What Kind of Nation Elects a Fascist?

The answer may depress you.

I'll give you a hint: not a great one.

for Q Syndicate, Oct. 2004

Today's Graphical History Tour kicks off with a cartoon I drew 20 years ago when George W. Bush was sailing on a swiftboat to reelection. It expressed my feelings about his GOProud supporters then, and seems a propos to the several demographics who, having witnessed the shitshow that was Donald Berzelius Trump's first term, decided to ask for another.

Rather than the usual recap of my cartoons from 40, 30, 20, and 10 years ago, I feel that I just can't ignore the foreboding of what's in store during the next four.

When the outcome of last week's election could no longer be denied, I changed my personal Facebook photo, which had been of my "I Voted Today" sticker and buttons for three of the people I voted for, to this cartoon that I had drawn the first time our Electoral College handed the nation over to Donald Trump:

for Q Syndicate, November, 2016

I soon learned that my esteemed colleague, Jack Ohman, had just published an extremely similar cartoon, based on the same Bill Mauldin classic that had inspired mine.

That is what we in the editorial cartoon biz call a "Yahtzee." Jack and I independently came up with the same idea, based on the same subject matter familiar to both of us, to express the same reaction to (more or less) the same news event. Or, in this case, the recrudescence of the same news event eight years later.

To be quite honest, however, neither of our Lincoln Memorial Barfing cartoons quite capture my reaction this time around. The election of Trump for a second reich, this time with the support of an actual majority of my fellow Americans, feels more like seeing a dog eating its own vomit.

I’m not drawing that cartoon. 

Pat Bagley drew a slightly more sanitized version of that sort of idea anyway, and it was still too risqué for his editors at the Salt Lake Tribune. I don't like to swipe my colleagues' work here, but I think you need to see what I’m talking about.

"Lap Lap Lap..." by Pat Bagley for Salt Lake Tribune, Nov. 9, 2024

At this point, we’ve moved on from the initial shock and horror of Trump’s election, to the ever-accumulating nausea and dread of one outrageous cabinet appointment after another to the impending cabinet of Dr. Tarr and Professor Fether.

I tried warning everyone about it with last week’s Graphical History Tour, but obviously, I wasn’t forceful enough. 

I didn't include this next cartoon last week lest it prove prophetic:

January, 2021

Perhaps I should have.

It has been noted that if you've ever wondered what you would have done when the Nazis took over Germany, congratulations, you're doing it now.

Having seen the cartoons of Ben Garrison, Chip Bok, Gary Varvel, Henry Payne, and others gloating over the November 5 results, I'd suggest my colleagues substitute the word "drawing" for "doing."

Since this post is supposed to be about history, here's a little taste of what Germany's cartoonists were drawing when Hitler came to power on January 30, 1933.

"Die Meistersinger (Dritter Aufzug) by Werner Hahmann in Kladderadatsch, Berlin, Feb. 12, 1933

The Garrison types were in charge at the Berlin satirical weekly Kladderadatsch, where Hitler's rise to power was greeted with the above paraphrase of the poet Hans Sachs, a leading character in Richard Wagner's Die Meistersinger von Nürnberg. (February, 1933 happened to be the 50th anniversary of Wagner's death, so there were a number of cartoons referencing the composer at the time.)

"Immer Sein Kampf..." by Karl Arnold in Simplicissimus, Munich, Feb. 5, 1933

Simplicissimus, published in Munich since 1896, was a center-left counterpart to Berlin's Kladderadatsch. Its satire became less pointed during The Great War, under pressure to be patriotic; it was no friend of the Nazis during the Weimar period, however.

I don't know whether the date on their February 5, 1933 issue is when it hit the newsstands, or the date until which it was intended to remain on the newsstands, but the cover cartoon's intention was clearly to mock the prospect of a Hitler chancellorship on the strength of a bunch of hayseeds from the Teutoburg forest area.

"Zur Verfassung des Deutschen Reiches" by Karl Arnold in Simplicissimus, Stuttgart, March 12, 1933

Shortly after Hitler's rise to power, Simplicissimus had found it necessary to decamp from Munich to Stuttgart.

"Wagner in Walhall" by Thomas Th. Heine in Simplicissimus, Munich, February 12, 1933

Having already spent time in prison for publishing a cartoon critical of Kaiser Wilhelm in 1898, editor Thomas Theodor Heine appears to have shied away from satire targeting individual politicians. I don't detect a political subtext in his tribute to Wagner; yet Heine still had commentary to offer about the new government's plans to fix the German economy.

"Vierjahresplan" by Th. Th. Heine in Simplicissimus, Munich, Feb. 26, 1933

Within months, Heine, a Jew, was ousted from the magazine and would flee to Czechoslovakia. When that, too, proved unsafe, he moved to Norway, and finally to Sweden, where he died in 1948. His last cartoon in Simplicissimus was in the April 1, 1933 edition, under the appropriate title, "Epilogue." 

"Epilog" by Th. Th. Heine in Simplicissimus, Stuttgart, April 1, 1933