Splendid Isolation

After Thursday's debacle — er, debate — no, I was right the first time — I for one am willing to try retreating to 1924 and all the global issues facing our presidential candidates that year.

"Der Januskopf de Präsidenten Coolidge" by Werner Hahmann in Kladderadatsch, Berlin, June 1, 1924

I had initially intended to use this German cartoon in my recent post with the cartoons of Republican vice presidential nominee Charles Dawes, since the face on the right speaking to the German people does not look much like the face on the left. The cartoon was drawn before Dawes was tapped for the second spot on the Coolidge ticket, but he would have been the face of the U.S. proposal for settling the European dispute over German war reparations.

The face doesn't look very much like Dawes, either. But on the other hand, Werner Hahmann probably did not have many photos of Dawes in profile to work from. And Coolidge was somewhat new to the world stage.

Either way, it's one (or two) very different depiction/s of "Silent Cal" than one usually sees from the period.

The tiny text at upper right explains the context of the cartoon:

(Auf dem Jaresdiner der "Liga für nationale Sicherheit" sagte Präsident Coolidge, "Swachliches Bertrauen auf die Rechsidee in der Welt hat wenig Wert.")

(At the National Security League's Annual Dinner, President Coolidge said, "Weak confidence in the idea of ​​law in the world is of little value.")

In looking for the original English version of Coolidge's statement, I found that he said in a letter sent to the Security League Annual Dinner, "I need scarcely tell you how vital I believe it to be in the interests of this country to maintain both the Army and the Navy. Feeble righteousness amounts to but little in this world." The letter said nothing about trusting in world justice; but in a speech at the dinner, his Secretary of the Navy, Curtis Wilbur, did express the administration's hope that eventually humanity would accept a World Court where some international disputes could be settled.

The face on the right doesn't look much like Curtis Wilbur, however. So let's move along.

"Has It Come to This" by Orville Williams for Star Company, ca. June 5, 1924

U.S. cartoonists continued to respond with indignation to Japanese protest against the Immigration Act of 1924 passed by Congress over Coolidge's veto. Orville Williams in the Hearst stable of cartoonists was a reliable critic of all things foreign.

"Keep Your Kimono On" by John Knott in Dallas Morning News, ca. June 5, 1924

The Immigration Act of 1924 drastically limited immigration from southern and eastern Europe (read Catholics and Jews), and prohibited immigration entirely from countries whose citizens "by virtue of race or nationality [were] ineligible for citizenship." Drawing on earlier legislation and a 1923 Supreme Court ruling, that language effectively included all natives of Asia. 

No Asian countries had enough military or diplomatic might to make their opinions of the Immigration Act heard on American shores, except for Japan. Japan was a military and colonial power in its own right.

John Knott's cartoon offers the unique view that the Japanese government did not share in that country's offense taken to the patently racist U.S. law. Yet if the Japanese government had not protested the Act, it is doubtful that it would continue to be a cartoonable issue weeks after it was signed into law.

In fact, Japanese Foreign Minister Matsui Keishirō instructed the Japanese ambassador to the U.S., Masanao Hanihara, to write to Secretary of State Charles Evans Hughes the Japanese government's dissatisfaction that "the manifest object of the [section barring Japanese immigrants] is to single out Japanese as a nation, stigmatizing them as unworthy and undesirable in the eyes of the American people. ... I realize, as I believe you do, the grave consequences which the enactment of the measure retaining that particular provision would inevitably bring upon the otherwise happy and mutually advantageous relations between our two countries."

"Unsophisticated in Foregn Diplomacy" by Arthur G. Racey in Montreal Gazette, June 10, 1924

I wouldn't be able to translate Japanese cartoons on the subject, assuming that there were some; but here are a couple cartoons drawn outside U.S. borders.

"Einwanderungs-Gesetz" by Arthur Johnson in Kladderadatsch, June 22, 1924

Arthur Johnson's cartoons were generally hostile to American administrations in spite of his American heritage. In this case, I think he's seizing the opportunity to twit both the United States and Japan, allies against Germany in the Great War.

"Better Nail Down the U.S." by Winsor McCay for Star Company, ca. June 12, 1924

I don't see a signature on this Winsor McCay cartoon, which I have sometimes interpreted to mean that he drew it at the behest of publisher William Randolph Hearst without entirely agreeing with it. 

Uncle Sam is shown ignoring voices calling to return to a more open immigration policy, to lend financial aid to Europe as it recovered from war's devastation, to "give up our Navy" — and to free the Philippines.

"While We're Giving" by Albert T. Reid in Rutland Herald, June 16, 1924

At this time, talk of liberating the Philippines, an American-governed territory since the Spanish-American War, was coming from the same the Asiatic Exclusion League that had pushed for the Immigration Act. As citizens of a U.S. territory, Filipinos were not barred from coming to the states — a loophole in the Whites Only law.

The Philippines status as a U.S. territory would nevertheless remain unchanged for at least another ten years.