Q Toon: Catching Up

It is finally time to extricate Leo the Liberal from Trumplinka Concentration Camp and extrajudicial expulsion to Shitholistan, so I've decided that his partner, MAGA Max, finally checked his phone messages and discovered that Leo was waiting for him at the Ottawa airport.

How they will explain returning to the United States without any luggage I leave to your own imagination.

Having recently traveled by car through southern Ontario, I can report that passing into Canada at Niagara Falls was a breeze, whereas coming back into the U.S. at Port Huron entailed a twenty-minute traffic jam at customs. The questioning at either border was friendly and non-problematic; we did see one car directed aside for further examination, but of course, we have no idea why.

But while a real human being who was returned from unjust banishment to a Salvadorian concentration camp is now being threatened with expulsion to Uganda, I'm going to let Leo fall between the cracks of Trump's lawless deportation purges. Probably.

The stumbling block I had to surmount for this cartoon (besides the Canadian flight attendants union strike) was Max's dialogue in the second and third panels. It doesn't quite sound like something a MAGAzoid would say.

But for the past several months, Trumpian fascism has affected Max directly. Now that it no longer does, Max, like the rest of the MAGA flock who used to see threats to democracy and the Constitution everywhere, will go back to blind Trump l'oeilty.

In 2020, Trump's blustering, blundering response to the COVID-19 pandemic was something that affected all of us directly, and helped convince a majority of the U.S. electorate that he had to go. 

Four years later, few of us were still directly affected by COVID-19; the pandemic seemed manageable. So a majority of the U.S. electorate decided, hey, what the heck, better to elect a manifestly corrupt, lying, self-absorbed, dim-witted, venal, seditious convicted felon who nearly got us all killed, than that Black woman.

2016 in Headlines

Since ’16back Saturday coincides with New Year's Eve this year, I'm going to post my annual photo of newspaper and magazine front pages here.

I offer my usual caveats: with only newspapers from the midwestern United States to choose from, I can't include many big international stories, such as the impeachment of Brazilian President Dilma Rousseff. The slow crushing of the rebellion in Syria lends itself more to photojournalism than a banner headline. And I might have included the death of Fidel Castro if he hadn't already turned the reins of power over to his brother years ago.

Meanwhile, I don't have a home paper publishing my stuff that would put together a 2016 in cartoons spread, so here are my own favorites from this crappy year:

Q Toon: Beefcake for Thanksgiving

We pause one moment before the Thanksgiving holiday, the fiscal cliff, and the next round of Israeli-Palestinian bombings to wring one more drop of prurience out of l'Affaire David Petraeus.

Have a happy and blessed Thanksgiving. Unless you're forcing your minimal wage employees to spend the holiday stocking shelves and ringing up sales. Then I hope your Thanksgiving sucks even more than theirs.

Q Toon: J. Edgar

And the winners in the expletive derby are "Gadzooks" and "Dang."

For all I know, J. Edgar Hoover was as foul-mouthed in private as Richard Nixon. Hoover came across as a hard-as-nails crime fighter, all business, who made it his business to know all the dirt on everyone in the country. That was before Susan Rosenstiel told Anthony Summers that Hoover got dressed up in drag to go out to Roy Cohn's private parties, where he was introduced to her as "Mary."

A little bit more back story to the cartooning here: I wanted to draw Hoover in drag in this cartoon, but after David Simpson's latest plagiarism scandal, I had to be careful not to copy Pat Oliphant's cartoon of J. Mary Hoover -- especially now that I gave This Land permission to cite me as having spotted three previously unnoticed examples of his down-to-the-crosshatch copying of other people's cartoons. (I would note that other cartoonists have spotted the same cartoons; The Oregonian's Jack Ohman also left a comment on This Land's previous article.)

To keep Hoover's garb contemporaneous with Hoover himself, the dress in the cartoon is patterned more after Marilyn Monroe's famous updraft dress or something out of the Folies Bergères. Not that it wouldn't have been fun to have shown him dressed like Snooki or Lady Gaga.