Showing posts with label Cy Hungerford. Show all posts
Showing posts with label Cy Hungerford. Show all posts

Saturday, March 9, 2024

Pursuit of the Naked Truth

If you've been following these Graphical History Tours of mine since the centennial of World War I, you know that most of my posts are about whatever was in the news 100 years earlier. But every once in a while, I like to come forward a bit to discuss some of the major news events from fifty years ago that I can actually remember: the Vietnam War... the assassinations of Martin Luther King and Robert Kennedy... Apollo 11 landing on the Moon and Apollo 13 making it back to Earth... the Watergate break-in... the Six-Day War...

So let's take a look at this monumental, life-changing news story from March, 1974:

"The Nudity Crisis" by Cyrus Hungerford in Pittsburgh Post-Gazette, March 9, 1974

Streaking.

Spring was just around the corner, so college students naturally shed their winter parkas and started running around au naturel, as one is wont to do. 

And news media loved it. Catching snapshots of studly students and comely co-eds dashing through the quad in their birthday suits was a welcome break from reporting the news of rising oil prices, a looming recession, and the criminal indictment of seven of President Nixon's closest aides.

"They Say Streaking Is a Phenomenon Directly Related to the Pressures and Frustrations of Our Society. Was That Who I Thought It Was?" by Don Wright in Miami News, March 5, 1974

I remember the Chicago Tribune, Time, and Newsweek devoting entire pages to streaker photos. (I recall a large photo in the Tribune spread of a guy with one leg in a cast streaking on crutches!) Television had to be a bit more careful about what got caught on camera, but bare all they did. Which begat more streaking, which begat more photo spreads, which begat more streaking... The fad was seemingly everywhere … even on stage at the Oscars!

"The Object of 'Streaking'..." by Paul Conrad in Los Angeles Times, March 8, 1974

Certainly the nation's editorial cartoonists were eager to join in the fun.

"Again Eluding the Congress and the Courts..." by Hugh Haynie in Louisville Courier-Journal, March 6, 1974

We editorial cartoonists fancy ourselves to be serious journalists, speaking truth to power. Distilling important news down to its bare essence! Exposing hypocrisy and corruption! But deep down, we are also the kid in the back of the class drawing pictures of the school principal saying "Poop!" in our notebooks.

(Ask Clay Jones to show you his.)

"Streaking" by Herbert Block in Washington Post, March 6, 1974

Even the great Herblock in the capital's newspaper of record couldn't resist dashing off a cartoon of the President in the altogether.

"Good Grief..." by Jeff MacNelly in Richmond Times-Leader, ca. March 11, 1974

Likewise Jeff MacNelly, then early in his newspaper career. What he got right in this cartoon was that many collegiate streakers protected what was left of their modesty by pulling a balaclava over their face.

Had enough of Nixon in the nude? Yeah, me too.

"Senior Streaker" by Lou Grant for Los Angeles Time Syndicate, ca. March 14, 1974

We can now be grateful to Lou Grant for putting Richard Nixon in a streaking cartoon yet mercifully leaving him fully dressed.

"Streaking through 1974" by Frank Miller in Des Moines Register, March 7, 1974

With the Watergate scandal and economic hardship dominating the news, Republicans were taking a beating in local elections. That included losing the House seat of newly-minted Vice President Gerald Ford.

"We've Been 'Streaking' for Years" by D. Edward Holland in Chicago Tribune, March 16, 1974

For cartoonists (or their editors) who were leery of depicting the President of the United States in the nude, a safer alternative — especially for the dwindling number of Nixon defenders such as Ed Holland — was to draw John Q. Public stripped bare by the Internal Revenue Service.

"Streaking" by Gene Basset for Scripps Howard Newspapers, ca. March 14, 1974

Or one could draw Jane Q. Consumer losing everything to Inflation Bar Sinister.

"Streaker" by Don Hesse in St. Louis Democrat, ca. March 16, 1974

Or heck, why not draw about inflation and taxes? There's no limit to the kinds of major expenses that you could draw stealing the shirt off your back and the pants off your tush.

But you can leave your hat on.

"Like Father Like Son" by Jim Lange in Daily Oklahoman, March 7, 1974

Returning whence the fad began, I'm not sure whether Jim Lange was commenting on the economy in general or college tuition in particular. But I do know that the tuition grant I was awarded a couple years later, a significant amount at the time, would barely cover the cost of one semester's textbooks today.

The average college tuition in 1974 was $1,650/year for a public college, $3,420/year for a private college. Today, adjusted for inflation, that would be $12,155 and  $21,395, respectively. With the proliferation of fees since the '70's, looking at the actual cost of college today is like comparing apples and fruit salad; but the average cost for a four-year public college last year was $21,878, and for a private college, it was $47,961.

"Vulgar Indeed, Miss Finch..." by Clyde Peterson "C.P. Houston" in Houston Chronicle, ca. March 9, 1974

That's enough math and calculus. I'll bring today's NSFW romp to a close with a couple of cartoons that expressed relief that college and university students were blowing off steam in harmless, frivolous ways, in contrast to students of only a few years prior. 

(Side note: I've seen the C.P. Houston cartoon with the word "mirthfully" instead of "joyously"; I do not know which word appeared in the Houston Chronicle. And the Doug Marlette cartoon below must have been drawn for national syndication in place of the local-issue cartoon of his with a streaking theme that appeared in the Charlotte Observer.)

"Once a Campus Revolutionary..." by Doug Marlette for Charlotte Oberver, ca. March 13, 1974

P.S.: If you caught a Joe Cocker earworm a couple paragraphs back and would rather get rid of it, try this one.

Tuesday, July 4, 2023

'Twere Ever Thus

"The Modern Fourth" by Cy Hungerford in Pittsburgh Sun, ca. July 4, 1923

Have a happy Independence Day (if you can keep it)!

Saturday, March 12, 2022

Пісня Залишилася Такою Ж

Some say that history repeats itself. Others say that it doesn't repeat itself, it just rhymes. 

In light of the Russian invasion of Ukraine, I'm departing somewhat from my usual review of cartoons hitting their century mark in order to look at works from the period of Soviet expansionism immediately after World War II, now that history is doing whatever it is that history does.

The Molotov-Ribbentrop Pact of 1939 erased Poland off the map of Europe, while assigning Lithuania to German control and Latvia and Estonia to the U.S.S.R.'s. By the spring of 1945, the USSR had occupied all three Baltic states and Poland. Viewing the Baltic states as errant parts of historical Russia, Stalin reincorporated all three into the Soviet Union.

The U.S. protested Stalin's move, but the Allies were preoccupied with the war's western and Pacific fronts. Opening up a new front with a supposedly allied nation was simply not going to happen. The U.S. never did recognize the USSR's annexation of the Baltic trio.

Likewise, Poland's fate was sealed before the defeat of Hitler. Once they were no longer of any use to Stalin, he had all of Poland's military officers summarily executed, and set up a puppet government in Warsaw. 

"Whose Move" by Walt Kelly in New York Star, 1948 

Stalin expected all of Germany would join the communist bloc as well. With Germany defeated, the Allies set up U.S., Great Britain, France and Russia zones of administration. Given the remarkable showing of the Communist Party in France's 1946 elections, Stalin figured that all he needed to do was subvert the British in their zone, and the U.S. would succumb to its isolationist partisans and withdraw out of his way.

"Blood from Turnips" by J.F. Meehan in Brooklyn Eagle, August 3, 1946

Ostensibly, what Stalin was interested in was war reparations from Germany and the weaker Axis powers. How he achieved it was by subjugating governments in Hungary, Bulgaria and Romania to control from Moscow. (Finland had German backing during its Continuation War against the USSR, 1941-44. But permanently reclaiming Finland for Mother Russia would remain just out of Stalin's grasp.)

"An Unlucky Day for the Traffic Cop" by Cyrus Hungerford in Pittsburgh Post-Gazette, June 13, 1947

Alarm over rampant Soviet expansionism in Europe all but silenced any remaining isolationists in the U.S. The Truman Doctrine of speaking up for the sovereignty of smaller nations was useless without the military might and foreign alliances to back it up.

"The Foot Is Familiar" by Herbert Block in Washington Post, February, 1948

In Czechoslovakia, where Hitler's quest to carve up and conquer his neighbors had begun, the Soviets engineered a coup, overthrowing the elected government in Prague.

"The Speaker's Platform" by Edwin Marcus in New York Times, 1949

Soviet adventurism was not confined to Europe alone; the Allies were supposed to return occupied Iranian territories to control of Shah Reza Pahlavi's government, but Stalin refused to withdraw from areas taken by Russian troops. Instead, the USSR encouraged breakaway socialist republics in Azerbaijan and Kurdistan.

"Aw, C'mon, Joe, Let It Cool Off" by Dorman Smith for Newspaper Enterprise Assn., ca. March 17, 1946

With U.S. and British support, Iran crushed the Azerbaijani and Kurdish rebellions in 1946 and 1947 respectively.

Meanwhile, Truman responded to Stalin's push to undermine the governments of Greece and Turkey with substantial foreign aid that would have had Republicans of the 1920's howling in protest. Remnants of isolation still existed (notably at Hearst papers and the Chicago Tribune), but most of the protests to the Marshall Plan came from Moscow.

"Advice from an Expert in Internal Affairs" by Clifford Berryman in Washington Evening Star, April 9, 1947

With nearly all of Europe reeling from World War II's devastation, the Marshall Plan stepped in to make sure that even the British Empire would be safe from the lure of Soviet domination.

"Great Expectations" by Edwin Marcus in New York Times, 1947

And the North Atlantic Treaty Organization was born: a mutual defense treaty that, again, would have been anathema to the American isolationists of the 1920's.

"Unintentional Cupid" by Richard Q. Yardley in Baltimore Sun, 1949

The founding countries of NATO in 1949 were Great Britain, France, Netherlands, Belgium, Luxembourg, United States, Canada, Portugal, Italy, Norway, Denmark, and Iceland. Turkey joined in 1952, and West Germany in 1955.

"Observation Post" by Herbert Block in Washington Post, October, 1951

Stalin then, and Putin now, would characterize NATO as an offensive threat to Russia's existence. But for seven decades, Europe stayed at peace (for the most part) — possibly the longest respite from war the continent had seen since before the the cro-magnons met the neanderthals.

But it's all over now.

✍

Housekeeping note: My source for the Walt Kelly cartoon at the top of this post dates it in 1946, but every reference I can find about the "Pogo" cartoonist says that he first began drawing editorial cartoons in 1948, for the short-lived New York Star that began publishing in July of that year. Although events could have made that cartoon appropriate in either year, I can find no source mentioning that Kelly ever drew political cartoons for the Star's predecessor, PM, or any other publications before 1948.

Saturday, August 8, 2020

V-J Semisesquicentennial

Surrenderback Saturday marks the 75th anniversary of the end of World War II, and I'll warn you right up front that there are going to be a lot of racist depictions of the Japanese in this cartoons. Depictions of Germans in American cartoons were nowhere near as grotesque as those of the Japanese, even by such progressive liberals as Theodore Geisel (Dr. Seuss, about which there has been plenty written already, so I don't need to add to it).

Coming into August, the American point of view was that Allied victory over Japan was inevitable but that the Japanese government and military refused to admit it.

"'Last Report from the Front' Honorable Sir" by Corte Madera (?), ca. August 9, 1945

Most of the cartoons in this post will be from a handful of U.S. cartoonists, and I'm curious about this first one. It, and some other cartoons I came across, appear to be signed "Corte Madera," which, as far as I have been able to tell, is a small town north of the bay from San Francisco, a command in Spanish to chop wood, and a peculiar name for a parent to have given a child. He (or she) may have been based in Texas, but that's just a guess.

"Is This Trip Necessary?" by Jesse Cargill for King Features, ca. August 9, 1945

The American caricature of the Japanese had him buck-toothed, nearsighted, and addressing others or being labeled as "honorable [such-and-such]" — whether warlord, ancestor, or even earthquake.

"Okay, You Win, in a Blast" by Dorman H. Smith for Newspaper Enterprise Assn., ca. Aug. 10, 1945

Dorman Smith was the conservative cartoonist hired by the Newspaper Enterprise Association (NEA) to replace Herbert Block when the latter moved to the Washington Post. Smith was a much better fit for his right-wing NEA editors, and you won't find any of his cartoons offering any credit to President Truman for bringing the war to an end.

"It Won't Be Long Now" by Cy Hungerford in Pittsburgh Post-Gazette, Aug. 7, 1945

Cyrus Hungerford had been drawing for the Pittsburgh Post-Gazette since World War I, and would continue there through the Watergate years. This cavalier attitude toward the killing of 80,000 civilians in Hiroshima (to which 40,000 would soon be added in Nagasaki) is by no means unique to Mr. Hungerford or his cartoons.

"The 64-Yen Question" by Harold Talburt in Washington Daily News, Aug. 6, 1945

Had the Axis Powers exploded a nuclear bomb over an Allied city, it would have been proof of German or Japanese barbarism. One American cartoon after another, however, proclaims that however horrific this new bomb was, the carnage was all the fault of Japan's leaders for, as Harold Talburt put it, continued resistance.

"Coffin Nails" by Harold Talburt in Washington Daily News, Aug. 7, 1945

As anyone who lived through the war will tell you, pursuing a conventional conclusion to the war instead of bombing Hiroshima and Nagasaki would have resulted in the deaths of tens of thousands of soldiers on both sides. 

"The Old One-Two" by Melville Bernstein in PM, New York NY, Aug. 9, 1945

A more sanguine reason was that the Soviet Union had just entered the war against Japan, and the Truman administration was loath to allow a Russian occupation zone in Japan as it had accepted in Germany.

"There's Not Room for This and You..." by Jim Berryman in Washington Evening Star, Aug. 7 1945

None of which is to say that cartoonists were oblivious to the long-term implications of such a weapon of mass destruction. The atomic bomb is held by Peace in Jim Berryman's cartoon, forcing War to think twice about intruding into her laboratory ever again.

"It May Do What Nothing Else Could Do" by Dorman Smith for NEA, ca. Aug. 11, 1945

Dorman Smith draws the A-bomb no bigger than a bottle of wine, yet it seems to be enough to get Mr. Globe-head to swear off war for good. Perhaps the bottle of wine is an apt metaphor; "Never again" is a familiar vow on many a morning after the night before.

"Rather Terrifying, Isn't It?" by Cy Hungerford in Pittsburgh Post-Gazette, Aug. 8, 1945

Cy Hungerford's nuclear genie is more fearsome than Dorman Smith's wine bottle; he also acknowledges that our allies may have been impressed, but not altogether favorably.

"God's Atomic Power" by Cy Hungerford in Pittsburgh Post-Gazette, Aug. 15, 1945

Nevertheless, with the announcement of Japan's acceptance of Allied surrender terms on August 15, Hungerford returned to the optimistic jingoism that has long proclaimed the U.S. as God's divine instrument on Earth.

"After Effect of the Atomic Bomb" by Jim Berryman in Washington Evening Star, Aug. 11, 1945

The just and lasting peace would last for just five years.

"We Are Going to Win the Peace, Too" by Clifford Berryman in Washington Sunday Star, Aug. 12, 1945

Jim Berryman's father, Clifford Berryman, continued drawing front-page editorial cartoons for the Sunday edition of the Washington Star until 1949; the son held forth on the front page the rest of the week.

Jim Berryman in Washington Evening Star, Aug. 15, 1945

"And so, unavoidably, came peace, putting an end to organized war as we'd come to know it." ― Beyond the Fringe

"A New Experience for the All Highest" by Dorman Smith for NEA, ca. Aug. 17, 1945

Uncaptioned, by Melville Bernstein in PM, NY, Aug. 15, 1945

Saturday, May 16, 2020

It's Over, Over There

Today's Slowback Saturday would probably have been more appropriate a week or two ago...
"Thank God" by Cy Hungerford in Pittsburgh Post-Gazette, May 8, 1945
I may be a little late to mark the 75th anniversary of V-E Day, but I prefer to think that I'm observing Memorial Day a little early.
"Slowly Emerging from His Last Foxhole" possibly by Harold Talburt in Washington (D.C.) Daily News, by May 7, 1945
I haven't been able to find the signature on this cartoon, but I suspect it was by Harold M. Talburt. Individual units of the German armed forces were surrendering for days ahead of the official surrender of the German government. Hitler's suicide was on April 30; the allies accepted Reichspräsident Karl Dönitz's May 7 surrender at 9:21 p.m. local time on May 8. (It was already May 9 in Moscow and points east, which is why Russia and Israel observe the anniversary a day later; the German Army Group Center in Prague held out until May 11.)
"Journey's End" by Daniel Fitzpatrick in St. Louis Post-Dispatch, May, 1945
Many American cartoons celebrated the end of the war in Europe with images of swastikas, Mein Kampf, or other symbols of the Nazi regime in ruins. Of course, Hitler had been dead for a week, so there were no new cartoons, as there had been at the end of World War I, of the German leader suffering defeat.
"The End...And a Beginning" by John Milt Morris for Associated Press, by May 7, 1945
Many cartoonists focused instead on the victims of war and their hopes for a peaceful world to come.
"Peace" by Vaughn Shoemaker in Chicago Daily News, by May 8, 1945
All may have gone quiet on the European front, but the war continued to rage in the far east.
"It's a Date—See You in Tokyo" by Jacob Burck in Chicago Times, by May 7, 1945
Cartoonists conveyed a general sense that with Mussolini and Hitler out of the way, it was only a matter of time until Japan surrendered also. But nobody suffered the delusion that it was going to be easy.
"Holding Us Down to Earth" by Dorman H. Smith for Newspaper Enterprise Assn., by May 7, 1945
Dorman Smith was the prolific and widely distributed cartoonist who replaced the liberal Herb Block at the conservative Newspaper Enterprise Association in 1943. I could have easily replaced all of the V-E Day cartoons in this post with Smith's and still have captured all the moods of the day: exultation in victory, sympathy for the liberated millions, grim determination to soldier on in the Pacific, etc. (There is also a slim possibility that the cartoon I've credited to Talburt was actually by Smith; but while I found many of Smith's cartoons reprinted several times in a wide variety of newspapers, I have only found "Slowly Emerging from His Last Foxhole" in one.)
"And Now..." by Jim Berryman in Washington (D.C.) Evening Star, May 8, 1945
In missing the 75th anniversary of V-E Day, I also missed the 45th anniversary of the very different end of another armed conflict.
"Will the Last One Out..." by Wayne Stayskal in Chicago Tribune, April 27, 1975
On the 30th anniversary of Hitler's suicide, the People's Army of Vietnam completed their conquest of Saigon, the capital of South Vietnam. The U.S. hastily evacuated its embassy of all personnel, as more refugees than could be accommodated scrambled to board the departing helicopters.
"This Is the Way the World Ends..." by Bill Mauldin in Chicago Sun-Times, April 30, 1975
U.S. troops had ceased hostilities over three years earlier, Americans having grown weary of a seemingly endless war that showed no progress and deeply divided the body politic. Skirmishes continued between South Vietnam and North Vietnam and their Viet Cong allies. When North Vietnamese forces launched a new major offensive in 1975, South Vietnamese forces crumbled before them. President Gerald Ford found no support in Congress for sending American reinforcements.
"First World War..." by Jeff MacNelly in Richmond News Leader, by May 11, 1975
The fall of Cambodia, South Vietnam, and Laos was widely viewed as marking the end of "The American Century."
"Second Thoughts" by Don Hesse in St. Louis Globe-Democrat, by May 9, 1975
But there would be a momentary lapse in the hand-wringing in mid-May. Gunboats of the Cambodian Navy seized a U.S. merchant ship, the Mayaguez, in the Gulf of Thailand. 65 hours later, the U.S. Air Force and Marines overwhelmed the ship's captors. Eighteen Americans died in the operation, but all 39 crew members of the Mayaguez were returned safely to their ship.
"Mayaguez Incident" by Dick Locher in Chicago Tribune, May 18, 1975
That the Khmer Rouge apparently had no intention of keeping the Mayaguez crew captive indefinitely was immaterial to a nation desperately in need of something to feel good about.