Q Toon: Barbarians Matt the Gaetz

Our pussy-grabbing President-reelect has, to Republicans' great surprise, named Matt Gaetz, the newly resigned Congresssleazeball from Florida, to be the highest law enforcement official in the land in his even-more-corrupt-than-the-first second administration.

Gaetz has been under investigation by the House Ethics Committee for the past three years over allegations of his drug-fueled sex parties with under-age girls. Republicans in Congress have reported that he showed them photographs of the girls he'd had sex with; but he went from boasting of his exploits to throwing roadblocks in front of the Ethics Committee's inquiry, including taking down Speaker of the House Kevin McCarthy when McCarthy wouldn't quash the investigation for him.

His one remaining friend in the caucus, Speaker Mike Johnson (R-Chastity Beltway), has proved more amenable, vowing to bury the committee's findings on the grounds that Gaetz resigned just as the committee was finally ready to go public. Johnson says it's because Gaetz is now just a private citizen.

Like Hunter Biden.

Even some of Trump's most slavish defenders are trying to convince themselves that Gaetz's nomination is somehow "not serious," or intended as a feint to get someone slightly less outrageous into the job. If so, Gary’s is one of many not-serious nominees. 

The primary experience Trump is looking for as he assembles his Cabinet of Dr. Tarr & Professor Fether is TV screen time: a Saturday morning Fox Noise host for Defense (the sexual assault allegations against him are apparently a bonus); a syndicated snake oil salesman to run Medicare and Medicaid; a pro wrestling personality for Education; and a 1997 contestant on Real World Boston for Transportation. Trump is still trying to choose between the My Pillow Guy and the Oxy Clean Guy which one gets Commerce which one gets Labor.

The more plum position goes to the Guy with the more sexual misconduct accusations.

Toon: Circle Joke

If you spend a lot of time watching cable TV news, first of all, do yourself a favor and stop; and second of all, you will have heard a variety of pundits, academics, and people of the mistaken belief that they should run for president someday, who are weighing in on Why Kamala Harris Lost The Election.

One of the leading theories is that President Joe Biden and those closest to him handicapped her by running for reelection in spite of mounting evidence that his mental acuity had begun to decline. Many of us, myself included, had voted for him in 2020 on the presumption that at 77, he planned to serve one term to repair the damage left behind by The Corrupt Trump administration, then hand leadership of the party over to someone younger.

Instead, he decided to run for reelection, as he put it, "to finish the job."

Which is ridiculous.

The presidency is not a job you're supposed to "finish." Each president does what he or (someday) she can, and turns it over to the next person. The job is never finished until the Republic is.

Donald Berzelius Trump, I fear, may "finish the job."

Anyway, my worry back when Biden announced his 2024 candidacy was that he didn't have confidence that Vice President Kamala Harris was up to taking over the job from him. Or that a Democratic Party primary battle would leave its victor hobbled by constituencies feeling that they were denied their due, or ignored, or unwelcome. Or, in the absence of a primary battle, ditto.

As things have turned out, plenty of Democratic constituencies are complaining about being denied their due, ignored, or unwelcome anyway. The Left complains that Harris tacked to the center instead of wholeheartedly campaigning on their agenda. The Centrists complain that Harris embraced "wokism" and transgender rights and people who say "Latinx."

I saw a scholar on The Daily Show this week promoting his election post-mortem book, arguing to Jon Stewart that Democrats were doomed by their embrace of DEI (Diversity, Equity, and Inclusion). He wasn't saying that Democrats should join Republicans in promoting Uniformity, Inequity, and Exclusion; just that they should call DEI something else — as if the right-wing propaganda machine wouldn't devote itself to turning the new name into a dirty word.

Now, I suppose that had Harris listened to the Palestinian rights crowd and condemned Netanyahu's genocidal war in Gaza, it might have been enough to get her over the finish line in Michigan. But it wouldn't have made the difference in any of the other "blue wall" swing states. Vowing to send undocumented alien drug dealers to Guantanamo might have gained her Arizona.

On the other hand, those moves might have helped about as much as affecting a southern drawl helped her in Georgia and North Carolina.

No Thanks, I've Had Enough

 

This Week's Sneak Peek

I should have been thinking of Thanksgiving cartoons (Hey! How 'bout drawing someone in the news as a turkey?), or even something for World AIDS Day.

But this guy is everywhere. A festering cancer that has spread itself throughout the entire lymphatic system of the body politic. A ringing tinnitus that robs you of sleep at night and obsesses your thoughts all day. 

A malevolent poltergeist destined to haunt us long after that blessed day when we mistakenly think he's finally gone.

What Kind of Nation Elects a Fascist?

The answer may depress you.

I'll give you a hint: not a great one.

for Q Syndicate, Oct. 2004

Today's Graphical History Tour kicks off with a cartoon I drew 20 years ago when George W. Bush was sailing on a swiftboat to reelection. It expressed my feelings about his GOProud supporters then, and seems a propos to the several demographics who, having witnessed the shitshow that was Donald Berzelius Trump's first term, decided to ask for another.

Rather than the usual recap of my cartoons from 40, 30, 20, and 10 years ago, I feel that I just can't ignore the foreboding of what's in store during the next four.

When the outcome of last week's election could no longer be denied, I changed my personal Facebook photo, which had been of my "I Voted Today" sticker and buttons for three of the people I voted for, to this cartoon that I had drawn the first time our Electoral College handed the nation over to Donald Trump:

for Q Syndicate, November, 2016

I soon learned that my esteemed colleague, Jack Ohman, had just published an extremely similar cartoon, based on the same Bill Mauldin classic that had inspired mine.

That is what we in the editorial cartoon biz call a "Yahtzee." Jack and I independently came up with the same idea, based on the same subject matter familiar to both of us, to express the same reaction to (more or less) the same news event. Or, in this case, the recrudescence of the same news event eight years later.

To be quite honest, however, neither of our Lincoln Memorial Barfing cartoons quite capture my reaction this time around. The election of Trump for a second reich, this time with the support of an actual majority of my fellow Americans, feels more like seeing a dog eating its own vomit.

I’m not drawing that cartoon. 

Pat Bagley drew a slightly more sanitized version of that sort of idea anyway, and it was still too risqué for his editors at the Salt Lake Tribune. I don't like to swipe my colleagues' work here, but I think you need to see what I’m talking about.

"Lap Lap Lap..." by Pat Bagley for Salt Lake Tribune, Nov. 9, 2024

At this point, we’ve moved on from the initial shock and horror of Trump’s election, to the ever-accumulating nausea and dread of one outrageous cabinet appointment after another to the impending cabinet of Dr. Tarr and Professor Fether.

I tried warning everyone about it with last week’s Graphical History Tour, but obviously, I wasn’t forceful enough. 

I didn't include this next cartoon last week lest it prove prophetic:

January, 2021

Perhaps I should have.

It has been noted that if you've ever wondered what you would have done when the Nazis took over Germany, congratulations, you're doing it now.

Having seen the cartoons of Ben Garrison, Chip Bok, Gary Varvel, Henry Payne, and others gloating over the November 5 results, I'd suggest my colleagues substitute the word "drawing" for "doing."

Since this post is supposed to be about history, here's a little taste of what Germany's cartoonists were drawing when Hitler came to power on January 30, 1933.

"Die Meistersinger (Dritter Aufzug) by Werner Hahmann in Kladderadatsch, Berlin, Feb. 12, 1933

The Garrison types were in charge at the Berlin satirical weekly Kladderadatsch, where Hitler's rise to power was greeted with the above paraphrase of the poet Hans Sachs, a leading character in Richard Wagner's Die Meistersinger von Nürnberg. (February, 1933 happened to be the 50th anniversary of Wagner's death, so there were a number of cartoons referencing the composer at the time.)

"Immer Sein Kampf..." by Karl Arnold in Simplicissimus, Munich, Feb. 5, 1933

Simplicissimus, published in Munich since 1896, was a center-left counterpart to Berlin's Kladderadatsch. Its satire became less pointed during The Great War, under pressure to be patriotic; it was no friend of the Nazis during the Weimar period, however.

I don't know whether the date on their February 5, 1933 issue is when it hit the newsstands, or the date until which it was intended to remain on the newsstands, but the cover cartoon's intention was clearly to mock the prospect of a Hitler chancellorship on the strength of a bunch of hayseeds from the Teutoburg forest area.

"Zur Verfassung des Deutschen Reiches" by Karl Arnold in Simplicissimus, Stuttgart, March 12, 1933

Shortly after Hitler's rise to power, Simplicissimus had found it necessary to decamp from Munich to Stuttgart.

"Wagner in Walhall" by Thomas Th. Heine in Simplicissimus, Munich, February 12, 1933

Having already spent time in prison for publishing a cartoon critical of Kaiser Wilhelm in 1898, editor Thomas Theodor Heine appears to have shied away from satire targeting individual politicians. I don't detect a political subtext in his tribute to Wagner; yet Heine still had commentary to offer about the new government's plans to fix the German economy.

"Vierjahresplan" by Th. Th. Heine in Simplicissimus, Munich, Feb. 26, 1933

Within months, Heine, a Jew, was ousted from the magazine and would flee to Czechoslovakia. When that, too, proved unsafe, he moved to Norway, and finally to Sweden, where he died in 1948. His last cartoon in Simplicissimus was in the April 1, 1933 edition, under the appropriate title, "Epilogue." 

"Epilog" by Th. Th. Heine in Simplicissimus, Stuttgart, April 1, 1933

Q Toon: It's Only a Day Away

It’s gonna be a rough four years — more than four, from what plans were already seeing of Republican plans to circumvent and stifle democratic norms and safeguards.

Let me just say here that I'm aware that some people are tired of politics, politics, politics. I get it. The 2024 election in this country went on too loud and too long, and only partly thanks to all those Trumpsters who have been flying their Trump flags in front of their house and from the back of their pick-up trucks non-stop for the past eight or nine years.

But there is a guy in my age cohort whose TikTok video explained succinctly what those of us who care about democracy are going through right now. America has spoken loudly and clearly that all the values we were taught to live by since we were kids belong in the garbage. The role model they want to hold up for their children is a lying, cheating, grifting, self-centered, infantile, spiteful, hateful, racist, sexist, fascist, financial ignoramus without one single redeeming social trait.

Who, in the words of the guy he wants for his next Secretary of State, had he not inherited a fortune from his old man, would be selling counterfeit gold watches on the street.

By the way, if you're in the market for those gold watches and tennis shoes he's been hawking on Trump Social, better get 'em now before the tariffs kick in.

Meanwhile, if America has decided to trade all those virtuous values I grew up with for a cheaper carton of eggs, I'm sorry, folks.

No deal.

This Week's Sneak Peek

This guy gave me a host of problems this week.

Leo the Lib and MAGA Max make a return this week, and the first problem I ran into was that I haven't drawn Leo from this angle before. Trying to make him recognizable, I cluttered my drawing board with an awful lot of eraser dust. Eventually, I had a face that was acceptable.

But I wasn't getting having him slumped in his chair right. I'm still not satisfied with this.

Then, when I had the cartoon scanned and transferred to my computer screen, I realized that he was way, way out of perspective. I clipped the image above and moved it to a better location in the cartoon, then erased the portions that would be covered by the people in the foreground.

So far, so good.

But the setting required lots of people in the background, too, and now there was a big gap in the space where Leo used to be. The rest of a table needed to be filled in, as well.

Photoshop does a lot of things really well, from filling in colors, shading, and centering text. But it's not designed for drawing lines, especially straight ones. It's like performing surgery with a bowling ball and oven mitts.

So I'm not happy with what went out for syndication today, but deadlines are deadlines. I'm going to try fixing what I can the old-fashioned way this week, though.

When the Nation Kept Its Cool

The American people spoke loudly and clearly on Election Day, November 4, 1924.

"The Avalanche" by Nelson Harding in Brooklyn Daily Eagle, Nov. 5, 1924

The outcome wasn't even close. Incumbent President Calvin Coolidge garnered 54% of the popular vote to John W. Davis's 29% and Robert LaFollette's 17%. The Electoral College map was just as lop-sided; Davis won only Oklahoma and the states of the Confederacy minus Kentucky; Coolidge won 382 Electoral College votes from almost everywhere else.

"Touchdown, Game's All Over" by J.N. "Ding" Darling in Des Moines Register, Nov. 5, 1924

Darling, or whoever wrote the headline for his morning after cartoon, didn't understand football very well if he thought that it only takes one touchdown to win a football game.

Or perhaps he was predicting the current overtime rules.

"They Still Have the Wagon" by J.N. "Ding" Darling for Register and Tribune Syndicate, Nov. 5, 1924

The St. Louis Post-Dispatch editorial attempted to explain the Coolidge landslide, placing some of the blame on the ridiculously long nomination fight at that summer's Democratic Party convention:

"The selection of [Charles] Bryan [as vice presidential nominee] aroused all the opposition to William J. Bryan and gave the Republicans the opportunity to make Bryan, instead of Davis, the target of attack. The Bryan nomination started the drive of the business element into the Coolidge camp.

"The La Follette movement completed the drive. It turned out to be a futile thing, but it served as a red menace to turn the drift of business towards Coolidge and Dawes into a panic.

"The La Follette ticket, which drove the business element to Coolidge, drew large elements of the labor vote from the support of Davis. The labor vote that it did not draw it confused and disorganized. ...

"The Ku Klux Klan helped the Republican ticket effectively. Democratic klansmen in every state knifed Mr. Davis. The McAdoo followers, who were opposed to the naming of the klan [in the party platform] and bitterly disappointed by the defeat of McAdoo, were resentful, if not bitterly hostile, to the Democratic candidate."

"I've Just Begun to Fight" by Clifford Berryman in Washington (DC) Evening Star, Nov. 6, 1924

In his syndicated cartoon, Darling agreed with the Post-Dispatch editorialists as far as attributing some of Davis's loss to Sen. Robert LaFollette; Berryman pointed out, however, that LaFollette came out of the election with only the Electoral College votes of his home state.

"Hardly So Much as a Grease Spot Left" by William Hanny in Philadelphia Inquirer, Nov. 6, 1924

Nevertheless, LaFollette led the vote in several counties in midwestern, plains, and west coast states. In statewide results, he came in second, ahead of Davis, in California, Idaho, Iowa, Minnesota, Montana, Nevada, North and South Dakota, Oregon, Wyoming, and Washington state. 

"I Thought It Was a Whale" by James "Hal" Donahey in Cleveland Plain Dealer, Nov. 5, 1924

Had their 74 electoral college votes gone to Davis (in no state in which LaFollette came in third was his total more than the difference between the Republican and Democratic totals), it still wouldn't have been enough to tip the election away from Coolidge.

Incidentally, Cleveland Plain Dealer front-page cartoonist Hal Donahey's brother Alvin won reelection as Governor of Ohio. Hal had drawn several cartoons boosting Alvin's campaign and lambasting his Democratic opponent, but restrained himself from drawing a cartoon to crow about Alvin's victory.

As for Democratic- and Progressive-leaning cartoonists, most turned in "Ain't We Glad It's Over" cartoons for the day after the election and quickly moved on to other topics. One exception was Thomas E. Powers.

"I See by the Papers" by T.E. Powers for Star Co., ca. Nov. 7, 1924

"I See by the Papers" was one of Powers's regular features for William Randolph Hearst's Star Company, in which he typically whipped off three to six mini-cartoons on topics of the day. Powers chose not to dismiss the election results as quickly as some other critics of the Republican Party, and he here took note that the stock market reacted enthusiastically to Coolidge's election.

"Out of the Workers' Reach" by O.P. Williams for Star Co., Nov., 1924

Others in Hearst's stable took a more sour grapes view of the stock market delirium. 

20-20 hindsight affords us the knowledge that before long, the stock market balloon would burst. By then, however, Coolidge would have retired to Northampton to write his memoirs.

"The Republicans Win" by J.P. Alley in Memphis Commercial Appeal, Nov. 5, 1924

Down in Dixieland, James Alley was another disappointed Democrat.

Up north of the border, Montreal Star cartoonist Arthur Racey offered his own explanation of Coolidge's victory, and the only one of these cartoons that got a chuckle from me during this bleakest of weeks:

"The Sphinx" by Arthur G. Racey in Montreal Star, Nov. 5

Before we leave the 1924 election behind, there is one more third-party candidate to consider.

Loyal visitors to this blog will recall that two years earlier, Sydney Smith's cartoon character Andy Gump was elected to Congress (at least in the comic strip) but lost to his rival in a recount. In 1924, Gump set his sights on the highest office in the land.

"The Gumps" by Sydney Smith for Chicago Tribune Syndicate, Nov. 5, 1924

This time around, he should have kept a closer watch on his campaign manager.

Democracy Dies

P.S.: Thanks a lot, Bezos.

P.P.S.: If you're looking for this week's cartoon cartoon, I posted it last night, while there was still a faint glimmer of light amid the gathering gloom.

Q Toon: Status Quo Anti

Well, folks, this is my gamble on Sunday on a cartoon idea that I thought would still be relevant after Tuesday.

I could have been delightfully wrong, I suppose. A blue wave could have swept all the transphobes out of office on Tuesday. But as our experience in Wisconsin has shown, they would still be able to wreak all sorts of mischief on their way out the door. Including refusing to leave.

Even a cartoon celebrating the end of instant fund-raising messages from the political parties and candidates could have gone awry.  All it would have taken would be for there to be some run-off election needed somewhere that would tip the balance of the House or Senate or governorship or state legislature, as Georgia foisted on us all the last two elections.

As I noted in Monday's sneak peek, we've had two presidential elections in the 2000's in which the outcome was still uncertain when Wednesday morning's newspapers went to press. We are now told to expect that to be the norm (and not just because Wednesday morning's newspapers are printed a couple hundred miles away these days).

One of my cartooning colleagues posted on Facebook the other day that the editor of one of his subscribing publications had asked him to supply them with some cartoons about something other than the election. It's a reasonable sounding request; nobody wants to go to print with this year's DEWEY DEFEATS TRUMAN.

Or Harry Murphy's cartoon congratulating President-elect Charles Evans Hughes.

But my colleague said no. He's not the type to draw cartoons about sports scores or how sad it is that there was flooding in Valencia — although fresh carnage in Gaza or Lebanon might have piqued his interest. The guy has managed to crank out a cartoon every day almost without fail for several years now.

The fact is that there is very little else to draw editorial cartoons about in this country this week. Even our foreign co-workers appear to be fixated on our presidential election.

Anyway, I've chosen to publish this post in the wee hours of Wednesday morning, regardless of whether we know for sure who the next President of the United States is or not.

And, of course, whether Donald The Terrible and all those Republican House and Senate candidates are able to carry out their campaign promises to criminalize and persecute transgender Americans and their families.

Election Week's Sneak Peek

 This is that most dreaded of all weeks in editorial cartooning.

The cartoon has to be drawn before election results are known, to appear after we know who won.

Or at least who's ahead.

Eight years ago, I drew a cartoon of a gay couple watching TV and rejoicing that that year's election campaign was finally over. But by the time that cartoon was published anywhere, to the shock and horror of gay couples everywhere and plenty of other Americans, Donald Trump had beaten Hillary Clinton. Not in the popular vote, of course, but in the the all-important Electoral College.

Sixteen years before that, my better half and I were planning a vacation that would keep me away from my drawing board in the week following election day, so I proposed to the syndicate editor that I would send him two cartoons: one for use if the Democrat won and one for use if the Republican did.

My editor rejected that proposal, and it's as well that he did. While my better half and I were enjoying sunny Mexico, the United States was enjoying hung chads and lawsuits over recounts in Florida. We still didn't quite know whether Al Gore or George W. Bush had won the election by the time we got back home.

So here's one more reminder to get out and vote, if you haven't already, so that I know what the heck I'm cartooning about next week.

One More Reminder

I can’t believe that four years after the last time we were here on the precipice, our Graphical History Tour has to repeat this stop. But apparently there are a lot of Americans whose memories of the Donald Berzelius Trump administration are not just hazy, but positively gauzy.

March, 2016

His immediate priority upon assuming office in 2017 was to staff many of his cabinet departments with people opposed to those departments' missions.

March, 2017

For the Department of Education, public education foe Betsy DeVos.

March, 2017

For the Department of Health and Human Services' Office for Civil Rights, civil rights foe Roger Severino. 

Few of us noticed Trump also tossing the Obama administration's preparations for pandemic response into the garbage. But have no fear. Trump is promising to put brain worm-addled Robert "Let's Strap A Rotting Whale Carcass On Top Of The Car And Drive Down The Highway" Kennedy Jr. in charge of the nation's health in his second reich.

June, 2017

Starting under Administrator Scott Pruitt, the Environmental Protection Agency abandoned its mission, repealing nearly 100 environmental protection rules and regulations.

July, 2018

And then there was the Trump foreign policy. Bashing our NATO allies. Fawning over Kim Jong Il. Keeping even his translator out of his private meeting with Vlad the Defenestrator, his handler at the Kremlin.

I don't even have a cartoon about the time he wanted to bomb Mexico and pretend someone else did it.

March, 2020

Then, we come to the defining moment of his presidency, the COVID-19 pandemic. His first reaction, as it has been with immigration, was to wall off the whole country against foreigners, returning tourists and business people, imports, birds, and wind. When it became painfully obvious even to Trump that it was too late for that, he discovered that he could be the center of attention by going on television every day to promise that the pandemic would miraculously be over by Easter. Then summer. Then Columbus Day.

April, 2020

He spouted ridiculous phony cures, from horse tranquilizer to bleach to shining bright lights up everybody's ass. And the death toll kept mounting. Although Kim Jong Un did not end up on that list.

We didn't know that Secret Agent Trump sent a COVID-19 test machine to Putin at Kremlin headquarters when they were still scarce in the country he supposedly wanted to make great again.

October, 2020

Turned out that Trump was COVID-positive himself when he appeared on stage to debate Democratic Party presidential nominee Joe Biden.

Trump's utterly unhinged performance that night was but a foretaste of the shitshow Trump and his gangsters thrust upon the nation after we decisively voted to toss him out of office. Refusing to concede, he sent his consiglieres to argue a pack of lies in the courthouses, on the airwaves, and over the intertubes.

January, 2021

The cartoons I drew of Trump protesting his election loss paled next to the riot he fomented at the U.S. Capitol. The assaults on police officers. The wanton vandalism. The threats to kill the Vice President, the Speaker of the House, and any other member of Congress they might happen to stumble upon.

The Senators who were sent scurrying for their lives only to come back and decide that no impeachable offense had ever occurred.

February, 2024

Revenge upon his political enemies as a campaign theme wouldn't poll well, to Trump decided to make vilification of darker-skinned immigrants the primary focus of Trump 2024. The issue was so important that he made sure that the bipartisan immigration reform bill hammered out in Congress never made it to the floor of the House.

September, 2024

Just in case those brown-skinned immigrants miraculously stopped showing up at the southern border, Trump had another target for persecution: American transgender persons. 

Oh, I haven't even gotten around to his stealing thousands of classified government documents he had never gotten around to reading and stashing them in his bathroom, ballroom, and garden shed. Or his holding Puerto Rico hurricane relief funds for ransom, then showing up to throw paper towels at people. Or his history of sexual assaults. Or his 34 felony convictions.

I could repost more cartoons, but frankly, this post is way over the limit already.

For now, I'm keeping my fingers crossed that enough Americans will decide that Donald the Grouch Trump was in the wrong end of that big ass garbage truck this week.

Q Toon: Cancel Culture

The odd couple of Liberal Leo and MAGA Max make their third appearance this week, telling a vote canvasser that they had both cast their ballots early. (I had to script their dialogue so that it would work in case the deadline for early voting had passed in the locales where they might be published. Originally, I had the canvasser herself promoting early voting.)

My better half and I have already voted, which has done nothing to stop the instant messages, phone calls, and hysterically desperate emails hounding us to vote, volunteer, and THIS IS THE FIFTEENTH TIME WE'VE WRITTEN YOU TO SEND US MONEY!

(No it isn't. I delete 100+ such requests every freaking day.)

In the final panel of this week's cartoon, Leo and Max reference the decision imposed by the owners of the Washington Post and Los Angeles Times to spike editorials by their respective editorial boards endorsing Kamala Harris for President. Thus granting tacit equivalence to the candidacies of center-leftist Harris and fascist, racist, extremist grifter Donald Berzelius Trump, the decisions by Jeff Bezos and Patrick Soon-Shiong have resulted in a deluge of subscriber cancelations in protest.

Soon-Shiong’s daughter claims that her father’s diktat comes in protest of the Biden administration’s supplying weaponry to Israel in spite of its on-going wholesale slaughter of Palestinians. Fair enough.

But the chances of a Harris administration reining in Mr. Netanyahu, while slim, are much greater than a second Trump administration doing so. The first Trump administration’s only action regarding the Palestinian problem was sending his son-in-law to sit down with Netanyahu and draw up the Palestinians’ terms of surrender.

For his part, Bezos had the Post publish his excuse for killing its endorsement editorial. As I understand it, he's just returning the Post a simpler, more innocent time before color television when it didn't make such endorsements. And pay no attention to the corporate interests behind the curtain.

He did not explain why this sudden policy change came a mere eleven days before Election Day — as opposed to eleven months ago — or even eleven weeks ago when the Post editorial board was writing editorials essentially calling upon President Biden to drop out of the race for the good of the nation.

(I apologize to those of you among the 200,000 who canceled their Washington Post subscriptions this week for those three links to articles you cannot read. I still value its news department's reporting too much to cancel mine, not to mention the wit and wisdom of such as Ann Telnaes, Eugene Robinson, Alexandra Petri, and Dana Milbank. They can't all have their own substacks, can they?)

Anyway, to nobody's surprise, Trump is now telling his devoted minions, “The Washington Post and Los Angeles Times, and all these papers, they’re not endorsing anybody. You know what they’re really saying — because they only endorse Democrats — they’re saying this Democrat’s no good. They’re no good. And they think I’m doing a great job. They just don’t want to say it.”

So, Bezos, ya wanna try writing another op-ed about how when they came for democracy, you said nothing, because you weren't a Democrat?

This Week's Sneak Peek

This week's cartoon should be the last syndicated one released before Election Day, although not the last one drawn before the polls open.

By the way, if you weren’t aware that an election is coming up, congratulations on successfully becoming a complete ignoramus. That must have required a great deal of effort and determination.

Please don’t vote next Tuesday.

Rapport du Livre ce Samedi

I can't attend a convention of the Association of American Editorial Cartoonists without coming home with at least one book to report on here, so today's Graphical History Tour is devoted to Sketches from an Unquiet Country: Canadian Graphic Satire 1840-1940, edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney. 

It's a dense tome; a reader must occasionally cut one's way through scholarly language such as “critical tradition that bifurcates aesthetic forms” and “historiographic metafiction.” The collected essays deal with the century between the failed rebellions of the late 1830's and the start of World War II. All of them address the nature of satire itself; some of them emphasize historical events, and others societal mores. Artistic styles also come in for assessment.

Nancy Perron displaying the work of Albéric Bourgeois at ACC-AAEC Convention

Some of the content was covered during presentations to the ACC and AAEC members at the Musée McCord-Stewart earlier this month.

One of them, as I mentioned in this blog, was Christian Vachon's essay arguing that the character of Uncle Sam as we know him today originated in Canada.

"Uncle Sam Kicked Out" by John Henry Walker in Grinchuckle, Montréal, Sept. 23, 1869

The idea of Uncle Sam existed earlier than this John Henry Walker cartoon, but Walker dressed him in striped breeches and a star-spangled coat weeks before Thomas Nast first did the same. In earlier cartoons, there is little to distinguish Uncle Sam from his predecessor, Brother Jonathan, a wise-cracking Everyman appearing in cartoons from the earliest days of nationhood.

To bolster the case of Nast getting his inspiration for Uncle Sam from Walker, Vachon cites examples that Nast also borrowed Uncle Sam's Canadian counterpart, Johnny Canuck, from Walker's cartoons. Uncle Sam, however, has survived Johnny Canuck as a cartoon stock character. (Johnny Canuck's revival during World War II as an action comic hero and again as the mascot of Vancouver's professional hockey team is outside the purview of this book, but it does include some examples of 21st-Century Canadian politicians cast as Canuck in editorial cartoons.)

Another essay follows the development of Miss Canada, a daughter of Britannia and sister of Columbia. All three are based on Greek goddesses; only one of them was typically accompanied by a beaver. Nowadays, all three are attic has-beens, and only the beaver survives in cartoons.

Cartoons of Arthur G. Racey, whom we featured here two weeks ago, appear with Jalene Grove's essay on "The Pretty Girl," chronicling Canadian artists' resentment of U.S. ideas of what constitutes female beauty.

Selections from "The American Girl" by A.G. Racey in The Moon, Montréal, 1902

 I've edited out some of the racist examples that accompanied Racey's satires above of U.S. cover girls (offensive cartoons are not limited to the chapter on anti-Semitism). The essay charts the progression from turn-of-the-century grotesque caricature to later cartoonists whose sly, wink-and-a-nod parodies may require a second glance nowadays to catch their satirical aspects.

It is unfortunate that the chapter on women's suffrage in cartoons does not include any cartoons arguing in its favor. Perhaps Pierre Chemartin and Louis Pelletier couldn't find any (U.S. cartoonists were certainly slow to come around to the idea). 

"Ulysse and the Sirens" by Henry Mayerovich in New Frontier, Montréal, Sept. 1936

The unfeminine harridans of women's suffrage are followed by a chapter showcasing the anti-Semitic, pro-fascist cartoons of Le Goglu (The Bobolink). Le Goglu's editor is at center in the above cartoon from the next chapter, about the anti-fascist press in Canada. Those two essays really have to be read as a pair.

Most of the essays are translated into English from their original French. The cartoons include the work of both Anglophone and Francophone authors; translations are offered for many but not all of the latter. One of the exceptions, "Les Pouilleux de Québec: Skidou!" is excerpted on the book's cover. It's a parody in Le Goglu of someone else's cartoon about hobos; I would translate the title as "The Lousy Ones of Quebec: Skidoo!"

The text gives an English translation of the seemingly innocuous poem accompanying the first panel of the cartoon, showing a woodsman settler in colonial times. The three other quatrains are given only in French. The book's cover illustration comes from the fourth panel, the poem for which proposes kicking all the Jews out of Canada to Palestine, the land of flying lice ("le pays de poux-volants"). 

The penultimate essay, on Albéric Bourgeois and his alter ego, Baptiste Ladébauche, by Laurier LaCroix serves as a welcome palette cleanser after the bitter and salty fare from the fascists and socialists.

In the end, I can't fault the scholarship in this book in any way. There are a few passages where cartoons are cited in the text without including them as illustrations, which is regrettable; Al though I understand perfectly well that some of them may not have been available, at least in the high-resolution quality of the cartoons that are included. The cartoons printed in color in the middle of the book, while limited, come as a pleasant surprise.

The U.S. educational system barely acknowledges the existence of our neighbor to the north, so much of the history here is bound to be new to us readers "from across the line." If you're interested in appreciating more about Canada than its back bacon and poutine, this book is a fine place to start.