006

for Q Syndicate, March, 2006

Another problem with the cartoon about Buchanan was that the newspaper headline in it was kind of small. It was passable in a university newspaper, read by young adults with generally good vision. I couldn't foresee people reading it on an itty bitty phone screen; nowadays, I would have had to put the newspaper more in the foreground. or the headline in a "News Item" text box.

The church window in this 2006 cartoon has the same flaw. I had plenty of room to make the window much bigger, and I think the cartoon would have been improved if it were at least taller.

I don't think I was intentionally referencing this illustration by Maximino Cerezo Barredo of the biblical story of Jesus's temptation by the devil, although I was aware of and probably influenced by it:

"Cuaresma 1C" by Maximino Cerezo Barredo

The Temptation of Christ is read in Catholic, Lutheran, and Episcopal churches every year on the first Sunday in Lent: after Jesus has fasted in the wilderness for 40 days and nights, the devil tempts him with power and glory. Liberation Catholic theologian Cerezo Barredo depicts the devil in clerical garb, offering Christ cash, a crown, and satellite communications, in what I interpret as a slam against televangelists.

2016

Sadly, this brings us to some 2016 election cartoons, as the tragic trajectory of how we got where we are today begins. Call it Act One, Scene One.

for Q Syndicate, March 2016

In a more recent election cycle, I thought of using the boar's head from Richard III as a leitmotif in my cartoons of Donald Dickon Trump. I was already drawing him with a pig snout by then, so why not just add the boar tusks?

The answer is that I tried it once, and besides being even more obscure than it was in 1996, it just complicated the caricature. Besides, the real Richard III was a capable soldier and commander in battle, in spite of developing scoliosis, whereas Trump claimed bone spurs to avoid the Vietnam draft (when he wasn't playing tennis and squash at Fordham).

I was still developing a caricature of Trump at this point; he has one of those faces with too much of a muchness, defying cartoonists to choose which feature to fixate upon. The pout? The ridiculous comb-all-over? The eyebrows? The wattle? The overlong tie? The tiny hands?

As for Hillary Clinton, considering how long she has been in the public eye — as First Lady, senator, Secretary of State, presidential candidate, and Republican bête noire — it annoys me that I have so few cartoons where I feel I have drawn her successfully. This is not one of them.

2026

Wait, what?

The Graphical History Tour doesn't usually make a stop at Yesterday Afternoon, but you've been such a wonderful tour group, you all deserve a little treat.

Trump's hand-picked Commission of Fine Arts revealed controversial designs for new dime and gold dollar coins to celebrate the nation's semiquincentennial and Trump himself. 

The dime kicks Franklin Roosevelt to the curb; instead, its eagle grasps the arrows of war but has dropped its olive branches of peace. The dollar coin features Donald Render-to-Caesar Trump.

for this blog post, March 21, 2026

This is not the design proposed by the commission, but perhaps you remember this little episode from when Time magazine wanted to get some campaign photographs for a cover story on Trump.

Federal law has long prohibited putting living persons on U.S. currency, but a special exception was made for coins commemorating the nation's 250th anniversary. I'll give you exactly one guess which president signed that legislation into law.

Can you imagine any previous president getting his own mug on golden dollar coins while he was still in office?

Can you imagine Donald Imperator Trump passing up the opportunity?

Was Ist Los in Translation

Keep your babel fish handy today: our Graphical History Tour jets overseas to check up on what cartoonists in Germany were drawing a century ago. But first: a brief layover in the Netherlands!

"Labour en Het Communisme" by Leendert J. Jordaan in Notenkraker Amsterdam, Oct. 10, 1925

I came across this Dutch cartoon some time ago and saved it on the chance that I could use it here once October, 2025 came around. Now that it has, here it is.

Leendert Jordaan had been cartoonist for the satirical magazine Die Notenkraker (The Nutcracker) since 1909. His fiercely critical cartoons against Hitler would be published by the Netherlands’ underground press during World War II. Unlike Die Notenkraker, he survived the war, cartooning for Het Parool and Vrij Nederland until his retirement in 1961.

This got me wondering why I had not been finding any cartoons by the great Dutch cartoonist Louis Raemaekers in the U.S. press after the Armistice was signed, given how celebrated he had been stateside during the Great War. After all, he was still drawing cartoons up to and during World War II.

My guess is that in the years between the wars, isolationist sentiment in the U.S. meant that there was little interest in Raemaekers’s belligerently anti-German cartoons. Even in his home country, Raemaekers was unable to find a Dutch publisher for his 1927 collection of cartoons.

"Zeit-Ie-Wat" by Louis Raemaekers in De Telegraaf, Amsterdam, Oct. 15, 1925

So here is what I could find that Raemaekers was getting published in Amsterdam in those days (American audiences having enough trouble sussing bee's knees, spifflication, and gams without pondering the lingo of the guys and dolls overseas, too).

I will merely Yanksplain Raemaekers's joke by pointing out that "slang" is the Dutch word for "snake." Get it?

Moving on to Germany so that I may impress you with my ability to googlen sie deutsch:

"Souvenir de Locarno" by Thomas Theodor Heine in Simplicissimus, Munich/Stuttgart, Oct. 26, 1925

The major European news for the month was an international conference of continental leaders in Locarno, Switzerland. Over the next few months, conferees would hammer out a series of agreements, notably establishing new mutual borders of France, Belgium, and Germany, and admitting Germany into the League of Nations.

The cut lines in Thomas Heine's imagined photographs read:

"[Italy's Benito] Mussolini, who decided to smile occasionally at the conference."

"[Belgium's Émile] Vandervelde during a performance of The Marseillaise in the hotel .”

"[German Foreign Minister Gustav] Stresemann happily reports to [Chancellor Hans] Luther that he has been greeted by a French journalist."

"[France's Aristide] Briand striking a comma from the press release."

"[Britain's Foreign Secretary Sir Austen] Chamberlain choosing his tie."

Speaking of British decorum... 

"Selbsterkenntnis" by Oskar Garvens in Kladderadatsch, Berlin, Oct. 4, 1925

The cut line accompanying Garvens's cartoon identifies the caption as something David Lloyd George said during a debate on expanding the British fleet. If so, Lloyd George was quoting Rev. David Martyn Lloyd-Jones in a statement that has since been misconstrued as the Welsh pastor's characterization of the former Prime Minister.

"Helden des Sports" by Werner Hahmann in Kladderadatsch, Berlin, Oct. 11, 1925

Garvens continued his concern for dark-skinned peoples a week later, citing a French report about an American sports personality who had joined the Franco-Spanish air attacks in Morocco, where Rif rebels had established an independent Islamic state.

The tiny paragraph explaining the cartoon doesn't cite the source of the French report or name the American jock, so I can't tell you with certainty who he was. A September feature article for the Philadelphia Public Ledger by Charles G. Reinhart, however, names ten American fighter pilots, most of them World War I veterans, flying for France. Reinhart's article mentions that one of them, Charles Wayne Kerwood ("Chuck"), was an amateur athlete in Philadelphia.

"Just Can't Keep Them Out of War" in Salt Lake Tribune, September 6, 1925. Kerwood is seated under the W in the headline.

They weren't just flying reconnaissance, by the way. The Associated Press reported on September 11, 1925: 

"The American aviators of the Sherifian esquadrille, in their bombing of Sheshuan, Riffian stronghold, are reliably reported to have killed more than 100 warriors. Their bombs also greatly damaged the Riffian military establishment and disorganized the troops concentrated there."

"Sie Hält Es Nicht Mehr Aus" by Werner Hahmann in Kladeradatsch, Berlin, Oct. 11, 1925

I haven't seen much celebration of the 140th birthday of the Statue of Liberty this month, but her 40th anniversary caught the eye of Kladderadatsch cartoonist Werner Hahmann. I would guess that he used the occasion to twit the United States over Prohibition, and New York City in particular for its air pollution.

"Polen und der Sicherheitspakt" by Arthur Krüger in Kladderadatsch, Berlin, Oct. 4, 1925

The Danzig (Gdansk) Corridor, affording Poland access to the Baltic Sea but separating East Prussia from the rest of Germany, was a sore point for Germans between the wars. Krüger portrays the corridor as a knife in the shoulder of Michel, the cartoon personification of Germany; an unkempt Poland urges France to join in a security pact with the condition that the knife stays in place.

“Danzig” by Emil Weiss(?) in Kladderadatsch, Berlin, Oct. 11, 1925 

I’m sure this was funnier in the original German, but at least I shouldn’t have to explain what the cartoonist was trying to say.

Take a Bite Out of Krim

The Graphical History Tour is waiting to take you away to September of 1925, where we find France and Spain launching a new offensive against the Rif rebels in Spain's Moroccan territories.

"Madame Fiasko" by Arthur Johnson in Kladderadatsch, Berlin, Sept. 6, 1925

Johnson's cartoon hinges on wordplay in German, blending "Geh' ab" (go away) with the name of Rif leader Abd-el-Krim.

In 1925, Abd El-Krim's Riffian guerillas controlled roughly three quarters of Spanish Morocco. Styling himself to the outside world as President of the Republic of Rif (Al-Jumhūriyyah al-Rif), el-Krim, he was popularly known as mujāhid (war leader). He had set up a functioning government and a cabinet which employed no small number of his relatives.

"Bei Abd El Krim" by Friedrich Heubner in Simplicissimus, Munich/Stuttgart, Sept. 21, 1925

I'm rather confused by this German cartoon, which appears to me to depict German tourists asking Abd el-Krim, a Moroccan Berber, where to find Turkish concubines. 

The cartoons in the satirical Munich weekly Simplicissimus in the middle of the 1920's seem to have steered away from explicitly political commentary in favor of light jokes about societal stereotypes (the lovable drunk, the lothario, the hausfrau, the ingenue, etc.). Although Abd El-Krim spent some time during World War I in prison for expressing German sympathies contrary to Spain's official neutrality, that doesn't appear to be relevant to Heubner's cartoon in any way.

"The Jolly little Game of Tossing the Pancake" by Dorman H. Smith for Newspaper Enterprise Assn., ca. Sept. 19, 1925

I'm also not familiar with this game of tossing the pancake of which Dorman Smith speaks. Yeah, you bake pancakes by flipping them, but what's the game? Seeing which one of you can catch it?

I guess the game is to see how high you can toss the pancake without it landing on the floor. There must be some military equivalence there that explains why Spain and France were having so much fun with it.

In any event, France and Spain launched a new offensive in September of 1925. Spain landed 18,000 troops at Alhucemas Bay, while 20,000 French soldiers marched into the Spanish protectorate from the French-controlled south.

"Another 'Contemptible Little Army'" by Edmund Duffy in Baltimore Sun, Sept. 29, 1925

According to modern estimates, Edmund Duffy overestimates Riffian manpower; Encyclopedia Britannica puts the Moroccans' forces around 13,000 men. Just the same, the Riffians overran the French front line positions in the initial stages of the offensive.

"Abd-el-Krim" by Edward Gale in Los Angeles Times, Sept. 26, 1925

El-Krim's forces won several initial battles, justifying Gale's depiction of the armored hands of France and Spain having so much trouble catching a tiny fly.

Those hands could still swat, however, and that is how the game would end.

"Can't Pay for the Old War" by Daniel Fitzpatrick in St. Louis Post-Dispatch, Sept. 21, 1925

At the same time as the Franco-Spanish offensive, French Finance Minister Joseph Caillaux was in Washington to present the French counterproposal for repaying its World War I debts to the U.S., a debt American cartoonists were impatient to collect.

"One Can Carry this Business of Bluffing Too Far" by Dorman H. Smith for Newspaper Enterprise Assn., ca. Sept. 25, 1925

Elsewhere in the Islamic world, Turkey sought to reclaim Mosul, in the north of present-day Iraq, from Great Britain.

"Another Explosive Situation" by Morris for George Matthew Adams Service, ca. Sept. 30, 1925

There is very little mystery as to Mosul's importance to the British Empire and the Turkish republic. Until the opening of the Suez Canal, Mosul was once a vital trade post between Europe and the Middle East on one side and India and China on the other. Since then, the major powers have had a keen interest in the region's oil.

"The Old, Old Story" by Orville Williams in New York American, Sept. 26, 1925

The British assumed control of Iraq at the end of World War I, up to then a distinct region of the Ottoman Empire since the 16th Century, consisting of the three districts of Mosul, Baghdad, and Basra. Turkey claimed that Mosul was still under Ottoman control when the armistice ending the war was signed.

"They Tear Up Tickets in Europe, Too" by Cecil Jensen in Los Angeles Post, Sept. 30, 1925

Under the Treaty of Lausanne, the status of Mosul was left for the League of Nations to decide. In the meantime, the British had set up Faisal ibn Husayn as King of the three districts of Iraq, ruling under British mandate.

"Fact Versus Fiction" by Orville Williams in New York American, Sept. 30, 1925

Although Turkish-British disagreements did not erupt into armed conflict, the disputes over Mosul and Morocco offered plenty of ammunition to politicians, publishers, and editorial cartoonists who opposed U.S. participation in the League and any other international institutions.