Catching Up, International Edition

By rights, today's Graphical History Tour ought to take us into cartoons from October of 1926. But we still have a couple of international stories to take care of from that September.

We start with the federal election in Canada.

"Definitions" by Douglas H.N. Russell in Vancouver Daily Province, Sept. 11, 1926

We've been following the 1926 campaign, but Douglas Russell kindly reintroduces us to the major parties contesting for power in the above cartoon. 

Arthur Meighen's Conservatives were nominally the incumbent party, but never had a coalition partner to achieve a working majority in Parliament in the three days they were in power. The coalition of William Mackenzie King's Liberals and Robert Forke's Progressives had lost their majority in November, 1925. Labour and other minor parties had more in common with the Liberals or Progressives than with the Conservatives.

"The Liberal Champion Still in the Lead" by Sam Hunter in Toronto Daily Star, Sept. 10, 1926

Most of the partisan cartoons leading up to the vote predicted victory for their favored candidate and defeat for the other side. As election day neared, even the partisan cartoonists had to acknowledge that the vote could tip either way.

"Waiting for the Verdict" by George Shields in Evening Telegram, Toronto, Sept. 14, 1926

Sam Hunter was a committed Liberal, and George Shields was an unyielding Tory. Accordingly, whereas Shields depicts Meighen waiting confidently with John Bull at his shoulder (you surely recall that Canada was a part of the United Kingdom at this time), King sweats nervously, backed by his alleged patron, a scowling Uncle Sam.

"Class Selfishness Versus Canadian Progress" by Arthur G. Racey in Montreal Daily Star, Sept. 11, 1926

Arthur Racey was another dyed-in-the-wool Tory, but I find hardly any cartoons of his boosting Meighen. Instead, Racey put out an occasional cartoon critical of Progressive leader Robert Forke. This one attempts to say too much, yet artlessly and without wit, as if it were one of those godawful imitation editorial cartoons extruded by ai.

Where were we? Oh, yes…

The Progressives, with their constituency in the sparsely populated, agrarian plains provinces, ran a consistently distant third to the Liberals and Conservatives, but were indispensable to any Liberal government.

Forke had resigned as leader of the Progressives at the end of June, running instead as a Liberal-Progressive. A number of Albertan Progressives in Parliament also quit the party, switching to the United Farmers of Alberta (UFA) Party.

"The Come-Back" by George Shields in Evening Telegram, Toronto, Sept. 17, 1926

Election Day was September 14. When votes in all the ridings were tallied, Meighen's Conservatives lost 24 seats. Concentrating their efforts on ridings where they stood the best chance of winning, King's Liberals gained 16 seats, despite earning fewer votes overall than the Tories.

Meanwhile, although the leaderless Progressives lost 11 seats, Forke and his Liberal-Progressives picked up eight and the UFA gained nine. Their gains were enough for the Liberals to forge a governmental majority, and King returned as Prime Minister, to the disappointment consternation of the Telegram and its cartoonist.

"Foolish Gosling" by Fred O. Seibel in Richmond Times-Dispatch, Sept. 13, 1926

Moving right along: Coming in too late to be in our August visit there, Fred Seibel came up with one more paternalistic metaphor to explain why the Philippines should remain a colony of the United States. 

A proposal by rubber industry magnates to grant independence to the largely Catholic north of the archipelago while retaining the more Moslem southern islands as an American fiefdom ultimately went nowhere.

"A Noble Ambition" by Fred Seibel in Richmond Times Dispatch, Sept. 12, 1926

Fred Seibel drew this complimentary cartoon about Nancy Astor, Viscountess Astor, a fellow Virginian who was elected to the British Parliament upon the death of her husband, Waldorf Astor. 

Lady Astor was an outspoken suffragist and advocate for education reform, temperance, and recruiting women into civil service. On the other hand, she was an anti-Catholic Nazi sympathizer, so her career  did not survive World War II. For the time being, however, she was quite popular in her riding and back in the Commonwealth of Virginia.

"Everything Bows to His Dominating Will" by Dorman H. Smith for Newspaper Enterprise Assn., ca. Sept. 21, 1926

Italian Fascist leader Benito Mussolini survived a second assassination attempt in September. 

Anarchist Gino Lucetti had been hiding out in Marseille after shooting Fascist Alessandro Perfetti during an argument the year before, and getting shot himself . Having crossed the border back into Italy under an assumed name, Lucetti threw a bomb at Mussolini's car in front of the Porta Pia in Rome on the very day Lucetti's trial for the Perfetti shooting was to start.

Mussolini was unscathed, although eight bystanders sustained minor injuries, and Lucetti was quickly captured. Mussolini's response to the incident included a veiled warning to France: "We must put an end to the gentle tolerance of parties capable of such matters. It would be well for responsible governments to take note of this, because otherwise their friendship with the Italian people may be fatally compromised, and we are ready to apply suitable methods for this purpose."

"Hands Across the Mediterranean" by William C. Morris for George Matthew Adams Service, ca. Sept. 13, 1926

Mussolini forged alliances with his fellow fascist dictator, Miguel Primo de Rivera. De Rivera had overthrown Spain's elected republic in 1923, receiving the support of King Alfonso XIII after the fact.

Morris's cartoon portrays not only the friendship of the two dictators, but also the relationship between them and their respective royals, the diminutive figures peering out between de Rivera's and Mussolini's legs.

But let's close the book on that September with some cheery news: 

"Germany's Admission to the League" by Arthur Racey in Montreal Evening Star, Sept. 16, 1926

Germany and France have promised never to go to war again! Hoorah!

Labor Day Toons

It's Labor Day weekend, so today's Graphical History Tour checks out what editorial cartoons were on the newsstands 100 Labor Days ago:

"Labor Day" by Fred O. Seibel in Richmond [VA] Times Dispatch, Sept. 6, 1926

Per Fred Seibel, it was a day for the working man to hang up his workday duds and step out in his best suit, pressed pants, and bow tie. Even his little dingbat (named either Jim Crow or Moses, depending whom you ask) gets all duded up for the holiday.

You might spy somebody sporting that kind of fashion sense this Labor Day, but I think novelty t-shirts and Bermuda shorts are as spiffy as most working guys get for their day off.

"His Day — Their Future" by Joe Tung (?) in Cleveland Press, Sept. 6, 1926

I had a little difficulty making out the signature on "His Day — Their Future." Joe Tung does not seem to be a regular cartoonist for the Cleveland Press editorial page.

These 1926 cartoons all overlook the women in the workforce. They were limited to certain professions: seamstresses, teachers, secretaries, nurses, and sales counter service, to name a few. In this cartoon, I suppose this lady is a housewife, but I doubt that the cartoonist or his editors thought of that as the sort of "labor" the holiday was about.

 The $700 million worth of labor-owned stocks in 1926 promised this idyllic cartoon family a bright future —for about three years.

"His Day of Rest" by William C. Morris for George Matthew Adams Service, ca. Sept. 6, 1926

Now, I realize that Gloria Steinem would not be born for another eight years, but did it not occur to anyone to suggest to William Morris that having twice as many Father's Days in a year as Mother's Days was grossly unequal?

"The Support of the Nation" by Orville P. Williams in New York Evening Graphic, ca. Sept. 6, 1926

Orville Williams enlists Uncle Sam in his tribute to the American Working Man.

"Straight Ahead" by Gustavo Bronstrup in San Francisco Chronicle, Sept. 6, 1926

While Gustavo Bronstrup channels Thomas the Tank Engine decades ahead of his time. 

"A Goodly Share" by Ed LeCocq in Des Moines Tribune, Sept. 6, 1926

Quite a few of the Labor Day cartoons in the Roaring '20's credited the Working Man for the nation's prosperity, and promised him a slice of the pie — or, in LeCocq's case, the watermelon — for his efforts.

"Labor Day" by Bill Donahey in Cleveland Plain Dealer, Sept. 6, 1926 

Bill Donahey makes much the same point, with the same setting, but without needing to label the food or the blanket. Or even to bring Uncle Sam along.

"Labor Day" by John T. McCutcheon in Chicago Tribune, Sept. 6, 1926

I have not been able to find anything about that four-armed labor symbol in John McCutcheon's depiction of a Labor Day parade. Assuming McCutcheon didn't create the tetraskelion himself, whatever labor organization it may have represented most certainly replaced it once the swastika became inextricably linked to Nazi Germany.

In Google AI's opinion of this specific cartoon, "this political cartoon parodies the growing militarism, aggressive rhetoric, and intimidation tactics of the early Nazi movement in Weimar-era Germany by converting the geometric arms of the swastika into literal flexing muscles and punch-ready fists." 

I believe Google AI is way, way off, as evidenced by the gentleman in the foreground of the cartoon saying, "I can remember back before the days of unions, when I used to work for a dollar and a quarter a day. Now American labor is the envy of the world." Nothing at all points to a parody of the Nazi movement in Weimar-era Germany, and you can tell Google AI I said so.

Detail from "A Week in Cartoons" by Marvin P. "Hay" Bales in Daily Worker, Chicago, Sept. 4, 1926

Turning to the opposite end of the political spectrum: a Hay Bales cartoon in the Daily Worker, the only one of today's papers that did not publish on Labor Day, notes an explosion in a mine owned by the Clearfield Bituminous Coal Corporation the previous week. Of the 48 miners trapped by the collapse of the mine walls, only four survived.

It was just one of at least three fatal mining accidents in the United States that September. Sixteen men perished in an explosion near Tahona, Oklahoma one day after the Pennsylvania tragedy. Three miners were killed in a mine collapse outside Ironwood, Michigan three weeks later; 43 others survived after having been trapped for six days.

"Seven Years Old—and Growing Stronger" by O. "Zim" Zimmerman in Daily Worker, Chicago, Sept. 1, 1926 

The Daily Worker celebrated the seventh anniversary of the founding of the U.S. Communist Labor Party and Communist Party of America, which merged in 1920 to form the United Communist Party of America. Continued factionalism, plus federal prosecution of the party's criminal agitators, led to the creation in December of 1921 of the Workers Party of America as a parallel, legal communist organization (later the "Workers (Communist) Party.")

"Right—For Once" by Grover Page in Louisville Courier-Journal, Sept. 6, 1926

Grover Page's mainstream response to Zimmerman twists the words of Leon Trotsky, who had been shoved out of power by Communist Party General Secretary Josef Stalin but was still more familiar in the West than Stalin had yet become. 

There is a hasty, slapdash feeling to Page's cartoon — scribbled at the last moment on a paper napkin, perhaps? — but it's a wry, witty observation on the relationship of Americans and our cars.

With that, have a happy Labor Day weekend!

I Shall Return

Every so often, the statistics report for this blog informs me of a big spike in visits to my 16-year-old post of R.C. Bowman cartoons about U.S. occupation of the Philippines in 1900. I've always guessed that some professor has that post on the syllabus. 

So, just in case some student clicks on the "Philippines" label in search of some extra credit, I like to keep my eyes open for more cartoons about the archipelago's American colonial period.

"The Little Dog with the Big Voice" by William Hanny in Philadelphia Inquirer, August 15, 1926

It just so happens that the Philippines were on American drawing boards in August of 1926.

President Calvin Coolidge sent a special commission headed by Colonel Carmi Thompson to the Philippines in late July to report back on conditions there 28 years after the U.S. took the islands at the end of the Spanish-American War.

Philippines Senator Sergio Osmena announced that Coolidge had promised him, "We are going to withdraw from the Philippines, but don't intend to leave you with limited resources. We desire to first assist you in promoting economic development sufficient for your self-support."

"He's Reached the Dangerous Age" by J.N. "Ding" Darling in Des Moines Register, August 6, 1926

Philippine desire for independence was nothing new. In "Ding" Darling's view, Americans were inattentive and indifferent to matters in the nation' far-off colony.

By the way, I'm not quite sure why Ding drew "Ordinary Citizen" and "Public Opinion" as two separate persons, or what relation they are to each other, since Uncle Sam is alarmed over "where our young son is." A throuple, perchance?

"High Time Somebody Was Watching" by J.N. "Ding" Darling in Des Moines Register, August 12, 1926

This cartoon makes a little more sense, even if 28 years is an awful long time to be struggling to get a fish in your boat.

Both cartoons cast (no pun intended) Governor General Leonard Wood, 66, as the person responsible for keeping the Philippines in line. The retired Major General was appointed Governor-General of the Philippines by Warren Harding, having been Governor of the southern, majority-Muslim Moro province during Teddy Roosevelt's administration.

"Rubberneck" by Robert E. Brady in Brooklyn Daily Eagle, August 2, 1926

Not everyone was as disinterested in the Philippines as Ding's Public Opinion appeared to be. U.S. rubber manufacturer Harvey Firestone was convinced that the Philippines were an ideal location to grow rubber trees for the American market, a commodity then almost exclusively contained to British colonies. Firestone urged the Coolidge administration to pressure the Philippine legislature to loosen property ownership laws to allow it to buy up land to grow rubber, perhaps as a prerequisite to independence.

One serious proposal would have had the U.S. annex Mindanao and other southern islands and grant independence to the rest of the Philippines.

"Guess Who'll Be the First Victim" by Jesse T. Cargill for Central Press Assn. ca. August 20, 1926

The Chicago Daily News was skeptical. "The United States, it is safe to say, will not grant independence for the sake of rubber, no matter how many native and American cliques favor such a dicker. The question of reasonable revision of land laws should be decided on its merits. Native interests should be protected, and exploitation of the islands by combines indifferent to principle or good faith should be barred."

"Another Channel Aspirant" by John T. McCutcheon in Chicago Tribune, August 10, 1926

McCutcheon's cartoon riffs on Gertrude Ederle's just-completed swim across the English Channel, and focuses on concerns that if the U.S. granted independence to the Philippines, the archipelago would soon be taken over by some other world power, such as Japan. There is a paternalistic attitude in many of the American cartoons on the Philippine issue, going back to the Spanish-American War and forward to independence in 1946.

"But I Want to Cross By Myself" by Robert Day in Los Angeles Times, July 30, 1926

"The tyrant is a new role for Uncle Sam to play," opined the Los Angeles Times, "one in which neither our cartoonists nor other people on this continent ever have dreamed of seeing him. But in the childlike mind of the excited Filipino, who clamors for independence as a small boy impatiently demands a huge piece of pie, regardless of whether or not it is likely to agree with him, our Government is as despotic as any of ancient Rome. 

"It seems impossible for any of these purblind people to appreciate the anomalous position they present to the world — the strange spectacle of 10,000,000 trying to get out of the United States, while at the same time more than 10,000,000 Europeans are anxious to get in, but must be denied admission."

"The Interested Party Seems to Be Interested" by Wm. Hanny in Philadelphia Inquirer, August 21, 1926

"It is not yet demonstrated that the routine resolutions of the Philippine legislature [demanding independence] express the majority opinion," averred the Oakland Tribune. "It is yet to be proved that the Filipinos have 'sufficient political maturity for independence.'"

Indeed, there were leaders of the Moslem minority who preferred governance by the far-off Americans to the prospect of rule by the local Catholic majority, leading the Fort Worth Telegram to conclude: "The United States should not grant independence until the Filipinos have gone through a long period of education and are a united people instead of an artificial union of  intensely hostile elements."

"The Ever-Shortening Fuse" by Dorman H. Smith for Newspaper Enterprise Assn., ca. August 25, 1926

As crises go, the Crisis in Philippine Affairs didn't capture Public Opinion's very long. Nor did whatever promises President Coolidge might have given Senator Osmena.

A Hot, Keenly Contested, Scrappy Campaign

Our Graphical History Tour has been revisiting recent history lately, so it must be time to catch up on the news from 100 Augusts ago. 

"So Busy He Didn't Notice Him" by E.R. McTaggart in Vancouver Daily Province, July 26. 1926

On July 18, 1926 the Boston Post printed a letter from Channing H. Cox, a former Governor of Massachusetts, proposing a union of the United States and Canada. The Post lauded the idea, apparently a pet cause of its Financial Editor, Arthur J. Bean, who wrote, "It is of paramount interest to New England, which, as shown by the map, reaches up into Canada like a giant hand of friendship."

The Post editorial barely registered elsewhere in the United States, but was front page news north of the border, where parliamentary elections were underway. The campaign of Conservative Prime Minister Arthur Meighen, heading a minority government that lost a no confidence vote in record time, seized upon the spectre of annexation by the U.S. as a weapon against recently ousted Liberal Prime Minister William Lyon Mackenzie King.

"Summer Studies" by Arthur G. Racey in Montreal Daily Star, August 10, 1926

King had nothing to do with the Boston Post editorial, but that didn't stop Canada's Tory press from running with the story.

On the campaign trail, King brandished a full-page article in the August 26, 1926 Toronto Telegram, purportedly taken from the Wall Street Journal, headlined "Mackenzie King Pictured as Wall Street's Hero — Financial Interests of U.S. Are Told That King and His Followers Believe Canada Should Be Free of British Influence."

King told his audience, "The article, according to the statement which appears at its head, has been written not in the States but in Canada. I venture to say it was written not very far from the office of the Toronto Telegram itself."

"Welcome the Wanderer" by George Shields in Toronto Evening Telegram, August 6, 1926

Shields's reference to John D. Rockefeller apparently comes from the Wall Street Journal article in question, which, according to the Telegram, identified King as "a graduate of Harvard University and late head of the Rockefeller Foundation."

In 1914, during a stretch when he was out of office, King did in fact come to New York to advise Rockefeller how to resolve a coal miners' strike in Colorado. Rockefeller asked King to stay on as a Standard Oil executive, but King returned to Ontario to resume his career in Canadian politics.

The Telegram article quoted the Journal as saying, "If Mr. King and his party succeed then Great Britain might just as well give up on the idea of a united empire. If, on the other hand, the Conservative Party is successful, it will mean that a Conservative Premier will take his place at the Imperial Conference and that Canada will have assured Great Britain that she has turned her feet toward a closer relationship with the Empire."

"The Axe Is His Way" by George Shields in Toronto Evening Telegram, August 9, 1926

Thomas L. Church was the Conservative candidate running as the incumbent for the Toronto Northwest constituency in the House of Commons. As such, the former Mayor of Toronto was strongly favored by the Telegram, so their cartoonist depicted him touting several of their shared causes as a sturdy platform for the Tories. They included "forcing" Canadian coal into Ontario in place of coal from the U.S.; and stopping Canadian farmers from illegally smuggling grain, oats, and barley to U.S. grain elevators for better prices than they could find domestically; and extending the Tories' longstanding "National Policy" of high protective tariffs.

Church would win this election, after which he threatened to launch a rebel “ginger group” within the party if Meighen were reelected as its chief standard bearer.

"The Anti-English Cry" by George Shields in Toronto Evening Telegram, August 17, 1926

King and the Liberals heaped criticism upon Governor General Baron Byng, who, as the crown's representative, had called upon Meighen to form a government when King had asked him to call for new elections.

The other head in Shields's cartoon is Henri Bourassa, a former Liberal from Quebec recently returned to Parliament as an Independent. Also the publisher of Le Devoir, Bourassa declared his full support of King and accused Byng of playing politics: "He put himself at the service of Mr. Meighen to satisfy either personal rancor or perhaps to serve the Imperial policy, for, after all, the Governor General is an employee of London, responsible for his acts to England and not to Canada.

"Poor Shooting" by Sam Hunter in Toronto Daily Star, August 17, 1926

"That is where the question becomes more grave than the customs inquiry," Bourassa concluded, bringing up the scandal hyped by Meighen's Conservative Party that was the reason for Lord Byng to dismiss Prime Minister King's government in the first place.

According to Sam Hunter's cartoon, the Canadian public agreed that the charges fell short of justifying a change in the government.

"Doesn't Desire to Be Rescued" by Sam Hunter in Toronto Daily Star, August 28, 1926

Neither did Hunter think Meighen's policy of restoring higher National Policy tariffs on U.S. goods and services from the 1920-21 Conservative-led government was a winning issue for the Tories. The sheet held aloft by Tax Payer reads "The Robb Budget Suits Me!", referring to James Robb ("Baldy" Robb in the Toronto Evening Telegram), Finance Minister in the Mackenzie King cabinet.

"I Was Assured This Was to Be a Hot, Keenly-contested, Scrappy Election Campaign" by Arthur G. Racey in Montreal Evening Star, August 23, 1926

Ah, well, and zut alors. I suppose it was as difficult to keep Jean Q. Publique interested in politics in the heat of summer. Especially when he had to vote on a new government every couple of months.

Happy Dyscentennial, Everybody

"Centennial Mirror" by American Oleograph Co., 1876. From Library of Congress 

I don't have a cartoon for the U.S. semicentennial in 1826, which the nation celebrated by killing off John Adams and Thomas Jefferson, so let's start our Graphical History Tour of Multimodiennial July Fourths with this political cartoon from the centennial year of 1876.

"Donkeys at the Centennial" by Frank Bellew in Harper's Weekly, New York, July 1, 1876

There must have been more celebratory cartoons about the U.S. turning 100, but Harper's Weekly's sole contribution that week was all about Democrats criticizing, I believe, the Centennial International Exhibition of Arts, Manufactures, and Products of the Soil and Mine. 

President Ulysses S. Grant opened the Centennial Exhibition in Philadelphia on May 10, 1876, where it ran for the next six months. U.S. exhibits included entries from 21 states on all topics covered by its official name, as well as on Native American heritage and the rights (such as they were) of women and the abolition of slavery. That last exhibit must have rankled southern Democrats and their sympathizers in the North.

If that wasn't the inspiration for Frank Bellew's cartoon, perhaps it had to do with Edward Mitchell Bannister's painting Under the Oaks, which was awarded first prize at the Exhibition until he arrived to accept the honor and the judges discovered that Bannister was Black. Only vehement protest by Bannister's fellow artists kept the judges from revoking their decision.

"The Centennial Transfer" in Frank Leslie's Illustrated Newspaper, New York, May 17, 1876

This cartoon from a critic of Grant's Republican administration probably took some of its inspiration from scandals in the Interior and War Departments exposed by investigations conducted by the Democratic majority in the House. 

General Joseph R. Hawley, a Republican politician from Connecticut, was president of the United States Centennial Commission. John Welsh was the president of the Centennial Board of Finance. In the cartoon, Welsh and Hawley present President Grant with the Centennial Exhibition building, and the insinuation is that Grant was not in control of graft and fraud in his cabinet.

The cartoon bore no signature, so I can't be certain whether it was the work of  Matt Morgan, Joseph Keppler, or some other Leslie's cartoonist.

1926

"Onward the Nation Goes Conquering the Heights" by Gustavo Bronstrup in San Francisco Chronicle, July 5, 1926

A while back, our Graphical History Tour observed the rise and fall of Miss Columbia as a symbol of the United States. She was still around to celebrate the nation's sesquicentennial in 1926, at least on the drawing boards of cartoonists old enough to remember the centennial.

As in 1876, the nation's premier party was in Philadelphia, hosting a World's Fair from May 31 to November 30. Controversy — including lawsuits and fines levied against workers — arose from having the fair open on July 4, because it was a Sunday: "Blue" laws forbade non-essential business from operating on the Lord's Day.

The Sesquicentennial International Exposition opened anyway.

The Brooklyn Daily Eagle noted "That the sesquicentennial of our independence should fall on a Sunday adds to the impressiveness of the anniversary. This holiday will doubtless be not only safe and sane, but more than usually solemn. A degree of solemnity will not be out of place... "

"The Forty-Eight Stars of Liberty" by Wm. A. Rogers in Washington Post, July 4, 1926

John Adams had written that Independence Day (by which he meant July 2) should be commemorated "by solemn acts of devotion to God Almighty..."

"Ding" Darling, however, who was born in 1876, predicted that not everybody would appreciate a degree of solemnity just because the Fourth fell on the Lord's Day in his fiftieth year.

"Celebrating the Right to Life, Liberty, and the Pursuit of Happiness..." by J.N. "Ding" Darling in Des Moines Register, July 4, 1926

Of course, John Adams also called for "pomp and parades, with shows, games, sports, guns, bells, bonfires and illuminations, from one end of this continent to the other, from time forward forevermore."

Boys — and occasionally men — celebrating life, liberty, and the pursuit of bodily injury with  firecrackers was a longstanding staple of Independence Day editorial cartoons. So we'll let Mr. Darling's entry stand for all the other cherry bomb toons for this particular year.

"Quite a Husky Kid for His Age" by Dorman H. Smith for Newspaper Enterprise Assn., ca. July 3, 1926

The United States often thought of itself, and been regarded by the major European powers, as a youngster among nations. By 1926, however, there were younger eastern European and near Asian countries that emerged from the rubble of World War I. 

One could interpret Dorman Smith's cartoon to suggest that the U.S. was starting to get too big for its britches; maybe he was hinting that it was time for the kid to graduate into some big boy pants.

"There's a Tie That Binds Us Still" by J.P. Alley in Commercial Appeal, Memphis, July 4, 1926

If Dorman Smith had Mother Earth happy for America's birthday, J.P. Alley focuses on one foreign nation, citing the improvement in American relations with our erstwhile colonial master since our break-up. 

Editorial cartoonists being a rather cantankerous sort, there were some political jabs on certain editorial pages that July 4.

"The Bad, Old-Fashioned Fourth" by Nelson Harding in Brooklyn Daily Eagle, July 4, 1926

Okay, just one more cartoon of things going bang bang. Nelson Harding brings up congressional hearings on the millions of dollars being poured into primary election races for statehouse and the U.S. Senate that spring. 

The other night, I heard Ali Velshi state that the fight to control campaign spending has been going on for half a century. This cartoon demonstrates that the fight has been going on at least twice as long.

"Re-Declaring Our Independence" by O.C. Chopin in San Francisco Examiner, July 5, 1926

Oscar Chopin used the holiday to reiterate his faith in isolationism, shared by many Republicans and the Hearst newspapers for which he drew.

This cartoon looks an awful lot like the template used for a cartoon of his we visited four years ago.

"The Sesqui Centennial in Cartoons" by Marvin P. "Hay" Bales in Daily Worker, Chicago, July 3, 1926

Communist labor cartoonist Hay Bales offered this sour history of the United States for the nation's sesquicentennial.

In his telling, the North won the Civil War because of its advantage in industrial and financial capital, resulting in a centralized federal government. He termed the Spanish-American War "the first military move of the U.S. in the field of imperialist conquest" (Mexico and Native American nations might beg to differ); he attributed U.S. entry into World War I to the same motivation.

1976

by Ranan Lurie for Los Angeles Times, ca. July 3, 1976

Jumping ahead another fifty years, Miss Columbia had been replaced on American drawing boards by the Statue of Liberty (a trend already begun by 1926).

by Tony Auth in Philadelphia Inquirer, July 4, 1976

The U.S. Bicentennial was greeted with an explosion of clip art, per Tony Auth and Frank Interlandi.

"Happy Birthday, America" by Frank Interlandi in Los Angeles Times, July 4, 1976

As well as explosions of the pyrotechnical ooh and ahh variety.

"I Hope They Know How Lucky They Are" by Douglas Borgstedt for Copley News Service, July 4, 1976

Douglas Borgstedt used the holiday to highlight the difference in liberty in the United States and in the Eastern Bloc nations controlled by Moscow.

by Dwayne Powell in Raleigh Times & Observer, July 4, 1976

May I say that it's nice to see that, with all these cartoons starring George Washington, Abe Lincoln, Ben Franklin, Miss Columbia, Uncle Sam, Lady Liberty, and the Bald Eagle, someone finally remembered to give Thomas Jefferson some credit for the Declaration of Independence.

Incidentally, you may have noticed the absence from these cartoons from 1926 and 1976 of the president in office at the time. Hay Bales included Woodrow Wilson in his sesquicentennial cartoon, but the man had been dead for two years, and was no hero of the radical movement besides. 

But while Ulysses S. Grant, Calvin Coolidge, and Gerald Ford certainly participated in special Independence Day celebrations, they in no way turned them into spectacles of personal self-aggrandizement.

Those of us who experienced the Bicentennial have regrets that the spirit of coming together in celebration then is not what we are witnessing now. To a certain extent, that's because we were young then and now we're not. A recent Christian Science Monitor column, "Can a Divided U.S. Celebrate Its 250th Together?" tried to sum up the tenor of the time:

Back then, the nation also felt fractious, stressed, and war-weary, says Marc Stein, a historian at San Francisco State University and author of “Bicentennial: A Revolutionary History of the 1970s.” Crime was up. Energy prices were high. New York City, the flotilla’s host, had become a byword for urban dysfunction and debt. Some questioned whether it was even safe for Operation Sail.

President Gerald Ford, who had assumed office in 1974 after Richard Nixon resigned over Watergate, was among those who “hoped to use the bicentennial to ‘turn the page’ and ‘begin a new chapter’ with a patriotic and unifying celebration,” says Professor Stein via email. They largely succeeded, and many still remember the parties and parades held across the country.

"When in the Course of Current Events" by Paul Conrad in Los Angeles Times, July 4, 1976

Let's not pretend, however, that the Bicentennial occurred during an unadulterated Era of Good Feeling. If there were editorial cartoons to spoil the party in 1926, there were a few of the same in 1976. Paul Conrad pointed out that there were still Americans seeking a "more perfect union": immigrant workers, laborers, women, Blacks, and Native Americans.

"Birthday Hangover" by Frank in Pittsburgh Courier, July 10, 1976

This cartoonist enumerated a number of Black Americans' complaints in the aftermath of the Bicentennial, including our since forgotten backing of an anticommunist militia battling for control of Angola after its independence from Portugal in 1975, and governmental tolerance of the apartheid regime in South Africa.

Conservatives found reason to grouse, too:

Eugene Payne on WSOC-TV, Charlotte NC, ca. July, 1976

I'm guessing that Eugene Payne's cartoon was in color on TV, but unfortunately, I don't have a screenshot of it.

Jerry Falwell had not yet founded his Moral Majority political action machine, but a backlash was growing against the trend toward permissiveness, civil liberties, and pluralism of the previous decade. In a few years, it would gel into a partisan force empowering the Republican Party, even after its preachers were exposed as hypocrites for their enthusiastic support of the present completely amoral GOP standard bearer.

But that's a topic for...

2026

"American Colosseum" by Howard McWilliam in The Week, June 12, 2026

I won't be surprised to see a few celebratory editorial cartoons show up today, but I think the sub-head on this recent cover of The Week accurately sums up how most of us feel about the nation's semiquincentennial. Joel Pett had a cartoon this week that expresses my sentiments perfectly.

It's not just us woke liberal dummocrats, either; The Week's June 12 edition paraphrases some conservatives' opinions:

"America's 250th birthday party 'won't be much of a celebration at all.'" ― Jeffrey Blehar, National Review

"Gladiatorial combat is just one way Trump has turned our national birthday into 'a royalist celebration of himself.'... Trump has 'made a pitiful shambles of what should have been a glorious moment.'" ― David Frum, The Atlantic

"Rather than be demoralized by Trump's effort to hijack our holiday, we can view this July 4 as an opportunity for a renewed dedication to the real meaning of Independence Day. We can look away from Trump's sad simulacrum of kingly spectacles in Washington, D.C." ―William Kristol, The Bulwark

2076

To those of you who will be around to celebrate the Tricentennial: first of all, I hope that there is one. I hope that it finds you during more harmonious times.

Mind you, "more harmonious," like "a more perfect union," is in the eye of the beholder.