Post Waste

Editorial cartoonists have been buzzing this weekend over a cartoon by Pulitzer Prize winning Ann Telnaes that was spiked by her employer, The Washington Post, causing her to quit the job. The cartoon would have portrayed Post owner Jeff Bezos, Los Angeles Times owner Patrick Soon-Shiong, Facebook-Meta founder Mark Zuckerberg, AI CEO Sam Altman, and Disney's Mickey Mouse prostrate before a colossus Donald Trump, offering him/it bags of cash.

Telnaes explained on her Substack, where you can also find her rough sketch of the cartoon:

“As an editorial cartoonist, my job is to hold powerful people and institutions accountable,” Telnaes wrote. “For the first time, my editor prevented me from doing that critical job. So I have decided to leave the Post. I doubt my decision will cause much of a stir and that it will be dismissed because I’m just a cartoonist. But I will not stop holding truth to power through my cartooning, because as they say ‘Democracy dies in darkness.’”

The Association of American Editorial Cartoonists (AAEC) came to Telnaes's defense with a strongly worded statement:

"… The AAEC condemns the Post and their ethical weakness. Editorial cartooning is the tip of the spear in opinion, and the Post’s cowering further soils their once-stellar reputation for standing up and speaking truth to power. We weep for the loss of this once great newspaper…

We request that all editorial cartoonists do a finished version of her rough and post it in solidarity with Ann’s brave and sadly necessary decision. Please use the hash tag #StandWithAnn…"

I therefore add my two cents to the conversation:

The bruhaha has been reported all over the internets. I suppose, in fairness, one should let the head honcho at WaPo have his say, too.

The Post’s communications director, Liza Pluto, provided The Associated Press on Saturday with a statement from David Shipley, the newspaper’s editorial page editor. Shipley said in the statement that he disagrees with Telnaes’ “interpretation of events.”

He said he decided to nix the cartoon because the paper had just published a column on the same topic as the cartoon and was set to publish another.

“Not every editorial judgement is a reflection of a malign force. ... The only bias was against repetition,” Shipley said.

As any editorial cartoonist will tell you — and several already have — editors have never shied away from printing an editorial cartoon that buttresses an editorial column in the same newspaper. Good God, man, that was my entire job description with the Business Journal of Greater Milwaukee.

I had not been among the thousands canceling subscriptions to the Post last fall when its management spiked an editorial endorsement of Kamala Harris for President. That was in large part because I appreciate and enjoy Ann Telnaes's cartoons.

I'm now subscribing to her Substack. Soon, the newspaper publishing model for our profession will be dead and we editorial cartoonists will all be trying to live off each other's subscription to our own Substacks.

Meanwhile, if you want to subscribe to the Post, it continues to publish the cluttered, right-wing editorial cartoons of Pulitzer Prize winning Michael Ramirez, and editorial cartoons about mulled wine, neither of which risk getting Mr. Bezos on Donald Trump's Enemies List.