Happy Fifth of Fourth

It's the Fifth of July and most of us still have all ten fingers, so in celebration of this extra long Independence Weekend, the Graphical History Tour sets the dial back five fourths of a century ago to July 4, 1900.

"Independence Day" by C.E. Toles in St. Paul Globe, July 4, 1900

We kick things off with an illustration by a cartoonist Allan Holtz called "the mysterious master." The highly stylized signature is a challenge to read; a researcher at the Library of Congress has concluded that the cartoonist was T.E. Coles, syndicated by the International Syndicate of Baltimore, but I lean toward those who have identified him as Claude Eldridge Toles, 1875-1901.

So, apparently, does Mr. Holtz, and that's plenty good enough for me.

I found this in the St. Paul Globe, where his work was featured regularly. Toles, however, lived his entire, brief life in New York state. (Any relation to the now retired Buffalo News and Washington Post cartoonist?)

"That Recent Trip to Lincoln, Neb." by R.C. Bowman in Minneapolis Tribune, July 4, 1900

My posts featuring historical cartoons began with examples from the Minneapolis Tribune's book of Rowland C. Bowman's editorial cartoons for the year 1900 ― a book left to me by my Aunt Barbara Jensen and since donated to the Billy Ireland Cartoon Museum because I do not have a climate-controlled room suitable to preserve it. The book included several cartoons mocking Democratic presidential nominee William Jennings Bryan, but not this one.

Bryan received the Democratic Party's nomination (for a second time) in Kansas City, Missouri on Independence Day, 1900, having already accepted the presidential nomination of the Populist Party. The Prairie Populist from Nebraska was not a favorite of the Eastern Establishment; but David Hill, a former New York Governor and Senator, had endorsed Bryan in 1896, partly due to his own rivalry with fellow New Yorker President Grover Cleveland. 

"Creating Business for the (Political) Undertaker" by Carter Simons in Brooklyn Daily Eagle, July 3, 1900

Hill is in the forefront of this Independence Eve Brooklyn Eagle cartoon (the Eagle did not publish on July 4), next to Tammany Hall boss Richard Croker. Hill was in serious contention for the Democrats' vice presidential nomination in 1900, but that went to Adlai Stevenson of Illinois instead.

Bryan had campaigned in 1896 on a platform of free coinage of silver at a ratio of silver to gold of 16 to 1, a position then popular in the rural west but strongly opposed by Cleveland and the "Gold Democrats." The "free silver" issue had lost some of its appeal by 1900, however, thanks in part to the Klondike gold rush.  

"Watching the Pinwheel Spin" by Leon Barritt in New York Tribune, July 4, 1900

In the meantime, the U.S. had taken possession of Cuba, Puerto Rico, Guam, and the Philippines after winning the Spanish-American War. Bryan's new issue was anti-imperialism. The 19th Century "manifest destiny" of pushing the nation's borders all the way to the Pacific was one thing; becoming a colonial power on the other side of the globe (with new territories moreover populated by dark-skinned Catholics and heathens!) was another thing entirely.

"The Chicago Platform Applied in St. Louis" by John S. Pughe in Puck, New York, July 4, 1900

The major news and satirical magazines of the day, Harper's Weekly, Puck and Judge, were united in their opposition to Mr. Bryan. Pughe depicts Bryan cheering on the strike by St. Louis streetcar workers, begun in May and lasting until September, in which clashes between strikers on one side and scabs and law enforcement on the other resulted in 14 deaths and hundreds of injuries.

"The Hardest Thing He Ever Had to Swallow" by Wm. A. Rogers in Harper's Weekly, New York, July 7, 1900

Democrats accused the McKinley administration of being in the thrall of oil, sugar, copper, steel, and railroad barons — the "trusts" — and Republicans in turn claimed that Tammany Hall, and by extension the Democratic Party, was beholden to the Ice Trust. 

The Ice Trust had nothing to do with Immigrant Capture and Expulsion; rather, this was about American Ice Company's monopoly of the supply of frozen water in New York City. What rival ice suppliers the company, founded in 1899 by Charles W. Morse, couldn't buy out, it drove out of business by smashing their deliveries, or getting Tammany Hall to revoke their dock privileges. 

After one year in business, monopoly achieved, American Ice Company doubled its prices to consumers, who relied on delivered ice for food refrigeration. Public outcry and media pressure forced the company to relent, and also exposed that Croker and other Tammany Hall figures had significant investments in American Ice.

"Trade Follows the Flag" by Eugene "Zim" Zimmerman in Judge, New York, July 7, 1900

Mocking the establishment Democrats falling in line behind Bryan, "Zim" Zimmerman skewers both Bryan's 1896 campaign platform of free silver and his 1900 campaign message against U.S. imperialism. The saying "Trade follows the flag" dates to 1870 or earlier, with the meaning that colonialism expands the colonizer's commercial opportunities.

"The Temptation" by Felix Mahony in Washington Evening Star, July 4, 1900

At last some political cartoons that acknowledge Independence Day! 

"An Old-Fashioned Fourth" by Tubman K. Hedrick in St. Louis Globe-Democrat, July 4, 1900

To Bryan's supposed chagrin, Hedrick in the St. Louis Globe-Democrat enthusiastically introduced the Republicans' vice-presidential nominee, New York Governor Theodore Roosevelt, nominated at the Republicans' convention the week before the Democrats'.

Republicans risked ebullient, colorful Roosevelt overshadowing staid, businesslike McKinley at the head of their ticket. (You might draw a more recent comparison with John McCain picking Sarah Palin as his running mate.) For much of U.S. history, the vice presidency was a post from which its occupants were seldom heard from again; it didn't quite work out according to plan this time.

"Kansas City's Favorite Son" by Taylor in Chicago Tribune, July 4, 1900

At this point, you might be asking whether there were any editorial cartoonists not attacking William Jennings Bryan. (Was Taylor caricaturing the Prairie Populist in this cartoon, or complaining about Kansas City's summer weather?)

The great Homer Davenport gained fame lambasting Bryan's Republican opponent, President William McKinley, and his financial backer from Ohio, Mark Hanna, so I went hunting for his work during the Democratic National Convention. I haven't been able to find any of the Hearst or Hearst-supplied newspapers that ran Davenport's cartoons that week, unfortunately.

No caption, by Robert Edgren in San Francisco Herald & Examiner, July 4, 1900

Instead, here's one by another Hearst cartoonist, drawing Mark Hanna in a  dollar-sign suitcoat, copying a Davenport trademark. 

An October 19, 1902 article in the Times-Democrat of New Orleans quoting visiting New York Herald cartoonist J.C. Fireman identified Edgren as a New York Journal cartoonist "in the same class as Davenport. He also adopts the sledgehammer style, and, being the champion hammer thrower of the world, it comes natural to him to 'knock' in his cartoons."

"Willie and His Papa" by Frederick Burr Opper in New York Journal, ca. July 4, 1900

Hearst cartoonist Frederick Opper was more of a jester than hammer thrower, but no less partisan. Instead of the dollar sign suitcoat, Opper here put Hanna in a dress, as wife of McKinley's Papa, "The Trusts." I presume that the water pail President McKinley has to carry in the cartoon is a reference to his campaign slogan of "the full dinner pail."

"A Man After My Own Heart" by May in Times-Democrat, New Orleans, July 4, 1900

I've got one cartoon specifically in support of William Jennings Bryan, and I'm afraid that I haven't been able to positively identify the cartoonist. May (certainly not Ole May, unlikely Thomas May) slapped a photograph into his cartoon of the Man After Uncle Sam's Own Heart rather than attempting to caricature him. But at least he acknowledged the holiday.

"Darned If I Can Have Any Fun on Fourth of July with These Things On" by E.T. Richards in Life, New York, July 5, 1900

Picturing the United States' new identity as a colonial power, E.T. Richards fit Uncle Sam in a crown and ermine robes, accompanied by a distressed Columbia and a mortified American eagle. Given the present regime's goose-stepping into fascist autocracy, I know how they feel.

In the background, I presume that is President McKinley dressed like Napoleon while his companion lights firecrackers tied to the dog Filipino's tail — a cruel and apparently common Independence Day pastime among nasty fin de siècle boys.

"Hurrah for the 4th" by Gustavo Bronstrup in San Francisco Call, July 4, 1900

That's more than enough politics for today, so let's wrap things up with an ode to the holiday by San Francisco's Gustavo Bronstrup. Enjoy the rest of your weekend!

America! It was nice while it lasted.

The Long, Slow Race to the Finish

Our Graphical History Tour today finds the 1924 election campaigns heading into the final stretch, wrapping it up with a bow, and firing their last salvos. 

"Trying to Attract the Attention of the Enemy" by John T. McCutcheon in Chicago Tribune, Oct. 17, 1924

From John McCutcheon's perch in the Republican stands, the U.S. presidential contest had come down to one between his party's incumbent President Calvin Coolidge and its defector to the Progressive Party, Senator Robert LaFollette. He cast Democratic nominee John Davis as the third-party also-ran.

"I Don't Believe That Chap Can Read" by Clifford Berryman in Washington [DC] Evening Star, Oct. 6, 1924

Democratic partisans put a brave face on things — such was their job, after all — in spite of polls and straw votes giving a marked advantage to the Republicans.

Straw votes in presidential contests date back one century further to 1824; and if the press generally reported them as indicating present mood rather than forecasting the official vote, editorial cartoonists were not alone in reading them as predictions. The straw polls might be limited to the students at a particular university, or members of a certain profession, or just passers-by at a busy street corner.

Opinion polls came along more recently, and supposedly were more scientific; the Literary Digest poll, launched in 1916, had successfully predicted the presidential races in that year and 1920. The first truly national poll, the Literary Digest mailed post cards around the country and tallied the results of those that were returned.

"The Dark Outlook" by Tom Foley in Minneapolis Daily Star, Oct. 20, 1924

Tom Foley, who favored LaFollette, posed a scenario that minimized Republicans' chances by overstating LaFollette's and Davis's. In the end, LaFollette carried only his home state of Wisconsin; and Davis failed to win New Mexico, Arizona, Missouri, West Virginia, Maryland, or Delaware.

I won't even get into Foley's forecast of Upper Michigan casting separate electoral votes from Lower Michigan.

"Who Was It Who Traded Their Birthright..." by J.N. "Ding" Darling in Des Moines Register, Oct. 31, 1924

For the time being, Republicans' main worry was the possibility that LaFollette's candidacy could result in none of the three major presidential candidates reaching an electoral college majority. In that case, the election of a President would be decided in the House of Representatives, and the Vice President chosen in the Senate.

By the way, the answer to Darling's question was Esav Ben-Yitzchak, if you're wondering.

"What It Will Mean" by Charles Kuhn in Indianapolis News, Oct. 24, 1924

GOP stalwart Charles Kuhn devoted nearly a dozen cartoons in October of 1924 to dire predictions of chicanery and chaos if the election were to be given to Congress to decide. (And still Kuhn had not ventured a comment on the Klan-ridden statewide races in his home state of Indiana.)

The Republican congressional majorities in both houses included some Progressives who could not be counted on to support Calvin Coolidge. Prominent Progressives Hiram Johnson (R-CA) and William Borah (R-ID) promised to support the Republican ticket, but Iowa Senator Smith W. Brookhart stirred things up by declaring himself for LaFollette.

"They've All Gone Wrong But Me" by Clifford Berryman in Washington Evening Star, Oct. 3, 1924

Charles Kuhn may have had no opinions about Indiana politics in the summer and fall of 1924, but other editorial cartoonists were happy to take note of races close to home. In Ohio, Governor Alvin "Honest Vic" Donahey had some reliable campaign help as he ran for a second term...

"This Looks Pretty Good to Me" by James "Hal" Donahey in Cleveland Plain Dealer, Oct. 14, 1924

His younger brother, James Harrison Donahey, was the front page editorial cartoonist for the Cleveland Plain Dealer. From that perch, "Hal" repeatedly sang the praises of his older brother...

"My, What a Clatter" by James H. Donahey in Cleveland Plain Dealer, Oct. 24, 1924

...and pooh-poohed the corruption charges against "Honest Vic" made by his Republican opponent, former Governor Harry L. Davis. (I could have made a post here made up of Donahey's in-kind contributions to his brother's campaign, but I might not have been able to come up with much to say about the cartoons after the first four or five of them.)

"The Little Stick" by Nelson Harding in Brooklyn Daily Eagle, Oct. 4, 1924

Speaking of family, New York Republicans nominated as their gubernatorial candidate against Democrat Al Smith Theodore Roosevelt III, son of the late president. Sullied by the Teapot Dome scandal while Assistant Secretary of the Navy in the Harding administration but cleared of any wrong-doing, he returned criticism from his cousin Franklin: "He's a maverick! He does not wear the brand of our family."

"With All the Heirlooms" by Rollin Kirby in New York World, Sept. 26, 1924

As we discussed last week, elections were held across the pond in the United Kingdom, too. The specific issues forcing Ramsay MacDonald's Labour government to stand for election were reported in the U.S. press, but I'm not finding many American cartoons getting into the particulars.

"We Got Company" by Dorman H. Smith for Newspaper Enterprise Assn., ca. Oct. 16, 1925

There was certainly delight in some quarters, however, at his fall. 

"Well, Well, Still They Come" by Dorman Smith for NEA, ca. Oct. 25, 1924

Germany was headed for a snap election as well. The Reichstag was dissolved on October 20, with elections set for December 7. Given that it was Germany's second election that year, Americans probably greeted the news with a yawn — just another change of government in hapless Deutschland — but Germany was in fact just then entering into its so-called "Glückliche Zwanzigers," the brief period of economic recovery that ended with the global crash at decade's end.

"The Dancing-Master and the Bag-Piper" by K.A. Suvanto in Daily Worker, Chicago, Oct. 8, 1924

If you caught last week's sampling of cartoons by Montreal Star cartoonist A.G. Racey, you remember that the opposition to the Labour government charged that MacDonald failed to prosecute a communist newspaper for advocating mutiny in his majesty’s armed services and that he was an unwitting dupe of Soviet Russia. 

The commies at the Daily Worker in Chicago argued instead that MacDonald was a stooge of British capitalists.

"Took Me Just Three Weeks" by Clifford Berryman in Washington Evening Star, Oct. 30, 1924 

The British Parliament dissolved on October 9, and its Conservative Party won in a landslide on October 29. This Berryman cartoon just goes to show that Americans' longing for a shorter election season is nothing new.

And yet, our election season just keeps getting longer and longer, anyway.

Let Us Sit Upon the Ground and Tell Sad Stories

It will not come as a surprise to you, dear reader, as it did to newspaper readers across the United States, that President Warren Gamaliel Harding died on August 2, 1923 in San Francisco, California, while on an ambitious speaking tour.

Unsigned (O.C. Chopin?) in San Francisco Examiner, August 3, 1923

Editorial cartoonists around the country (but not all of them) rushed to their drawing boards in an effort to express the nation's grief. 

Your humble blogger has observed before that the cartoon character of Miss Columbia used to be the one drawn to mark a time of mourning, notably after the deaths of Presidents Lincoln, Garfield, and McKinley. This was still the case in 1923...

"A Nation Bowed in Grief," unsigned, in San Francisco Chronicle, August 3, 1923

"One in Sorrow and Faith" by Gustavo Bronstrup in San Francisco Chronicle, August 4, 1923

No caption, by Clifford Berryman in Washington (DC) Evening Star, August 3, 1923

...but upon the death of President Harding, Uncle Sam appeared in several cartoonists' work.

No caption, by J.N. "Ding" Darling in Des Moines Register, August 4, 1923

"One Touch of Sorrow Makes Us Kin" by J.P. Alley in Memphis Commercial Appeal, August 5, 1923

"On the shores of the Pacific," Unsigned (McCutcheon?) in Chicago Tribune, August 4, 1923

"He Has Found Eternal Peace" by Nelson Harding in Brooklyn Daily Eagle, August 4, 1923

No caption, by Tom Foley in Minneapolis Star, August 4, 1923

"For Grief Is Proud and Makes His Owner Stoop" by Roy James in St. Louis Star, August 4, 1923

Uncle Sam had also appeared to pay his respects upon the death of Teddy Roosevelt in 1919, the distinction at that time being that Roosevelt was no longer in office, and the most memorable cartoons centered on the larger-than-life former president himself. No cartoon in this collection rivals "Ding" Darling's "The Long, Long Trail" eulogizing Roosevelt.

Harold Wahl, eschewing any national symbol, may have been trying to make a more universal statement. Or perhaps he just a bit more macabre than everybody else.

"In Death as in Life" by Harold Wahl in Sacramento Bee, August 4, 1923

I mentioned that not all cartoonists drew eulogy cartoons. Syndicated ones such as Dorman Smith would have found little market for a weepy cartoon that might not be published by some newspapers until several days later. Others, such as the Louisville Courier Journal's Grover Page and Daniel Fitzpatrick the St. Louis Post Dispatch simply decided to let Harding's death pass unremarked for their own reasons.

And then there is the approach of Frank Spangler, who packed a reference to Harding's passing (an arm band, and a train carrying the body of our 30th president) into a cartoon about a French general coming to town to Montgomery to honor local war veterans.

"Arms and the Men" by Frank "Spang" Spangler in Montgomery Advertiser, August 4, 1923

If Miss Columbia still held onto her job as Mourner-In-Chief, it was now Uncle Sam who greeted the new chief executive.

"The New Helmsman" by Oscar C. Chopin in San Francisco Examiner, August 6, 1923

"Carrying On" by Clifford Berryman in Washington Evening Star, August 4, 1923

"Let Us Work Together" by Harold Wahl in Sacramento Bee, August 6, 1923

"To New Shoulders" by Lute Pease in Newark Daily News, August, 1923

Fasces would fall out of fashion as a symbol of "responsibility of great power" after the outbreak of World War II, although you will still find them in some of our most famous presidential monuments.

McCutcheon in Chicago Sunday Tribune, August 5, 1923

"May He Choose Well His Course" by Gustavo Bronstrup in San Francisco Chronicle, August 6, 1923

Okay, perhaps not quite everybody got the Uncle Sam memo.

Meanwhile, August 10 was declared the official day of mourning, but editorial cartoonists had to do what editorial cartoonists do in the days following the transition to a new administration.

"His Last Message..." by J.N. "Ding" Darling in Des Moines Register, August 5, 1923

I imagine that Darling may have had this cartoon on his drawing board before news came of Harding's death, and that he decided to tweak the caption and send it along to his publishers anyway. Harding may have appreciated leaving the World Court as his lasting legacy — or bringing peace to the Pacific as cited in the unsigned Chicago Tribune cartoon above — but history has decided otherwise.

Kind of like remembering Richard Nixon for creating the Environmental Protection Agency.

"Close the Fatal Road" by Nelson Harding in Brooklyn Daily Eagle, August 5, 1923

Nelson Harding's call to stop presidents from national speaking tours wouldn't get much traction, even though the new president had a reputation for not speaking out much.

"Nary a Word" by William C. Morris for George Matthew Adams Service, August, 1923

Indeed, I don't believe I have run across a single cartoon about Coolidge by anyone between the 1920 Republican national convention and August 4, 1923.