Something Old, Something New

Today's Graphical History Tour returns to some of my own cartoons celebrating their decennaries this month, but I'm going to shake things up a bit this time and not take them in chronological order.

I'll start with this cartoon drawn for one of the more liberal of the student newspapers at the University of Wisconsin - Milwaukee.*

in UWM Post, Milwaukee Wis., March 3, 1994

UWM has long had two vocal student groups advocating against each other for Palestine and Israel. The pro-Palestine group posted an inflamatory poster in the student union atrium in response to the Cave of the Patriarch's Massacre, in which American-Israeli physician Baruch Goldstein opened fire on Palestinians worshiping in the Ibrahimi Mosque in Hebron, killing 29 and wounding 125.

The Palestinian Human Rights Campaign's poster depicted a sequential cartoon of a Star of David morphing into a swastika. The Jewish student group complained to the chancellor of UWM, John Schroeder, that the poster was antisemitic and should be taken down.

It's an argument reflected in graphic discussion of the Israeli-Palestinian conflict at large, and never moreso than today.

If I were to draw a cartoon like this today, I would add a rule that any reference to blood is also out of bounds. You can draw Vladimir Putin as a bloodthirsty monster in Ukraine, or George W. Bush spilling blood in Iraq, or Slobodan Milošević dripping blood in Bosnia. But the moment you try any of that with Bibi Netanyahu, you're trafficking in Blood Libel against all Jews everywhere.

Cartoons by Dwayne "Mr. Fish" Booth and Serge Chapleau

A number of cartoonists have stumbled into the Blood Libel trap since the Netanyahu government's scorched earth campaign to push Palestinians in Gaza into the sea — most recently Dwayne Booth, who draws under the nom de plume "Mr. Fish," and Serge Chapleau of La Presse in Montréal, Québec. Chapleau's cartoon of Netanyahu as "Nosferatu en route to Rafah" was yanked off-line by La Presse this month after howls of protest from the Usual Quarters. The Association of Canadian Cartoonists issued a statement in support of M. Chapleau; he stands behind his cartoon, and La Presse stands behind dumping it.

Mr. Fish's cartoon from last November was singled out as anti-semitic by the right-wing Washington Free Beacon and then criticized by the Interim President of the University of Pennsylvania, Larry Jameson. Mr. Fish has not been fired from teaching his course on cartooning at U-Penn, and no journal that posted "Who Invited That Lousy Anti-Semite" on line has 404ed it with apologies; so I haven't heard any push for the Association of American Editorial Cartoonists to leap to his defense.

for Q Syndicate, March 2004

Moving on: This was a cartoon I drew as a reserve for Q Syndicate, to be released at some later date when I might be on vacation, laid up, or for some other reason fail to get a cartoon in on time. For that reason, the cartoon did not deal with any actual news story; it's not about any particular cartoon syndicate rejecting the work of any particular lesbian cartoonist.

I bring it up today because within cartooning circles here in 2024, some of us are more concerned with the decision by the major newspaper publishing conglomerates to standardize their newspapers' comic pages, because of which decision just about every comic strip currently drawn by a woman has disappeared from print.

Lynn Johnston’s “For Better Or Worse" has survived the purge, but it has been in reruns since 2008. Two other sort-of exceptions are "Luann" by Greg Evans with his daughter Karen as co-author, and "Shoe" currently drawn by Gary Brookins and Susie MacNelly, widow of the strip's original creator.

As Georgia Dunn noted in her strip "Breaking Cat News," "There are more dead men than living women in the funny pages."

Well, it's Holy Week in the Western Christian calendar, so let us open now our hymnals to page ax².

in UW-Parkside Ranger, Somers Wis., March 22, 1984

Back in the 1980's, conservatives upset by the separation of church and school and encouraged by the presidency of Ronald Reagan, were eager to impose prayer on public school students. Not mandatory, of course, but voluntary. 

Fair enough, I suppose. Turnabout, however, is fair play.

Who could have foreseen that forty years later, some tawdry huckster would be hawking Bibles with the Constitution as Apocrypha?

I wonder how many Corinthians it has.

for Q Syndicate, March, 2014

Speaking of turnabout as fair play, it's been ten years since Mr. Fred Phelps shuffled off his fetid coil. Since he based his entire career on speaking ill of the dead — loudly, through a bullhorn, at funerals — it was only fitting to dyslogize him in like manner.

He is risible indeed.

_____________________

* The other main newspapers were the right-wing Times and the Black American Invictus.

Faces in the Crowd

The cartoon I posted on Sunday employed caricatures of a number of House Republicans, when I could more easily have drawn a single GOP elephant at a microphone. So why didn't I do that and knock off an hour earlier?

June, 1996 for the UWM Post.

Pardon me if I step back a few years in order to answer that. In 1996, I drew a crowd of (hopefully) recognizable Republicans, grinning smugly, because that made more sense than drawing a single elephant, and was more effective than a bunch of smugly grinning elephants. Behind Bob Dole in this cartoon, mocking GOP claims of having a "big tent" on the abortion issue in spite of the hardline plank in the party platform, stand, from left to right: Dick Armey, Newt Gingrich, Trent Lott, Phil Gramm, Jesse Helms, Gary Bauer, Pat Robertson, and Ralph Reed.

(Since the UWM Post didn't put out any editions that summer, the above cartoon was never published, but I ended up drawing another one a lot like it for them in September.)

in UW-M Post, March 5, 1991

My cartoon of sheepish Democrats at the peak of George H.W. Bush's popularity would have been less pointed if I had drawn a donkey or donkeys among the sheep. (From left to right: Sam Nunn, Bill Bradley, Dick Gephardt, Tom Foley, Al Gore, Mario Cuomo, Lloyd Bentsen, and George Mitchell.)

in UWM Post, September 28, 1989

Which is not to say that every editorial cartoon has to include caricatures of actual politicians. I liked the idea for my cartoon about multiple ethics investigations going on in the nation's capital in 1989, but there weren't enough politicians actually leading one investigation while being the target of another for me to have drawn a bunch of real people.

This idea is not far removed from Thomas Nast's "Who Stole the People's Money? Do Tell. 'Twas Him" cartoon showing easily recognizable members of the Tammany Ring standing in a circle, each pointing fingers at the man to his right. It's a great cartoon that had great impact when it was published and has stood the test of time, even though the real Richard Connolly was not accusing Peter Sweeney, who was not accusing Boss Tweed, who was not accusing James Ingersoll, etc.

for Q Syndicate, June 21, 2004

Here again, I could have drawn specific Republican senators pulling a prank in 2004, but I think this particular cartoon works better this way artistically.

Still, I believe it is useful for cartoonists to hold actual politicians accountable for their stands on issues. Thomas Nast's cartoons would have had little impact if he had tamely drawn generic "City Hall" characters — or comical Tammany Tigers — every week. Likewise, it's all well and good to draw a cartoon highlighting Lindsey Graham's or Matt Gaetz's craptasm du jour; but if one doesn't hold their feet to the fire, the effect is likely to be ephemeral.


We can't all be Thomas Nast, but we can still try.

GOP Conventions Past

Since I've already posted about 1916 this week, for today's installment of Swerveback Saturday, I rummage through the dusty crate of my own cartoons.

The topic this week is cartoons about Republican National Conventions. I didn't draw national issue toons for a newspaper that published during the summer until 1988, so that's where we'll start. My George H.W. Bush caricature didn't quite come together until this second one:

My caricature of Vice President Dan Quayle never really came together at all, so I don't miss him as a national figure.

Skipping an entire generation, all I can find from 1992 to 2000 is this never-published one. It might have worked better in a vertical (portrait) orientation, so that I'd have had room to draw George W. Bush and Dick Cheney's with their arms raised.

As you've seen, these convention cartoons are usually about the candidates; but once in a while, the convention itself comes up for discussion. There was never any contest for the Republican nomination when Dubya ran for reelection in 2004...

...so instead I coupled the GOP keeping its LGBT supporters at arms length with its introduction of a "free protest zone" that year.

The party platform always gets a lot of attention at convention time, even if it becomes wide open to interpretation afterward.

Because...